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Maratta, Carlo Oil Painting Reproductions
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Maratta, Carlo Portrait of Andrea Sacchi oil


Maratta, Carlo
Portrait of Andrea Sacchi
Painting ID::  19277
new5/Maratta, Carlo_B6zuPg.jpg 		Portrait of Andrea Sacchi
1650-55 Oil on canvas Museo del Prado, Madrid.
   
   
     
Maratta, Carlo A Young Man oil


Maratta, Carlo
A Young Man
Painting ID::  19278
new5/Maratta, Carlo_VyNiez.jpg 		A Young Man
1663 Oil on canvas Gemäldegalerie, Berlin.
   
   
     
Maratta, Carlo Portrait of Pope Clement IX oil


Maratta, Carlo
Portrait of Pope Clement IX
Painting ID::  19279
new5/Maratta, Carlo_ygdGst.jpg 		Portrait of Pope Clement IX
1669 Oil on canvas Vatican Gallery, Rome.
   
   
     
Maratta, Carlo Madonna and Child Enthroned with Angels and Saints oil


Maratta, Carlo
Madonna and Child Enthroned with Angels and Saints
Painting ID::  19280
new5/Maratta, Carlo_E8Y4hN.jpg 		Madonna and Child Enthroned with Angels and Saints
1680-90 Oil on canvas Saint Maria in Vallicella, Rome
   
   
     
Maratta, Carlo The Assumption and the Doctors of the Church oil


Maratta, Carlo
The Assumption and the Doctors of the Church
Painting ID::  19281
new5/Maratta, Carlo_n4qPFX.jpg 		The Assumption and the Doctors of the Church
1689 Oil on canvas Saint Maria del Popolo, Rome.
   
   
     
Maratta, Carlo Portrait of Andrea Sacchi oil


Maratta, Carlo
Portrait of Andrea Sacchi
Painting ID::  28097
new3/Maratta, Carlo-597666.jpg 		Portrait of Andrea Sacchi
mk61 c.1650-1655 Oil on canvas 67x50cm
   
   
     
Maratta, Carlo Self-Portrait oil


Maratta, Carlo
Self-Portrait
Painting ID::  28994
new3/Maratta, Carlo-878678.jpg 		Self-Portrait
mk65 Oil on canvas 28 9/16x23in Uffizi,
   
   
     
Maratta, Carlo Pope Clement IX oil


Maratta, Carlo
Pope Clement IX
Painting ID::  29315
new3/Maratta, Carlo-596944.jpg 		Pope Clement IX
mk65 Oil on canvas 62x46 1/2"
   
   
     
Maratta, Carlo TheMadonna Appearing to St.Philip Neri oil


Maratta, Carlo
TheMadonna Appearing to St.Philip Neri
Painting ID::  29997
new3/Maratta, Carlo-479556.jpg 		TheMadonna Appearing to St.Philip Neri
mk67 Oil on cnavas 77 9/16x135 1/16in Pitti,Palatine Gallery
   
   
     
Maratta, Carlo The Immaculate one Concepcion Second half of the 17th century oil


Maratta, Carlo
The Immaculate one Concepcion Second half of the 17th century
Painting ID::  42018
new16/Maratta, Carlo-478878.jpg 		The Immaculate one Concepcion Second half of the 17th century
mk166 Painting al I wave Saint Maria of the Popolo, Rome
   
   
     
Maratta, Carlo The Madonna and its aparicion to San Felipe Neri oil


Maratta, Carlo
The Madonna and its aparicion to San Felipe Neri
Painting ID::  42050
new16/Maratta, Carlo-766722.jpg 		The Madonna and its aparicion to San Felipe Neri
mk166 1672 I Wave on cloth 197x343cm Uffizi, Florence
   
   
     
Maratta, Carlo Cardinal Antonio Barberini oil


Maratta, Carlo
Cardinal Antonio Barberini
Painting ID::  84287
new25/Maratta, Carlo-364973.jpg 		Cardinal Antonio Barberini
17th century Medium Oil cyf
   
   
     
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     Maratta, Carlo
     Italian Baroque Era Painter, 1625-1713 was an Italian painter of the High Baroque period, active mostly in Rome. Born in Camerano, then part of the Papal States. He came as a boy of 12 to apprentice in the studio of Andrea Sacchi. Like Sacchi, his paintings have a classicizing tone, inspired by the works of the great painters from Parma and Bologna: Carracci, Guercino, and Lanfranco. He developed a close relationship with Sacchi till the death of his master in 1661. He worked alongside Francesco Cozza, and Domenico Maria Canuti in the decoration of the Palazzo Altieri. His first prominent work is an Adoration of the Shepherds for San Giuseppe die Falegnami in 1650. He came to establish one of the most prominent art studios in Rome of his time. Other major works are the The Mystery of the Trinity Revealed to St. Augustine (c. 1655) painted for the church of Santa Maria dei Sette Dolori, The Appearance of the Virgin to St. Philip Neri (c. 1675) now in the Pitti Palace of Florence, The Virgin with Saints Carlo Borromeo and Ignatius of Loyola and Angels (c. 1685) for the church of Santa Maria in Vallicella, and The Assumption of the Virgin with Doctors of the Church (1689) for Santa Maria del Popolo, . His numerous depictions of the Virgin earned him the nickname Carluccio delle Madonne (Little Carlo of the Madonnas). The style of Maratta is a classicized Baroque, more restrained and composed than the styles of Cortona and Carracci, thus more allied to the traditions of Sacchi, Albani, and Reni. He was one of the artists favored by Giovanni Bellori. Maratta was known for his insightful portraiture. In 1650, Maratta was introduced to pope Alexander VII, who commissioned many paintings including one of his greatest works, a painting of Constantine destroying the idols for the Baptistry of the Lateran. This work brought Maratta increased fame in the Vatican, and in 1704 Maratta was knighted by pope Clement XI. Other works include an altarpiece in the San Francesco Saverio Chapel of the Church of the Gesu, in the right transept. In 1679 or 1680, a daughter, Faustina Maratti Zappi was born to Maratta by a mistress,

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