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MARIESCHI, Michele Oil Painting Reproductions
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MARIESCHI, Michele View of the Rio di Cannareggio gs oil


MARIESCHI, Michele
View of the Rio di Cannareggio gs
Painting ID::  8064
MARIESCHI, Michele1.jpg 		View of the Rio di Cannareggio gs
c. 1740 Oil on canvas, 52 x 85 cm Private collection
   
   
     
MARIESCHI, Michele The Grand Canal with the Fishmarket sg oil


MARIESCHI, Michele
The Grand Canal with the Fishmarket sg
Painting ID::  8065
MARIESCHI, Michele2.jpg 		The Grand Canal with the Fishmarket sg
c. 1740 Oil on canvas, 55 x 82 cm Private collection
   
   
     
MARIESCHI, Michele The Grand Canal with the Fishmarket (detail) sgh oil


MARIESCHI, Michele
The Grand Canal with the Fishmarket (detail) sgh
Painting ID::  8066
MARIESCHI, Michele3.jpg 		The Grand Canal with the Fishmarket (detail) sgh
c. 1740 Oil on canvas Private collection
   
   
     
MARIESCHI, Michele The Grand Canal at San Geremia sg oil


MARIESCHI, Michele
The Grand Canal at San Geremia sg
Painting ID::  8067
MARIESCHI, Michele4.jpg 		The Grand Canal at San Geremia sg
Oil on canvas, 54 x 82 cm Private collection
   
   
     
MARIESCHI, Michele The Grand Canal at San Geremia (detail) sg oil


MARIESCHI, Michele
The Grand Canal at San Geremia (detail) sg
Painting ID::  8068
MARIESCHI, Michele5.jpg 		The Grand Canal at San Geremia (detail) sg
c. 1740 Oil on canvas, 54 x 82 cm Private collection
   
   
     
MARIESCHI, Michele The Rialto Bridge from the Riva del Vin sg oil


MARIESCHI, Michele
The Rialto Bridge from the Riva del Vin sg
Painting ID::  8069
MARIESCHI, Michele6.jpg 		The Rialto Bridge from the Riva del Vin sg
c. 1740 Oil on canvas transferred from wood, 130 x 195,5 cm The Hermitage, St. Petersburg
   
   
     
MARIESCHI, Michele The Rialto Bridge in Venice (detail) ag oil


MARIESCHI, Michele
The Rialto Bridge in Venice (detail) ag
Painting ID::  8070
MARIESCHI, Michele7.jpg 		The Rialto Bridge in Venice (detail) ag
c. 1740 Oil on canvas transferred from wood The Hermitage, St. Petersburg
   
   
     
MARIESCHI, Michele The Grand Canal near the Salute sg oil


MARIESCHI, Michele
The Grand Canal near the Salute sg
Painting ID::  8071
MARIESCHI, Michele8.jpg 		The Grand Canal near the Salute sg
1733-35 Oil on canvas, 125 x 213 cm Mus??e du Louvre, Paris
   
   
     
MARIESCHI, Michele View of the Basilica della Salute (detail) r oil


MARIESCHI, Michele
View of the Basilica della Salute (detail) r
Painting ID::  8072
MARIESCHI, Michele9.jpg 		View of the Basilica della Salute (detail) r
1733-35 Oil on canvas Mus??e du Louvre, Paris
   
   
     
MARIESCHI, Michele Imaginative View with Obelisk s oil


MARIESCHI, Michele
Imaginative View with Obelisk s
Painting ID::  8073
MARIESCHI, Michele10.jpg 		Imaginative View with Obelisk s
c. 1735 Oil on canvas, 55 x 82 cm Gallerie dell'Accademia, Venice
   
   
     
MARIESCHI, Michele Buildings and Figures Near a River with Shipping oil


MARIESCHI, Michele
Buildings and Figures Near a River with Shipping
Painting ID::  43265
new16/MARIESCHI, Michele-547833.jpg 		Buildings and Figures Near a River with Shipping
mk170 1735-1743 Oil on canvas 60.7x91.8cm
   
   
     
MARIESCHI, Michele The Grand Canal at San Geremia - Oil on canvas oil


MARIESCHI, Michele
The Grand Canal at San Geremia - Oil on canvas
Painting ID::  63054
new21/MARIESCHI, Michele-648962.jpg 		The Grand Canal at San Geremia - Oil on canvas
54 x 82 cm Private collection Artist: MARIESCHI, Michele Painting Title: The Grand Canal at San Geremia , 1701-1750 Painting Style: Italian , , landscape
   
   
     
MARIESCHI, Michele trapphuset i ett renassanspalats oil


MARIESCHI, Michele
trapphuset i ett renassanspalats
Painting ID::  69127
new23/MARIESCHI, Michele-776755.jpg 		trapphuset i ett renassanspalats
olja på duk 36x55 se
   
   
     
MARIESCHI, Michele The Rialto Bridge from the Riva del Vin oil


MARIESCHI, Michele
The Rialto Bridge from the Riva del Vin
Painting ID::  87831
new25/MARIESCHI, Michele-388756.jpg 		The Rialto Bridge from the Riva del Vin
1740(1740) Medium Oil on canvas transferred from wood cyf
   
   
     
MARIESCHI, Michele The Rialto Bridge from the Riva del Vin oil


MARIESCHI, Michele
The Rialto Bridge from the Riva del Vin
Painting ID::  97330
new26/MARIESCHI, Michele-776433.jpg 		The Rialto Bridge from the Riva del Vin
circa 1740(1740) Medium Oil on canvas transferred from wood cyf
   
   
     
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     MARIESCHI, Michele
     Italian Painter, 1710-1743 Italian painter and engraver. His first biographers, Orlandi and Guarienti (1753), stated that Marieschi worked in Germany early in his career and then returned to Venice, where he established himself as a painter of 'beautiful views of the Grand Canal, and of churches and palaces'. Yet there is no other evidence for this journey and Marieschi's early training remains problematic. It seems likely that he began his career as a stage designer: his first recorded activity, in 1731, was the preparation, on behalf of the impresario Francesco Tasso ( fl 1725-c. 1740), of the setting for the Venetian celebration of Carnival Thursday in the Piazzetta. He then, influenced by Marco Ricci and Luca Carlevaris, began to paint capriccios and vedute. His early capriccios, such as the pair Capriccio with Classical Ruins and Bridge and Capriccio with Roman Arch and Encampment (mid-1730s; Naples, Mus. Civ. Gaetano Filangieri), are indebted to Ricci, although they lack his solemnity and magnificence. Marieschi's blend of medieval and Classical ruins in a serene Venetian landscape is more picturesque and romantic. Marieschi began to paint vedute having been encouraged by Canaletto's great success with the genre; examples such as the S Maria della Salute (1733-5; Paris, Louvre), the Piazzetta dei Leoni and the Grand Canal at Ca' Pesaro (1734-5; both Munich, Alte Pin.) are distinguished from Canaletto's work by their exaggerated perspective, more atmospheric colour and the spirited handling of the small figures. Two capriccios, the Town on a River with Rapids (London, N.G.) and the Town on a River with Shipping (London, N.G.;.), both charmingly picturesque scenes with watermills and crumbling towers, date from the mid-1730s. Marieschi began to etch in the 1730s,

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