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Loo, Louis-Michel van Oil Painting Reproductions
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Loo, Louis-Michel van Portrait of Denis Diderot oil


Loo, Louis-Michel van
Portrait of Denis Diderot
Painting ID::  19205
new5/Loo, Louis-Michel van_RHRxHt.jpg 		Portrait of Denis Diderot
1767, canvas, Mus??e du Louvre, Paris
   
   
     
Loo, Louis-Michel van Bear Hunt oil


Loo, Louis-Michel van
Bear Hunt
Painting ID::  66704
new22/Loo, Louis-Michel van-283273.jpg 		Bear Hunt
Oil on canvas 184 x 129 cm 1736
   
   
     
Loo, Louis-Michel van Portrait of Philip V of Spain oil


Loo, Louis-Michel van
Portrait of Philip V of Spain
Painting ID::  78002
new24/Loo, Louis-Michel van-953498.jpg 		Portrait of Philip V of Spain
Date 1739(1739) Medium Oil on canvas Dimensions 154 x 113 cm (60.6 x 44.5 in) cyf
   
   
     
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     Loo, Louis-Michel van
     Flemish active in France, 1707-1771 Painter, son of Jean-Baptiste van Loo. He trained with his father in Turin and Rome, later attending the courses of the Acad?mie Royale in Paris. He received the institution's first prize for painting in 1726, and in 1728, accompanied by his brother, Fran?ois, and his uncle, Carle, returned to Rome where he was associated with Francois Boucher. On his way back to France, he stayed for a time in Turin, painting portraits of the royal family of Sardinia, the Duke and Duchess of Savoy. In Paris he was admitted to membership of the Acad?mie Royale and in 1735 was appointed assistant teacher at the Academie, becoming renowned as a specialist in portrait painting. Most of his portraits from this period are half-length, combining ideas from Hyacinthe Rigaud's later work with other more natural and innovative ones. On the death of Jean Ranc, Philip V of Spain asked Rigaud to suggest a substitute, and van Loo was proposed. He arrived in Madrid in 1737 and remained there as Pintor de la Corte until 1752, responding with modern aesthetic ideas to the demands of the Spanish monarchs for pomp and splendour. He carried out court commissions but devoted part of his time to teaching, his pupils often becoming studio assistants. He also took an active part in meetings held over a number of years to establish the Real Academia de Bellas Artes de S Fernando, for which he produced the canvas, the Education of Cupid by Venus and Mercury

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