Max Slevogt The Alster at Hamburg (mk09) Painting ID:: 21586 new6/Max Slevogt-453769.jpg
The Alster at Hamburg (mk09) 1905
Oil on canvas,59 x 76 cm
Berlin,Nationalgalerie,Staatliche Museen zu Berlin-Preussischer Kulturbesitz
Max Slevogt Sunny Garden Corner in Neukastel (nn02) Painting ID:: 23222 new8/Max Slevogt-478983.jpg
Sunny Garden Corner in Neukastel (nn02) 1921
Oil on canvas,35 1/2 x 43 1/4'' Bayerische Staatsgemaldesammlungen,Neue Pinakothek,Munich
Max Slevogt The Alster at Hamburg Painting ID:: 34028 new9/Max Slevogt-973729.jpg
The Alster at Hamburg mk87
1905
Oil on canvas
59x76cm
Berlin,Nationalgalerie,Staatliche Museen zu Berlin Preussischer Kulturbesitz
Max Slevogt The Singer Francisco d-Andrade as Don Giovanni Painting ID:: 38672 new12/Max Slevogt-587636.jpg
The Singer Francisco d-Andrade as Don Giovanni mk138
1912
Oil on canvas
210x170cm
Max Slevogt Red Pergola with Dog Painting ID:: 38833 new12/Max Slevogt-979993.jpg
Red Pergola with Dog mk141
1897
Oil on cardboard mounted on Wood
68.2x98.1cm
Max Slevogt Penthesilea Painting ID:: 44970 new16/Max Slevogt-958782.jpg
Penthesilea mk184
]1905/06
chalk-and Tuschlithographie on carton 29x41.2cm
Max Slevogt Symbols of the time as well as long yet Painting ID:: 44971 new16/Max Slevogt-998567.jpg
Symbols of the time as well as long yet mk184
Lithographie
45x34.5cm
Max Slevogt Selbstbidnis with hat and cane Painting ID:: 44972 new16/Max Slevogt-739626.jpg
Selbstbidnis with hat and cane mk184
1908
Lithographie
31.3x29.9cm
Max Slevogt Dacne of Death Painting ID:: 54310 new19/Max Slevogt-366647.jpg
Dacne of Death mk235
1896
Oil on canvas
102x123cm
Max Slevogt Max Slevogt Painting ID:: 54316 new19/Max Slevogt-878563.jpg
Max Slevogt mk235
1901
Oil on canvas
81.5x65.7cm
Max Slevogt The Alster at Hamburg Painting ID:: 54319 new19/Max Slevogt-375253.jpg
The Alster at Hamburg mk235
1905
oil on canvas
Max Slevogt At the Races Painting ID:: 54324 new19/Max Slevogt-949442.jpg
At the Races mk235
1909
Oil on canvas
52.5x74cm
Max Slevogt Steinbart Villa Painting ID:: 54326 new19/Max Slevogt-552955.jpg
Steinbart Villa mk235
1911
Oil on canvas
85.5x105.5cm
Max Slevogt tiger in the jungle Painting ID:: 56504 new20/Max Slevogt-246924.jpg
tiger in the jungle mk247
1917,oil on canvas,22.625x27.625 in,57.4x70 cm,hamburger kunsthalle,hamburg,germany
Max Slevogt Der Sanger Francisco Painting ID:: 67629 new23/Max Slevogt-864644.jpg
Der Sanger Francisco Der Sanger Francisco d'Andrade al Don Giovanni in Mozarts Oper, 1912
One of three paintings by Slevogt that portrait d'Andrade in this role.
The painting depicts the scene when Don Giovanni invites the dead Commendatore to dinner (O statua gentilissima), with Leporello hiding behind him.
