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MASTER of the St. Bartholomew Altar Oil Painting Reproductions
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MASTER of the St. Bartholomew Altar The Deposition oil


MASTER of the St. Bartholomew Altar
The Deposition
Painting ID::  43550
new16/MASTER of the St. Bartholomew Altar-943562.jpg 		The Deposition
Oil on oak 75 x 47 cm
   
   
     
MASTER of the St. Bartholomew Altar St Agnes, St Bartholomew and St Cecilia oil


MASTER of the St. Bartholomew Altar
St Agnes, St Bartholomew and St Cecilia
Painting ID::  43558
new16/MASTER of the St. Bartholomew Altar-329854.jpg 		St Agnes, St Bartholomew and St Cecilia
Wood 129 x161 cm
   
   
     
MASTER of the St. Bartholomew Altar Crucifixion Altarpiece oil


MASTER of the St. Bartholomew Altar
Crucifixion Altarpiece
Painting ID::  52049
new19/MASTER of the St. Bartholomew Altar-558564.jpg 		Crucifixion Altarpiece
c. 1500 Oak, 107 x 80 cm
   
   
     
MASTER of the St. Bartholomew Altar St Thomas Altarpiece oil


MASTER of the St. Bartholomew Altar
St Thomas Altarpiece
Painting ID::  52051
new19/MASTER of the St. Bartholomew Altar-595444.jpg 		St Thomas Altarpiece
1501 Oak, 143 x 106 cm
   
   
     
MASTER of the St. Bartholomew Altar Crucifixion Altarpiece oil


MASTER of the St. Bartholomew Altar
Crucifixion Altarpiece
Painting ID::  63692
new21/MASTER of the St. Bartholomew Altar-525746.jpg 		Crucifixion Altarpiece
1495-1501 Oak, 107 x 80 cm (each wing) Wallraf-Richartz Museum, Cologne These are early examples of grisaille painting in Cologne. The altarpiece was donated by Dr Peter Rinck for the rood screen of the Carthusian church of St Barbara between 1495 and 1501.Artist:MASTER of the St. Bartholomew Altar Title: Crucifixion Altarpiece (exterior of the wings) Painted in 1451-1500 , German - - painting : religious
   
   
     
MASTER of the St. Bartholomew Altar The Holy Family oil


MASTER of the St. Bartholomew Altar
The Holy Family
Painting ID::  63693
new21/MASTER of the St. Bartholomew Altar-389436.jpg 		The Holy Family
1470s Tempera on oak panel, 30,5 x 23 cm Museum of Fine Arts, Budapest The small-size panel obviously intended not for any church but for private devotions in the intimate milieu of a sitting-room is much like a miniature, offering to give pleasure when contemplated at close quarters. The waves of the hair - that of the Virgin undulating softly, that of Joseph more roughly in an elderly manner, the rich golden locks of the Child curling into ringlets - the objects arranged in the foreground to recall a still-life, the carefully delineated veins of the marble balustrade, all evidence this attitude. The faces, particularly that of the Virgin, are definitely of the Dutch type. The colours are gentle, melting into unassuming harmony, the forms are tranquil. The background recalling a goldsmith's work, decorated with pearls and precious stones, greatly contributes to this closed character. Apparently the picture is one of the artist's earliest works, from a youthful period, when the Baroque forms, which later became a fundamental trait of his art, had not yet become dominant.Artist:MASTER of the St. Bartholomew Altar Title: The Holy Family Painted in 1451-1500 , German - - painting : religious
   
   
     
MASTER of the St. Bartholomew Altar Virgin and Child oil


MASTER of the St. Bartholomew Altar
Virgin and Child
Painting ID::  63704
new21/MASTER of the St. Bartholomew Altar-635526.jpg 		Virgin and Child
1510s Panel, 30 x 20,3 cm Wallraf-Richartz Museum, Cologne This painting shows the characteristics of the school of Cologne: oval face, long nose, high forehead and an overall delicate grace.Artist:MASTER of the St. Bartholomew Altar Title: Virgin and Child Painted in 1451-1500 , German - - painting : religious
   
   
     
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     MASTER of the St. Bartholomew Altar
     German painter active 1470-1510 in Cologne

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