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MASSYS, Quentin Oil Painting Reproductions
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MASSYS, Quentin St Anne Altarpiece sg oil


MASSYS, Quentin
St Anne Altarpiece sg
Painting ID::  8094
MASSYS, Quentin1.jpg 		St Anne Altarpiece sg
1507-08 Oil on wood, 224,5 x 219 cm (centre), 220 x 92 cm (each wing) Mus??es Royaux des Beaux-Arts, Brussels
   
   
     
MASSYS, Quentin St Anne Altarpiece (central panel) g oil


MASSYS, Quentin
St Anne Altarpiece (central panel) g
Painting ID::  8095
MASSYS, Quentin2.jpg 		St Anne Altarpiece (central panel) g
1507-08 Oil on wood, 224,5 x 219 cm Mus??es Royaux des Beaux-Arts, Brussels
   
   
     
MASSYS, Quentin St Anne Altarpiece (detail) rfg oil


MASSYS, Quentin
St Anne Altarpiece (detail) rfg
Painting ID::  8096
MASSYS, Quentin3.jpg 		St Anne Altarpiece (detail) rfg
1507-08 Oil on wood Mus??es Royaux des Beaux-Arts, Brussels
   
   
     
MASSYS, Quentin St Anne Altarpiece (right wing, detail) eh oil


MASSYS, Quentin
St Anne Altarpiece (right wing, detail) eh
Painting ID::  8097
MASSYS, Quentin4.jpg 		St Anne Altarpiece (right wing, detail) eh
1507-08 Oil on wood Mus??es Royaux des Beaux-Arts, Brussels
   
   
     
MASSYS, Quentin St John Altarpiece dfh oil


MASSYS, Quentin
St John Altarpiece dfh
Painting ID::  8098
MASSYS, Quentin5.jpg 		St John Altarpiece dfh
1507-08 Oil on wood, 260 x 504 cm Koninklijk Museum voor Schone Kunsten, Antwerp
   
   
     
MASSYS, Quentin St John Altarpiece (central panel) g oil


MASSYS, Quentin
St John Altarpiece (central panel) g
Painting ID::  8099
MASSYS, Quentin6.jpg 		St John Altarpiece (central panel) g
1507-08 Oil on wood Koninklijk Museum voor Schone Kunsten, Antwerp
   
   
     
MASSYS, Quentin St John Altarpiece (left wing) sg oil


MASSYS, Quentin
St John Altarpiece (left wing) sg
Painting ID::  8100
MASSYS, Quentin7.jpg 		St John Altarpiece (left wing) sg
1507-08 Oil on wood Koninklijk Museum voor Schone Kunsten, Antwerp
   
   
     
MASSYS, Quentin St John Altarpiece (right wing) dh oil


MASSYS, Quentin
St John Altarpiece (right wing) dh
Painting ID::  8101
MASSYS, Quentin8.jpg 		St John Altarpiece (right wing) dh
1507-08 Oil on wood Koninklijk Museum voor Schone Kunsten, Antwerp
   
   
     
MASSYS, Quentin St John Altarpiece (detail) g oil


MASSYS, Quentin
St John Altarpiece (detail) g
Painting ID::  8102
MASSYS, Quentin9.jpg 		St John Altarpiece (detail) g
1507-08 Oil on wood Koninklijk Museum voor Schone Kunsten, Antwerp
   
   
     
MASSYS, Quentin The Adoration of the Magi dh oil


MASSYS, Quentin
The Adoration of the Magi dh
Painting ID::  8103
MASSYS, Quentin10.jpg 		The Adoration of the Magi dh
1526 Tempera and oil on wood Metropolitan Museum of Art, New York
   
   
     
MASSYS, Quentin Christ on the Cross with Donors (detail) sg oil


MASSYS, Quentin
Christ on the Cross with Donors (detail) sg
Painting ID::  8104
MASSYS, Quentin11.jpg 		Christ on the Cross with Donors (detail) sg
c. 1520 Oil on wood Museum Mayer van den Bergh, Antwerp
   
   
     
MASSYS, Quentin Ecce Homo dhy oil


MASSYS, Quentin
Ecce Homo dhy
Painting ID::  8105
MASSYS, Quentin12.jpg 		Ecce Homo dhy
c. 1515 Oil on panel, 160 x 120 cm Museo del Prado, Madrid
   
   
     
MASSYS, Quentin Entombment dh oil


MASSYS, Quentin
Entombment dh
Painting ID::  8106
MASSYS, Quentin13.jpg 		Entombment dh
c. 1525 Wood Stedelijke Musea, Leuven
   
