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MOLA, Pier Francesco Oil Painting Reproductions
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MOLA, Pier Francesco St Peter Freed from Prison dh oil


MOLA, Pier Francesco
St Peter Freed from Prison dh
Painting ID::  8237
MOLA, Pier Francesco1.jpg 		St Peter Freed from Prison dh
c. 1630 Oil on canvas Galleria Borghese, Rome
   
   
     
MOLA, Pier Francesco Jacob's Meeting with Rachel oil


MOLA, Pier Francesco
Jacob's Meeting with Rachel
Painting ID::  19461
new5/MOLA, Pier Francesco_Bj3gMH.jpg 		Jacob's Meeting with Rachel
oil on canvas The Hermitage, St. Petersburg.
   
   
     
MOLA, Pier Francesco Herminia and Vafrino Tending the Wounded Tancred oil


MOLA, Pier Francesco
Herminia and Vafrino Tending the Wounded Tancred
Painting ID::  19462
new5/MOLA, Pier Francesco_pyVRCV.jpg 		Herminia and Vafrino Tending the Wounded Tancred
Oil on canvas Mus??e du Louvre, Paris.
   
   
     
MOLA, Pier Francesco Barbary Pirate with a Bow oil


MOLA, Pier Francesco
Barbary Pirate with a Bow
Painting ID::  19463
new5/MOLA, Pier Francesco_5mwpX6.jpg 		Barbary Pirate with a Bow
1650 Oil on canvas Mus??e du Louvre, Paris.
   
   
     
MOLA, Pier Francesco Herminia and Vafrino Tending the Wounded Tancred (mk05) oil


MOLA, Pier Francesco
Herminia and Vafrino Tending the Wounded Tancred (mk05)
Painting ID::  20584
new6/MOLA, Pier Francesco-923869.jpg 		Herminia and Vafrino Tending the Wounded Tancred (mk05)
Canvas 27 x 36 1/4''(69 x 93 cm)Acquired for Louis XIV in 1685
   
   
     
MOLA, Pier Francesco Barbary Pirate with a Bow (mk05) oil


MOLA, Pier Francesco
Barbary Pirate with a Bow (mk05)
Painting ID::  20585
new6/MOLA, Pier Francesco-467838.jpg 		Barbary Pirate with a Bow (mk05)
Canvas,67 1/2 x 48 1/2''(172 x 123 cm)Acquired in 1948
   
   
     
MOLA, Pier Francesco Self-portrait oil


MOLA, Pier Francesco
Self-portrait
Painting ID::  28993
new3/MOLA, Pier Francesco-347765.jpg 		Self-portrait
mk65 Pastel on paper 13 11/16x9 13/16in Uffizi,Cabinet of Drawings and Prints
   
   
     
MOLA, Pier Francesco Herminie gardant ses troupeaux grave sur un arbre le nom de Tancrede oil


MOLA, Pier Francesco
Herminie gardant ses troupeaux grave sur un arbre le nom de Tancrede
Painting ID::  31011
new4/MOLA, Pier Francesco-425524.jpg 		Herminie gardant ses troupeaux grave sur un arbre le nom de Tancrede
mk70 H.0.69 L.0.92 Paris,Musee du Louvre
   
   
     
MOLA, Pier Francesco Self-Portrait oil


MOLA, Pier Francesco
Self-Portrait
Painting ID::  40489
new16/MOLA, Pier Francesco-243929.jpg 		Self-Portrait
mk156 1650-66 Pastel on paper 34.7x24.9cm
   
   
     
MOLA, Pier Francesco THe Rest on the Flight into Egypt oil


MOLA, Pier Francesco
THe Rest on the Flight into Egypt
Painting ID::  43097
new16/MOLA, Pier Francesco-567568.jpg 		THe Rest on the Flight into Egypt
mk170 1630-1635 Oil on canvas 3.5x45.7cm
   
   
     
MOLA, Pier Francesco Virgin Annunciate oil


MOLA, Pier Francesco
Virgin Annunciate
Painting ID::  62406
new21/MOLA, Pier Francesco-474955.jpg 		Virgin Annunciate
1608-09 Marble, over life-size Museo dell'Opera del Duomo, Orvieto Mochi first achieved fame with his Angel of Annunciation of 1603-05 for the Orvieto Cathedral, a work whose vigour and directness reflect the artist's earnestness in reformulating a conventional theme. Three years lie between the Angel of Annunciation and the Virgin Annunciate which completed the composition. Here Mochi evoked reminiscences of Rome, in particular the suavity of Mariani and the more active type of Classical statuary, but added his own flair for dramatic gestures by showing the Virgin starting from her chair. Mochi's work has sometimes been explained as a response to Caravaggio, yet it is better understood as part of a general concern with conveying emotions through external expressions, something manifests in the work of Carracci and Reni, as well as that of Caravaggio. Interestingly enough, the forcefulness of Mochi's Virgin Annunciate was not to the liking of the Bishop of Orvieto, who opposed its placement in the cathedral for three years. See also the Angel of Annunciation. Author: MOCHI, Francesco Title: Virgin Annunciate , 1601-1650 , Italian Form: sculpture , religious
   
   
     
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     MOLA, Pier Francesco
     Italian Baroque Era Painter, 1612-1666 Painter and draughtsman, son of (1) Giovanni Battista Mola. His most characteristic works are small, intensely romantic scenes from mythology, the Bible, and from works by the poet Torquato Tasso, set in landscapes inspired by Venetian art. Yet he also received important public commissions for frescoes and altarpieces, and in his mature work he achieved an impressive synthesis of 17th-century Roman gran maniera painting with the stronger chiaroscuro and richer palette of the 16th-century Venetian style. He was a prolific and versatile draughtsman, who drew for pleasure as well as in preparation for commissions; he was also a witty caricaturist, who mocked himself and his friends as much as more typical targets

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