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Makart, Hans Oil Painting Reproductions

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Makart, Hans Abundantia: The Gifts of the Sea oil


Makart, Hans
Abundantia: The Gifts of the Sea
Painting ID::  19254
new5/Makart, Hans_m6yBBn.jpg
Abundantia: The Gifts of the Sea
1870 Mus??e d'Orsay, Paris.
   
   
     

Makart, Hans Abundantia: The Gifts of the Earth oil


Makart, Hans
Abundantia: The Gifts of the Earth
Painting ID::  19255
new5/Makart, Hans_XaUNTR.jpg
Abundantia: The Gifts of the Earth
1870 Mus??e d'Orsay, Paris
   
   
     

Makart, Hans Portrait of a Lady oil


Makart, Hans
Portrait of a Lady
Painting ID::  19256
new5/Makart, Hans_U4T2sJ.jpg
Portrait of a Lady
Oil on panel The Hermitage, St. Petersburg.
   
   
     

Makart, Hans Portrait of a Lady oil


Makart, Hans
Portrait of a Lady
Painting ID::  29346
new3/Makart, Hans-958464.jpg
Portrait of a Lady
mk65 Oil on panel 47x31 1/2"
   
   
     

Makart, Hans The Plague in Florence oil


Makart, Hans
The Plague in Florence
Painting ID::  41221
new16/Makart, Hans-668677.jpg
The Plague in Florence
mk157 1868 Oil on canvas 103x204.5cm
   
   
     

Makart, Hans Abundantia oil


Makart, Hans
Abundantia
Painting ID::  70867
new23/Makart, Hans-559939.jpg
Abundantia
Medium Oil on canvas
   
   
     

Makart, Hans Portrat Dora Fournier oil


Makart, Hans
Portrat Dora Fournier
Painting ID::  81729
new24/Makart, Hans-684879.jpg
Portrat Dora Fournier
Deutsch: Öl auf Holz Dimensions 145.5 x 93 cm (57.3 x 36.6 in) cyf
   
   
     

Makart, Hans An Egyptian Princess oil


Makart, Hans
An Egyptian Princess
Painting ID::  86294
new25/Makart, Hans-993434.jpg
An Egyptian Princess
Oil on panel, Private Collection Date 1875(1875) cyf
   
   
     

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     Makart, Hans
     Austrian Academic Painter, 1840-1884 Austrian painter. He studied (1860-65) at the Akademie in Munich under the history painter Karl Theodor von Piloty whose influence is evident in Makart's Death of Pappenheim (1861; Vienna, Hist. Mus.). Makart visited London and Paris in 1862 and Rome in 1863. The Papal Election (1863-5; Munich, Neue Pin.) reveals Makart's skill in the bold use of colour to convey drama as well as his virtuoso draughtsmanship. Two decorative triptychs, Modern Cupids (1868; Vienna, Zentsparkasse), and the Plague in Florence (1868; Schweinfurt, Samml. Schefer), brought Makart both fame and disapproval (mostly because they lacked a literary original) when exhibited in Munich in 1868. His plan for the second work

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