Matthias Grunewald St Antony the Hermit Painting ID:: 52034 new19/Matthias Grunewald-885244.jpg
St Antony the Hermit c. 1515
Oil on wood,
232 x 75 cm
Matthias Grunewald Concert of Angels and Nativity Painting ID:: 52035 new19/Matthias Grunewald-486452.jpg
Concert of Angels and Nativity c. 1515
Oil on wood,
265 x 304 cm
Matthias Grunewald The Resurrection Painting ID:: 52036 new19/Matthias Grunewald-997644.jpg
The Resurrection c. 1515 Oil on wood
Matthias Grunewald Annunciation and Resurrection Painting ID:: 52037 new19/Matthias Grunewald-445928.jpg
Annunciation and Resurrection c. 1515
Oil on wood,
Matthias Grunewald Sts Paul and Antony in the Desert Painting ID:: 52038 new19/Matthias Grunewald-245748.jpg
Sts Paul and Antony in the Desert c. 1515
Oil on wood,
265 x 141 cm
Matthias Grunewald Lamentation of Christ before 1523 Painting ID:: 52044 new19/Matthias Grunewald-363227.jpg
Lamentation of Christ before 1523 Oil on pine wood
36 x 136 cm
Matthias Grunewald Yisenhaimu altar painting, Good Friday to map Painting ID:: 56843 new20/Matthias Grunewald-763324.jpg
Yisenhaimu altar painting, Good Friday to map mk250 Yisenhaimu Germany, from San Antonio hospital chapel next. About the year 1510-1515. On-board painting, mosaic in the middle board 298.5 x 327.7 cm. Flank for the 250.2 x 340.4 cm. Taiwan altar on the painting of vertical sat 74.9 x 340.4 cm. Keer Ma, Ante Linden Museum.
Matthias Grunewald Verspottung Christi Painting ID:: 72753 new24/Matthias Grunewald-366694.jpg
Verspottung Christi Date 1503-1505
Medium Oil on wood
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Matthias Grunewald Erasmus durch Hl Painting ID:: 84323 new25/Matthias Grunewald-565573.jpg
Erasmus durch Hl English: c. 1517-1523
Medium Oil on wood
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Matthias Grunewald The Lamentation Painting ID:: 85935 new25/Matthias Grunewald-984435.jpg
The Lamentation 1515(1515)
Medium Oil on wood
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Matthias Grunewald Meeting of St Erasm and St Maurice Painting ID:: 87825 new25/Matthias Grunewald-768657.jpg
Meeting of St Erasm and St Maurice between 1517(1517) and 1523(1523)
Medium Oil on wood
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Matthias Grunewald Meeting of St Erasm and St Maurice Painting ID:: 87827 new25/Matthias Grunewald-677669.jpg
Meeting of St Erasm and St Maurice between 1517(1517) and 1523(1523)
Medium Oil on wood
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Matthias Grunewald Carrying the Cross Painting ID:: 87844 new25/Matthias Grunewald-977757.jpg
Carrying the Cross between 1523(1523) and 1524(1524)
Medium Oil on wood
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Matthias Grunewald The Mocking of Christ Painting ID:: 88028 new25/Matthias Grunewald-958779.jpg
The Mocking of Christ 1503(1503)
Medium Oil on pine panel
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Matthias Grunewald Stuppach Madonna Painting ID:: 88616 new25/Matthias Grunewald-636596.jpg
Stuppach Madonna between 1517(1517) and 1519(1519)
Medium Oil on canvas mounted on wood
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Matthias Grunewald Stuppach Madonna Painting ID:: 88617 new25/Matthias Grunewald-767663.jpg
Stuppach Madonna between 1517(1517) and 1519(1519)
Medium Oil on canvas mounted on wood
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Matthias Grunewald The Mocking of Christ Painting ID:: 90045 new25/Matthias Grunewald-686496.jpg
The Mocking of Christ 1503(1503)
Medium oil on pine panel
Dimensions Height: 109 cm (42.9 in). Width: 73.5 cm (28.9 in).
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German
1475-1528
Matthias Grunewald Galleries
Only religious works are included in his small surviving corpus, the most famous being the Isenheim Altarpiece, completed 1515, now in the Musee d'Unterlinden, Colmar. Its nine images on twelve panels contain scenes of the Annunciation, Mary bathing Christ, Crucifixion, Entombment of Christ, Resurrection, Temptation of St. Anthony and saints. As was common in the preceding century, there are different views, depending on the arrangement of the wings; but the three views available here are exceptional. The third view discloses a carved and gilded wood altarpiece in the centre. As well as being by far his greatest surviving work, the altarpiece contains most of his surviving painting by area, being 2.65 metres high and over 5 metres wide at its fullest extent.
His other works are in Germany, except for a small Crucifixion in Washington and another in Basel, Switzerland. He was asked in about 1510 to paint four saints in grisaille for the outside of the wings of Durer's Heller Altarpiece in Frankfurt. D??rer's work was destroyed by fire and only survives in copies, but fortunately the wings have survived. There are also the late Tauberbischofsheim altarpiece in Karlsruhe, and the Establishment of the Santa Maria Maggiore in Rome (1517-1519), Freiburg, Augustinermuseum. A large panel of Saint Erasmus and Saint Maurice in Munich probably dates from 1521-24, and was apparently part of a larger altarpiece project, the rest of which has not survived. Other works are in Munich, Karlsruhe, and Rhineland churches. Altogether four somber and awe-filled Crucifixions survive. The visionary character of his work, with its expressive colour and line, is in stark contrast to Albrecht Durer's works. His paintings are known for their dramatic forms, vivid colors, and depiction of light.