   
     
MASSYS, Quentin The Moneylender and his Wife sg oil


MASSYS, Quentin
The Moneylender and his Wife sg
Painting ID::  8107
MASSYS, Quentin14.jpg 		The Moneylender and his Wife sg
1514 Oil on panel, 71 x 68 cm Mus??e du Louvre, Paris
   
   
     
MASSYS, Quentin The Moneylender and his Wife (detail) sdg oil


MASSYS, Quentin
The Moneylender and his Wife (detail) sdg
Painting ID::  8108
MASSYS, Quentin15.jpg 		The Moneylender and his Wife (detail) sdg
1514 Oil on panel Mus??e du Louvre, Paris
   
   
     
MASSYS, Quentin The Moneylender and his Wife (detail) sg oil


MASSYS, Quentin
The Moneylender and his Wife (detail) sg
Painting ID::  8109
MASSYS, Quentin16.jpg 		The Moneylender and his Wife (detail) sg
1514 Oil on panel Mus??e du Louvre, Paris
   
   
     
MASSYS, Quentin Portrait of an Old Man sg oil


MASSYS, Quentin
Portrait of an Old Man sg
Painting ID::  8110
MASSYS, Quentin17.jpg 		Portrait of an Old Man sg
c. 1517 Oil on wood, 48 x 37 cm Mus??e Jacquemart-Andr??, Paris
   
   
     
MASSYS, Quentin Portrait of a Canon atuy oil


MASSYS, Quentin
Portrait of a Canon atuy
Painting ID::  8111
MASSYS, Quentin18.jpg 		Portrait of a Canon atuy
1510s Oil on wood, 60 x 73 cm Collection of the Prince of Lichtenstein, Vaduz
   
   
     
MASSYS, Quentin St Christopher sh oil


MASSYS, Quentin
St Christopher sh
Painting ID::  8112
MASSYS, Quentin19.jpg 		St Christopher sh
Oil on wood Koninklijk Museum voor Schone Kunsten, Antwerp
   
   
     
MASSYS, Quentin Portrait of Erasmus of Rotterdam sg oil


MASSYS, Quentin
Portrait of Erasmus of Rotterdam sg
Painting ID::  8113
MASSYS, Quentin20.jpg 		Portrait of Erasmus of Rotterdam sg
1517 Oil on panel, transferred to canvas, 59 x 46,5 cm Galleria Nazionale d'Arte Antica, Rome
   
   
     
MASSYS, Quentin The Virgin Enthroned sg oil


MASSYS, Quentin
The Virgin Enthroned sg
Painting ID::  8114
MASSYS, Quentin21.jpg 		The Virgin Enthroned sg
c. 1525 Oil on wood, 135 x 90 cm Staatliche Museen, Berlin
   
   
     
MASSYS, Quentin The Adoration of the Magi oil


MASSYS, Quentin
The Adoration of the Magi
Painting ID::  32395
new4/MASSYS, Quentin-478668.jpg 		The Adoration of the Magi
1526 Tempera and oil on wood
   
   
     
MASSYS, Quentin John the Baptist and St Agnes oil


MASSYS, Quentin
John the Baptist and St Agnes
Painting ID::  32400
new4/MASSYS, Quentin-977844.jpg 		John the Baptist and St Agnes
c. 1520 Oil on oak, 48 x 13,3 cm
   
   
     
MASSYS, Quentin St John Altarpiece oil


MASSYS, Quentin
St John Altarpiece
Painting ID::  32405
new4/MASSYS, Quentin-478772.jpg 		St John Altarpiece
1507-08 Oil on wood, 260 x 504 cm
   
   
     
MASSYS, Quentin The Money-changer and his Wife oil


MASSYS, Quentin
The Money-changer and his Wife
Painting ID::  33533
new9/MASSYS, Quentin-574667.jpg 		The Money-changer and his Wife
mk86 1514 Oil on wood 70x67cm Paris,Musee National du Louvre
   
   
     
MASSYS, Quentin Portrait of a Canon oil


MASSYS, Quentin
Portrait of a Canon
Painting ID::  33534
new9/MASSYS, Quentin-836494.jpg 		Portrait of a Canon
mk86 c.1510-1520 Oil on wood 60x73cm Vaduz
   
   
     
MASSYS, Quentin Ecce Homo oil


MASSYS, Quentin
Ecce Homo
Painting ID::  43551
new16/MASSYS, Quentin-374879.jpg 		Ecce Homo
c. 1515 Oil on panel 160 x 120 cm
   