Oil on canvas, 210 X 170 cm
Gallery: Alte Nationalgalerie Berlin, A II 36
Max Slevogt Don Juans Begegnung mit dem steinernen Gast, Painting ID:: 72134 new23/Max Slevogt-578789.jpg
Don Juans Begegnung mit dem steinernen Gast, Don Juans Begegnung mit dem steinernen Gast, 1906
Oil on cardboard, 37.2 X 53.2 cm
Max Slevogt Portrat Nina und Wolfgang Slevogt Painting ID:: 72199 new23/Max Slevogt-565696.jpg
Portrat Nina und Wolfgang Slevogt Porträt Nina und Wolfgang Slevogt (Kinder im Wald), 1917
Oil on canvas, 115 X 92 cm
Max Slevogt Don Giovannis Begegnung mit dem steinernen Gast Painting ID:: 73747 new24/Max Slevogt-677387.jpg
Don Giovannis Begegnung mit dem steinernen Gast Oil on cardboard, 37.2 X 53.2 cm
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Max Slevogt Kinder im Wald Painting ID:: 73822 new24/Max Slevogt-433534.jpg
Kinder im Wald 1917
Oil on canvas, 115 X 92 cm
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Max Slevogt Portrait of Julius Freund Painting ID:: 78107 new24/Max Slevogt-497868.jpg
Portrait of Julius Freund 1925(1925)
Oil on canvas
110 x 81 cm (43.3 x 31.9 in)
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Max Slevogt Portrait of Julius Freund Painting ID:: 81440 new24/Max Slevogt-538958.jpg
Portrait of Julius Freund 1925(1925)
Medium Oil on canvas
Dimensions 110 x 81 cm (43.3 x 31.9 in)
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Max Slevogt Unter einem Baum Painting ID:: 83431 new24/Max Slevogt-798584.jpg
Unter einem Baum Date 1901(1901)
Medium Oil on canvas
Dimensions 58.5 x 76.5 cm (23 x 30.1 in)
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Max Slevogt Familie Slevogt im Garten von Godramstein Painting ID:: 86006 new25/Max Slevogt-843455.jpg
Familie Slevogt im Garten von Godramstein Medium Oil on canvas
Dimensions 160 x 200 cm (63 x 78.7 in)
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Max Slevogt Heide und Baume Painting ID:: 87600 new25/Max Slevogt-595966.jpg
Heide und Baume Date 1910(1910)
Medium Oil on canvas
Dimensions 70.2 x 60.2 cm (27.6 x 23.7 in)
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Max Slevogt Dame in gelbem Kleid mit gelber Rose Painting ID:: 89062 new25/Max Slevogt-866857.jpg
Dame in gelbem Kleid mit gelber Rose 1918(1918)
Medium oil on canvas
Dimensions Deutsch: 180 x 119 cm
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Max Slevogt Study of Lions Painting ID:: 97301 new26/Max Slevogt-976556.jpg
Study of Lions 1907(1907)
Medium oil on canvas
Dimensions 21 X 26 in
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German Impressionist Painter, 1868-1932
German painter, printmaker and illustrator. His father, adjutant and friend of the future Prince Regent, Luitpold (1821-1912), died when Slevogt was just two years old. His mother moved to Werzburg, where he spent his schooldays. Even in his childhood and adolescence, family connections brought Slevogt to Pfalz, to an aunt in Landau and to the Finkler family in Neukastel. Initially he had planned to become a musician, but he began to study painting at the Akademie der Bildenden Kenste in Munich in 1885. His fellow students included Gabriel von Hackl (1843-1926), Karl Raupp (1837-1918), Ludwig Herterich (1856-1932) and Wilhelm von Diez (1839-1907). In 1889 he spent a term at the Academie Julian in Paris. At that time Impressionism had very little effect on him. Following a trip to Italy in 1890 with the painter Robert Breyer (1866-1941) who had befriended him at the Akademie, he began to work independently as a painter in Munich. In 1893 he participated in the first exhibition of the newly founded Munich Secession, exhibiting Wrestling School (1893; Edenkoben, Schloss Villa Ludwigshehe); the judges wanted to refuse this painting as immoral since its entwined and naked men caused offence. In the following years his paintings often appeared harsh and non-academic to conservative Munich circles. At this time Slevogt also made contributions to the journals Jugend and Simplizissimus, which were significant in the development of his graphic work.