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LEONARDO da Vinci Oil Painting Reproductions
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LEONARDO da Vinci The Last Supper oil


LEONARDO da Vinci
The Last Supper
Painting ID::  62018
new21/LEONARDO da Vinci-439384.jpg 		The Last Supper
mk276 1495 mural years 460 x 880cm
   
   
     
LEONARDO da Vinci Our Lady and St Anne oil


LEONARDO da Vinci
Our Lady and St Anne
Painting ID::  62019
new21/LEONARDO da Vinci-258934.jpg 		Our Lady and St Anne
mk276 1503 Oil on canvas 168 x 112cm Paris Louvre
   
   
     
LEONARDO da Vinci Head of a girl oil


LEONARDO da Vinci
Head of a girl
Painting ID::  63027
new21/LEONARDO da Vinci-963342.jpg 		Head of a girl
1483 Silverpoint and white highlights on prepared paper, 181 x 159 mm Biblioteca Reale, Turin The eminent art expert Bernhard Berenson called this sheet "the most beautiful drawing in the world." It is thought to be a study for the angel in the Virgin of the Rocks in the Musee du Louvre, Paris. Artist: LEONARDO da Vinci Painting Title: Head of a girl , 1451-1500 Painting Style: Italian , graphics Type: study
   
   
     
LEONARDO da Vinci Hl. Anna, Maria, Christuskind mit Lamm oil


LEONARDO da Vinci
Hl. Anna, Maria, Christuskind mit Lamm
Painting ID::  70873
new23/LEONARDO da Vinci-884393.jpg 		Hl. Anna, Maria, Christuskind mit Lamm
1510(1510) Oil on panel 168 x 112 cm (66.14 x 44.09 in)
   
   
     
LEONARDO da Vinci The Virgin and Child with St Anne oil


LEONARDO da Vinci
The Virgin and Child with St Anne
Painting ID::  83590
new24/LEONARDO da Vinci-883653.jpg 		The Virgin and Child with St Anne
Date ca. 1510(1510) Medium Oil on wood Dimensions Height: 168 cm (66.1 in). Width: 130 cm (51.2 in). cjr
   
   
     
LEONARDO da Vinci Madonna with the Yarnwinder oil


LEONARDO da Vinci
Madonna with the Yarnwinder
Painting ID::  83810
new24/LEONARDO da Vinci-766675.jpg 		Madonna with the Yarnwinder
Date after 1510(1510) Medium Oil on panel, cjr
   
   
     
LEONARDO da Vinci The Virgin and Child with St Anne oil


LEONARDO da Vinci
The Virgin and Child with St Anne
Painting ID::  84105
new24/LEONARDO da Vinci-789377.jpg 		The Virgin and Child with St Anne
Date ca. 1510(1510) Medium Oil on wood Dimensions Width: 40 cm (15.7 in). (of detail) cjr
   
   
     
LEONARDO da Vinci The Annunciation oil


LEONARDO da Vinci
The Annunciation
Painting ID::  84587
new25/LEONARDO da Vinci-865876.jpg 		The Annunciation
Date between 1472(1472) and 1475(1475) Medium Oil and tempera on wood cjr
   
   
     
LEONARDO da Vinci The Annunciation oil


LEONARDO da Vinci
The Annunciation
Painting ID::  84588
new25/LEONARDO da Vinci-767655.jpg 		The Annunciation
Date between 1472(1472) and 1475(1475) Medium Oil and tempera on wood cjr
   
   
     
LEONARDO da Vinci The Annunciation oil


LEONARDO da Vinci
The Annunciation
Painting ID::  84589
new25/LEONARDO da Vinci-653474.jpg 		The Annunciation
Date between 1472(1472) and 1475(1475) Medium Oil and tempera on wood cjr
   
   
     
LEONARDO da Vinci The Annunciation oil


LEONARDO da Vinci
The Annunciation
Painting ID::  84591
new25/LEONARDO da Vinci-753958.jpg 		The Annunciation
Date between 1472(1472) and 1475(1475) Medium Oil and tempera on wood cjr
   
   
     
LEONARDO da Vinci Portrait of Ginevra de Benci oil


LEONARDO da Vinci
Portrait of Ginevra de Benci
Painting ID::  84716
new25/LEONARDO da Vinci-433636.jpg 		Portrait of Ginevra de Benci
Date between 1474(1474) and 1478(1478) Medium Oil on wood Dimensions Height: 38.8 cm (15.3 in). Width: 36.7 cm (14.4 in). cjr
   
   
     
LEONARDO da Vinci Benois Madonna oil


LEONARDO da Vinci
Benois Madonna
Painting ID::  86832
new25/LEONARDO da Vinci-999859.jpg 		Benois Madonna
ca. 1478(1478) Medium English: oil on canvas (originally panel) Dimensions 49.5 x 31.8 cm (19.5 x 12.5 in) cyf
   
   
     
LEONARDO da Vinci Madonna with the Yarnwinder oil


LEONARDO da Vinci
Madonna with the Yarnwinder
Painting ID::  87709
new25/LEONARDO da Vinci-849884.jpg 		Madonna with the Yarnwinder
1510(1510) Medium Oil on panel, transferred to canvas cyf
   
   
     
LEONARDO da Vinci The Annunciation oil


LEONARDO da Vinci
The Annunciation
Painting ID::  88650
new25/LEONARDO da Vinci-653358.jpg 		The Annunciation
between 1472(1472) and 1475(1475) Medium Oil and tempera on wood cyf
   
   
     
LEONARDO da Vinci The Annunciation oil


LEONARDO da Vinci
The Annunciation
Painting ID::  88651
new25/LEONARDO da Vinci-548684.jpg 		The Annunciation
between 1472(1472) and 1475(1475) Medium Oil and tempera on wood cyf
   
