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Moritz von Schwind Oil Painting Reproductions

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Moritz von Schwind Fairy Dance in the Alder Grove (mk09) oil


Moritz von Schwind
Fairy Dance in the Alder Grove (mk09)
Painting ID::  21410
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Fairy Dance in the Alder Grove (mk09)
c 1844 Oil on panel,62.8 x 84 cm Frankfurt am Main,Stadelsches Kunstinstitut
   
   
     

Moritz von Schwind Fairy Dance in the Alder Grove (mk22) oil


Moritz von Schwind
Fairy Dance in the Alder Grove (mk22)
Painting ID::  22801
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Fairy Dance in the Alder Grove (mk22)
c 1844 Oil on wood panel,62.8 x 84 cm Frankfutr am Main.Stadelsches Kunstinstitut und Stadtische Galerie
   
   
     

Moritz von Schwind A Hermit Leading Horses to the Trough (mk22) oil


Moritz von Schwind
A Hermit Leading Horses to the Trough (mk22)
Painting ID::  22802
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A Hermit Leading Horses to the Trough (mk22)
c 1845 Oil on wood panel,46.7 x 38.5 cm Munich,Bayerische Staatsgemaldesammlungen,Schack-Galerie
   
   
     

Moritz von Schwind Fairy Dance in the Alder Grove oil


Moritz von Schwind
Fairy Dance in the Alder Grove
Painting ID::  33910
new9/Moritz von Schwind-996796.jpg
Fairy Dance in the Alder Grove
mk87 c.1844 Oil on panel 62.8x84cm Frankfurt am Main,Stadelsches Kunstinstitut
   
   
     

Moritz von Schwind The Rose,or The Artist-s Journey oil


Moritz von Schwind
The Rose,or The Artist-s Journey
Painting ID::  38589
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The Rose,or The Artist-s Journey
mk138 1846/47 Oil on canvas 216x134cm
   
   
     

Moritz von Schwind Honeymoon oil


Moritz von Schwind
Honeymoon
Painting ID::  40721
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Honeymoon
mk156 1867 Oil on wood 52x41cm
   
   
     

Moritz von Schwind Farewell at Dawn oil


Moritz von Schwind
Farewell at Dawn
Painting ID::  43850
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Farewell at Dawn
1859 Oil on cardboard, 36 x 24 cm
   
   
     

Moritz von Schwind A Symphony oil


Moritz von Schwind
A Symphony
Painting ID::  43874
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A Symphony
1852 Oil on canvas, 169 x 100 cm
   
   
     

Moritz von Schwind A Player with a Hermit oil


Moritz von Schwind
A Player with a Hermit
Painting ID::  43999
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A Player with a Hermit
c. 1846 Oil on cardboard, 61 x 46 cn
   
   
     

Moritz von Schwind Early Morning oil


Moritz von Schwind
Early Morning
Painting ID::  44006
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Early Morning
1858 Oil on canvas, 34 x 40 cm
   
   
     

Moritz von Schwind the morning hour oil


Moritz von Schwind
the morning hour
Painting ID::  56246
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the morning hour
mk247 1858,oil on canvas,13.375x15.75 in,34x40 cm,schack galerie,munich,germany
   
   
     

Moritz von Schwind Landscape with Wanderer oil


Moritz von Schwind
Landscape with Wanderer
Painting ID::  62455
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Landscape with Wanderer
1835 Brown pen on yellowish paper, 428 x 271 mm Albertina, Vienna The landscapes of Schwind are poetic and fairytale-like creations. Below a mountain bridge with a view of a distant, hilly landscape a man can be seen sunk in contemplation; the back of the wanderer with a harp slung over his shoulder also has a nostalgic effect. Author: SCHWIND, Moritz von Title: Landscape with Wanderer Form: graphics , 1801-1850 , Austrian , landscape
   
   
     

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     Moritz von Schwind
     Austrian Romantic Painter, 1804-1871 Austrian painter and illustrator. He studied at the Akademie der Bildende K?nste in Vienna (1821-3), where he was influenced by the Biedermeier genre painter Peter Krafft and the Nazarene painter Ludwig Ferdinand Schnorr von Carolsfeld. He made copies after the Old Masters at the Belvedere in Vienna, exploring especially D?rer, Albrecht Altdorfer, Raphael and Titian, which completed his early, largely autodidactic experience of art. His friendship with Franz Schubert, the poet and playwright Franz Grillparzer and the painters Ferdinand and Friedrich Olivier, as well as the cultural environment of Biedermeier Vienna in his years there between 1823 and 1828, shaped his spiritual development as a painter. His love of music inspired his later 'symphonic' compositions and flowing linear rhythms. Extensive reading of the work of Romantic writers such as Achim von Arnim, Clemens von Brentano, Ludwig Tieck, Friedrich Heinrich von Hagen and the brothers Jacob and Wilhelm Grimm helped prepare his mature pictorial themes of fairytales, legends and sagas. He was unsuccessful as a painter and eked out a meagre livelihood by drawing naturalistic genre scenes for engravers, while occasionally selling a painting. Walk before the City Gate

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