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MEMLING, Hans Oil Painting Reproductions
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MEMLING, Hans The Presentation in the Temple ag oil


MEMLING, Hans
The Presentation in the Temple ag
Painting ID::  8175
MEMLING, Hans1.jpg 		The Presentation in the Temple ag
1463 Oil on wood, 60 x 48 cm National Gallery of Art, Washington
   
   
     
MEMLING, Hans The Presentation in the Temple (detail sg oil


MEMLING, Hans
The Presentation in the Temple (detail sg
Painting ID::  8176
MEMLING, Hans2.jpg 		The Presentation in the Temple (detail sg
1463 Oil on wood National Gallery of Art, Washington
   
   
     
MEMLING, Hans Virgin and Child in a Landscape sg oil


MEMLING, Hans
Virgin and Child in a Landscape sg
Painting ID::  8177
MEMLING, Hans3.jpg 		Virgin and Child in a Landscape sg
Oil on wood, 50 x 29 cm Collection Rotschild, Paris
   
   
     
MEMLING, Hans Triptych of Jan Crabbe ey oil


MEMLING, Hans
Triptych of Jan Crabbe ey
Painting ID::  8178
MEMLING, Hans4.jpg 		Triptych of Jan Crabbe ey
1467-70 Oil on oak panel, 78 x 63 cm (central panel), 83,3 x 26,7 cm (each wing) Museo Civico, Vicenza
   
   
     
MEMLING, Hans Portrait of an Old Woman sh oil


MEMLING, Hans
Portrait of an Old Woman sh
Painting ID::  8179
MEMLING, Hans5.jpg 		Portrait of an Old Woman sh
1468-70 Oil on wood, 25.6 x 17.7 cm Museum of Fine Arts, Houston, Texas
   
   
     
MEMLING, Hans Tommaso Portinari and his Wife wh oil


MEMLING, Hans
Tommaso Portinari and his Wife wh
Painting ID::  8180
MEMLING, Hans6.jpg 		Tommaso Portinari and his Wife wh
c. 1470 Oil on wood, 44.1 x 33,7 and 44,1 x 34 cm, respectively Metropolitan Museum of Art, New York
   
   
     
MEMLING, Hans Triptych sg oil


MEMLING, Hans
Triptych sg
Painting ID::  8181
MEMLING, Hans7.jpg 		Triptych sg
c. 1470 Oil on wood, 96,4 x 147 cm (central), 98 x 63,5 cm (each wing) Museo del Prado, Madrid
   
   
     
MEMLING, Hans Wings of a Triptych sh oil


MEMLING, Hans
Wings of a Triptych sh
Painting ID::  8182
MEMLING, Hans8.jpg 		Wings of a Triptych sh
c. 1470 Oil on wood, 98 x 63,5 cm (each wing) Museo del Prado, Madrid
   
   
     
MEMLING, Hans Scenes from the Passion of Christ (left side) sg oil


MEMLING, Hans
Scenes from the Passion of Christ (left side) sg
Painting ID::  8183
MEMLING, Hans9.jpg 		Scenes from the Passion of Christ (left side) sg
1470-71 Oil on oak panel Galleria Sabauda, Turin
   
   
     
MEMLING, Hans Scenes from the Passion of Christ (detail) sh oil


MEMLING, Hans
Scenes from the Passion of Christ (detail) sh
Painting ID::  8184
MEMLING, Hans10.jpg 		Scenes from the Passion of Christ (detail) sh
1470-71 Oil on oak panel Galleria Sabauda, Turin
   
   
     
MEMLING, Hans Scenes from the Passion of Christ (detail) sg oil


MEMLING, Hans
Scenes from the Passion of Christ (detail) sg
Painting ID::  8185
MEMLING, Hans11.jpg 		Scenes from the Passion of Christ (detail) sg
1470-71 Oil on oak panel Galleria Sabauda, Turin
   
   
     
MEMLING, Hans Diptych with the Deposition oil


MEMLING, Hans
Diptych with the Deposition
Painting ID::  52197
new19/MEMLING, Hans-432994.jpg 		Diptych with the Deposition
1492-94 Oil on oak
   
   
     
MEMLING, Hans Evangelist Johannes oil


MEMLING, Hans
Evangelist Johannes
Painting ID::  68409
new23/MEMLING, Hans-565549.jpg 		Evangelist Johannes
Date Deutsch: um 1468 English: c. 1468 Technique Oil on panel Dimensions Deutsch: 71 ?? 30 cm
   
   
     
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     MEMLING, Hans
     Netherlandish Northern Renaissance Painter, ca.1435-1494 South Netherlandish painter of German origin. Together with Dieric Bouts I and Hugo van der Goes, he was one of the most important exponents of the new artistic developments that flourished in the southern Netherlands in the 15th century in the wake of Jan van Eyck, the Master of Fl?malle and Rogier van der Weyden. Their principal innovation was to apply optic realism to devotional or mystical subjects. Although Memling lived in the turbulent period of transition from the Burgundian ruling house to that of the Habsburgs, little of this is evident in his work. His commissions were almost exclusively from rich burghers in Bruges (bankers, merchants and politicians) or churchmen and the occasional aristocrat. Often they were foreigners, especially Italians, who had political or financial connections with the town, whose central economic position was to last only a few decades longer. They had Memling paint their portraits, bust or full length, in devotional paintings or on altarpieces for their chapel in Bruges or back home. He seems not to have received official commissions (from the town council or court). An exceptional proportion of this oeuvre has survived. Besides about 20 altarpieces, often in several panels and of considerable size,

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