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ORRENTE, Pedro Oil Painting Reproductions
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ORRENTE, Pedro The Supper at Emmaus ag oil


ORRENTE, Pedro
The Supper at Emmaus ag
Painting ID::  8382
new1/ORRENTE, Pedro1.jpg 		The Supper at Emmaus ag
1620s Oil on canvas, 81 x 101 cm Museum of Fine Arts, Budapest
   
   
     
ORRENTE, Pedro Christ at Emmaus (detail) ah oil


ORRENTE, Pedro
Christ at Emmaus (detail) ah
Painting ID::  8383
new1/ORRENTE, Pedro2.jpg 		Christ at Emmaus (detail) ah
1620s Oil on canvas Museum of Fine Arts, Budapest
   
   
     
ORRENTE, Pedro The Miracle of the Loaves and Fishes oil


ORRENTE, Pedro
The Miracle of the Loaves and Fishes
Painting ID::  29162
new3/ORRENTE, Pedro-692366.jpg 		The Miracle of the Loaves and Fishes
mk65 Oil on canvas 42x53 1/2"
   
   
     
ORRENTE, Pedro St.Sebeastian oil


ORRENTE, Pedro
St.Sebeastian
Painting ID::  32882
new9/ORRENTE, Pedro-923548.jpg 		St.Sebeastian
mk84 ca.1616 Valencia, Cathedral, canvas 306x219cm
   
   
     
ORRENTE, Pedro The Sacrifice of Isaac oil


ORRENTE, Pedro
The Sacrifice of Isaac
Painting ID::  52674
new19/ORRENTE, Pedro-336664.jpg 		The Sacrifice of Isaac
1616 Oil on canvas, 133 x 167 cm
   
   
     
ORRENTE, Pedro The Supper at Emmaus oil


ORRENTE, Pedro
The Supper at Emmaus
Painting ID::  62323
new21/ORRENTE, Pedro-426366.jpg 		The Supper at Emmaus
81 x 101 cm Museum of Fine Arts, Budapest The Supper at Emmaus is set in a contemporary inn as in the famous composition of Caravaggio and thus it is genre-like. The foreground is composed as a still-life, its elements are typical in contemporary Spanish painting. The influence of Bassano can be clearly seen. However, the colours shows the Spanish 'tenebroso" tint. Variants of similar quality are in Bilbao museum and in Madrid, private collection. Secularized variant of the same composition (Christ is turned into a dice player) is in Mil?colletion, Barcelona
   
   
     
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     ORRENTE, Pedro
     Spanish Baroque Era Painter, 1580-1645 Spanish painter. He is one of the most interesting artists of his day. His father, Jaime Orrente, was a merchant from Marseille, his mother, Isabel Jumilla, from Murcia. By 1600 Orrente was active in Toledo, where he was commissioned to paint a retable (untraced). In 1607 and again in 1611 he was in Murcia, and a journey to Italy recorded by Jusepe Mart?nez and Palomino must have taken place between those years. It seems certain that he visited Venice and met Leandro Bassano

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