Nicolas Poussin Orpheus und Eurydike Painting ID:: 96114 new26/Nicolas Poussin-986879.jpg
Orpheus und Eurydike circa 1650 - 1653
Medium oil on canvas
Dimensions 120 X 200 cm
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Nicolas Poussin Landscape with Hercules and Cacus Painting ID:: 96116 new26/Nicolas Poussin-886965.jpg
Landscape with Hercules and Cacus 1659-1661
Medium oil on canvas
Dimensions 156,5 x 202 cm
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Nicolas Poussin Landscape with a Man Drinking or Landscape with a Man scooping Water from a Stream Painting ID:: 96117 new26/Nicolas Poussin-685463.jpg
Landscape with a Man Drinking or Landscape with a Man scooping Water from a Stream circa 1637
Medium oil on canvas
Dimensions 63 x 78 cm
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Nicolas Poussin Paysage avec Junon et Argus Painting ID:: 96118 new26/Nicolas Poussin-486366.jpg
Paysage avec Junon et Argus circa 1636-1637
Medium oil on canvas
Dimensions 120 x 195 cm
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Nicolas Poussin Paisaje con ruinas Painting ID:: 96119 new26/Nicolas Poussin-944988.jpg
Paisaje con ruinas circa 1634
Medium oil on canvas
Dimensions 72 x 98 cm
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Nicolas Poussin Paysage avec saint Jerome Painting ID:: 96120 new26/Nicolas Poussin-746985.jpg
Paysage avec saint Jerome 1637-1638
Medium oil on canvas
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Nicolas Poussin Paysage avec une femme se lavant les pieds Painting ID:: 96121 new26/Nicolas Poussin-458894.jpg
Paysage avec une femme se lavant les pieds 1650(1650)
Medium oil on canvas
Dimensions 116,5 x 174,7 cm
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Nicolas Poussin Paysage par temps calme Painting ID:: 96122 new26/Nicolas Poussin-555964.jpg
Paysage par temps calme circa 1651
Medium oil on canvas
Dimensions 99 x 132 cm
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Nicolas Poussin Paysage avec saint Jean a Patmos Painting ID:: 96123 new26/Nicolas Poussin-344439.jpg
Paysage avec saint Jean a Patmos 1640(1640)
Medium oil on canvas
Dimensions 102 x 133 cm
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Nicolas Poussin Paysage avec un homme effraye par un serpent Painting ID:: 96124 new26/Nicolas Poussin-665778.jpg
Paysage avec un homme effraye par un serpent circa 1633-1635
Medium oil on canvas
Dimensions 65 x 76 cm
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Nicolas Poussin Landscape with Orion or Blind Orion Searching for the Rising Sun Painting ID:: 96125 new26/Nicolas Poussin-863597.jpg
Landscape with Orion or Blind Orion Searching for the Rising Sun 1658
Medium oil on canvas
Dimensions 119.1 X 182.9 cm (46.9 X 72 in)
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Nicolas Poussin L orage Painting ID:: 96126 new26/Nicolas Poussin-749396.jpg
L orage vers 1651
Medium huile sur toile
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Nicolas Poussin Vue de Grottaferrata avec Venus, Adonis et une divinite fluviale Painting ID:: 96127 new26/Nicolas Poussin-436538.jpg
Vue de Grottaferrata avec Venus, Adonis et une divinite fluviale circa 1626
Medium oil on canvas
Dimensions 77 x 202 cm
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Nicolas Poussin L ete ou Ruth et Booz Painting ID:: 96128 new26/Nicolas Poussin-443696.jpg
L ete ou Ruth et Booz between 1660(1660) and 1664
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Nicolas Poussin Summer Painting ID:: 96129 new26/Nicolas Poussin-347869.jpg
Summer 1660-1664
Medium oil on canvas
Dimensions 1.18 X 1.6 m (1.3 X 1.7 yd)
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Nicolas Poussin Lete ou Ruth et Booz Painting ID:: 96130 new26/Nicolas Poussin-988435.jpg
Lete ou Ruth et Booz 1660 - 1664
Medium oil on canvas
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Nicolas Poussin Nicolas Poussin of either Jupiter and Antiope or Venus and Satyr Painting ID:: 98149 new26/Nicolas Poussin-776583.jpg
Nicolas Poussin of either Jupiter and Antiope or Venus and Satyr 17th century
Source ArtDaily.org
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French 1594-1665 Nicolas Poussin Galleries
The finest collection of Poussin's paintings, in addition to his drawings, is located in the Louvre in Paris. Besides the pictures in the National Gallery and at Dulwich, England possesses several of his most considerable works: The Triumph of Pan is at Basildon House, near to Pangbourne, (Berkshire), and his great allegorical painting of the Arts at Knowsley. The later version of Tancred and Erminia is at the Barber Institute in Birmingham. At Rome, in the Colonna and Valentini Palaces, are notable works by him, and one of the private apartments of Prince Doria is decorated by a great series of landscapes in distemper.
Throughout his life he stood aloof from the popular movement of his native school. French art in his day was purely decorative, but in Poussin we find a survival of the impulses of the Renaissance coupled with conscious reference to classic work as the standard of excellence. In general we see his paintings at a great disadvantage: for the color, even of the best preserved, has changed in parts, so that the harmony is disturbed; and the noble construction of his designs can be better seen in engravings than in the original. Among the many who have reproduced his works, Audran, Claudine Stella, Picart and Pesne are the most successful.