   
     
MASSYS, Quentin Christ on the Cross with Donors oil


MASSYS, Quentin
Christ on the Cross with Donors
Painting ID::  51047
new18/MASSYS, Quentin-379486.jpg 		Christ on the Cross with Donors
c. 1520 Oil on wood, 156 x 92,7 cm
   
   
     
MASSYS, Quentin St Mary Magdalene oil


MASSYS, Quentin
St Mary Magdalene
Painting ID::  63974
new21/MASSYS, Quentin-855397.jpg 		St Mary Magdalene
45 x 29 cm Koninklijk Museum voor Schone Kunsten, Antwerp Quentin Massys was the first major artist of the rising Antwerp school in the 16th century. In his refined Saint Mary Magdalene, the artist conveys his ideal of feminine beauty in masterly fashion. , Artist: MASSYS, Quentin , St Mary Magdalene , 1451-1500 , Flemish , painting , religious
   
   
     
MASSYS, Quentin Virgin with the Child oil


MASSYS, Quentin
Virgin with the Child
Painting ID::  63978
new21/MASSYS, Quentin-434942.jpg 		Virgin with the Child
22,5 cm Rockox House, Antwerp Around 1500, when the port of Antwerp began to emerge as the capital of north European trade, it also became a cultural melting pot. All manner of artists flocked into the town on the Scheldt. One of these was Quentin Massys from Louvain, who registered as a painter in the St. Lucas Guild in 1491, and is regarded as the founder of the Antwerp School which was soon to topple the hegemony of the School of Bruges. He remained faithful to the Flemish tradition, although the sfumato in the background of some of his landscapes shows that he was familiar with the work of Leonardo da Vinci. He is usually regarded as a painter of monumental works, and rightly so, but he also painted smaller scale scenes with figures. This is hardly surprising, since his technique had its sources in miniature paintings. The Holy Virgin with the Child Jesus, a small tondo, bears witness to the attention the master paid to sensitive, finely detailed drawing to express the tender movement of the form, and the subtle use of colour to convey the essence of a variety of textures. , Artist: MASSYS, Quentin , Virgin with the Child , 1451-1500 , Flemish Form
   
   
     
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     MASSYS, Quentin
     Flemish Northern Renaissance Painter, ca.1465-1530 Quentin Massys, also spelled Matsys or Metsys, was born in Louvain, the son of a blacksmith. He is traditionally thought to have been trained in that craft by his father. Art in Louvain while Massys was growing up was dominated by Dirk Bouts. Massys became a member of the painters' guild in Antwerp in 1491 and died there in 1530. He represented a current of painting that flourished in Antwerp at this time of its sudden new prosperity. Erwin Panofsky (1953) described this trend, "archaism of around 1500," as "a prelude to, in fact a fact of, the Renaissance in Netherlandish painting," which prevailed in the southern Netherlands. The monumental Enthroned Madonna (Brussels), an early work by Massys, has features recalling both Robert Campin and Jan van Eyck. The central panel of Massys' imposing St. Anne Altarpiece, or the Holy Kinship (Brussels), which was commissioned for the church of St-Pierre in Louvain in 1507 and signed and dated 1509, has a prototype in the Holy Kinship of Geertgen tot Sint Jans. Even the physical types and costumes in Massys' version refer to Geertgen's. But Massys placed his rhythmically balanced figure groups in a domed, arcaded loggia that in architectural style appears to be reaching for a Renaissance vocabulary it cannot quite attain; certainly the architecture evokes a later period than that represented by the Gothic throne of the Enthroned Madonna. The calm and restraint of the St. Anne Altarpiece are replaced by heightened emotional expression in the next important painting by Massys that can be firmly dated, the Deposition triptych (Antwerp). This was commissioned in 1508 by the guild of joiners in Antwerp for their chapel in the Cathedral; Massys completed the composition in 1511. It was inspired by Rogier van der Weyden's great Deposition, which was in the church of St-Pierre in Louvain in Massys' time, and also quotes from Rogier's Entombment. Massys painted genre subjects, possibly with emblematic meaning, such as A Money Changer and His Wife, which belonged to a Netherlandish tradition that maintained its popularity right through the 17th century. In portraiture he made significant contributions. His pair of portraits of Erasmus and Petrus Aegidius, painted in 1517 for Sir Thomas More, set the pattern for representations of the scholar in his study.

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