   
     
LEONARDO da Vinci The Annunciation oil


LEONARDO da Vinci
The Annunciation
Painting ID::  88652
new25/LEONARDO da Vinci-648773.jpg 		The Annunciation
between 1472(1472) and 1475(1475) Medium Oil and tempera on wood cyf
   
   
     
LEONARDO da Vinci The Annunciation oil


LEONARDO da Vinci
The Annunciation
Painting ID::  88654
new25/LEONARDO da Vinci-969555.jpg 		The Annunciation
between 1472(1472) and 1475(1475) Medium Oil and tempera on wood cyf
   
   
     
LEONARDO da Vinci Madonna with the Yarnwinder oil


LEONARDO da Vinci
Madonna with the Yarnwinder
Painting ID::  89385
new25/LEONARDO da Vinci-464667.jpg 		Madonna with the Yarnwinder
1510(1510) Medium Oil on panel, transferred to canvas cyf
   
   
     
LEONARDO da Vinci Portrait of Cecilia Gallerani oil


LEONARDO da Vinci
Portrait of Cecilia Gallerani
Painting ID::  91243
new25/LEONARDO da Vinci-849874.jpg 		Portrait of Cecilia Gallerani
between 1483(1483) and 1490(1490) Medium oil on panel cyf
   
   
     
LEONARDO da Vinci Reverse side of the portrait of Ginevra de' Benci oil


LEONARDO da Vinci
Reverse side of the portrait of Ginevra de' Benci
Painting ID::  91515
new25/LEONARDO da Vinci-753355.jpg 		Reverse side of the portrait of Ginevra de' Benci
between 1474(1474) and 1478(1478) Medium oil on panel cyf
   
   
     
LEONARDO da Vinci Leda oil


LEONARDO da Vinci
Leda
Painting ID::  92178
new25/LEONARDO da Vinci-568797.jpg 		Leda
Oil on panel, 130 x 77,5 cm Galleria degli Uffizi, Florence Date between 1508(1508) and 1515 cyf
   
   
     
LEONARDO da Vinci Adoration of the Magi oil


LEONARDO da Vinci
Adoration of the Magi
Painting ID::  94658
new26/LEONARDO da Vinci-555686.jpg 		Adoration of the Magi
1481 Type oil on wood Dimensions 246 cm x 243 cm (97 in x 96 in) cyf
   
   
     
LEONARDO da Vinci Madonna of the Yarnwinder oil


LEONARDO da Vinci
Madonna of the Yarnwinder
Painting ID::  94672
new26/LEONARDO da Vinci-876436.jpg 		Madonna of the Yarnwinder
c. 1499 onwards Type Oil on walnut Dimensions 48.3 cm x 36.9 cm (19.0 in x 14.5 in) cyf
   
   
     
LEONARDO da Vinci St John in the Wilderness oil


LEONARDO da Vinci
St John in the Wilderness
Painting ID::  98120
new26/LEONARDO da Vinci-595938.jpg 		St John in the Wilderness
between 1510(1510) and 1515(1515) Medium oil on panel, transferred to canvas cyf
   
   
     
LEONARDO da Vinci Leda oil


LEONARDO da Vinci
Leda
Painting ID::  98293
new26/LEONARDO da Vinci-973336.jpg 		Leda
Leda Date circa 1530(1530) Medium oil on panel cyf
   
   
     
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     LEONARDO da Vinci
     Italian High Renaissance Painter and Inventor, 1452-1519 Italian High Renaissance Painter and Inventor, 1452-1519 Florentine Renaissance man, genius, artist in all media, architect, military engineer. Possibly the most brilliantly creative man in European history, he advertised himself, first of all, as a military engineer. In a famous letter dated about 1481 to Ludovico Sforza, of which a copy survives in the Codice Atlantico in Milan, Leonardo asks for employment in that capacity. He had plans for bridges, very light and strong, and plans for destroying those of the enemy. He knew how to cut off water to besieged fortifications, and how to construct bridges, mantlets, scaling ladders, and other instruments. He designed cannon, very convenient and easy of transport, designed to fire small stones, almost in the manner of hail??grape- or case-shot (see ammunition, artillery). He offered cannon of very beautiful and useful shapes, quite different from those in common use and, where it is not possible to employ cannon ?? catapults, mangonels and trabocchi and other engines of wonderful efficacy not in general use. And he said he made armoured cars, safe and unassailable, which will enter the serried ranks of the enemy with their artillery ?? and behind them the infantry will be able to follow quite unharmed, and without any opposition. He also offered to design ships which can resist the fire of all the heaviest cannon, and powder and smoke. The large number of surviving drawings and notes on military art show that Leonardo claims were not without foundation, although most date from after the Sforza letter. Most of the drawings, including giant crossbows (see bows), appear to be improvements on existing machines rather than new inventions. One exception is the drawing of a tank dating from 1485-8 now in the British Museum??a flattened cone, propelled from inside by crankshafts, firing guns. Another design in the British Museum, for a machine with scythes revolving in the horizontal plane, dismembering bodies as it goes, is gruesomely fanciful. Most of the other drawings are in the Codice Atlantico in Milan but some are in the Royal Libraries at Windsor and Turin, in Venice, or the Louvre and the École des Beaux Arts in Paris. Two ingenious machines for continuously firing arrows, machine-gun style, powered by a treadmill are shown in the Codice Atlantico. A number of other sketches of bridges, water pumps, and canals could be for military or civil purposes: dual use technology. Leonardo lived at a time when the first artillery fortifications were appearing and the Codice Atlantico contains sketches of ingenious fortifications combining bastions, round towers, and truncated cones. Models constructed from the drawings and photographed in Calvi works reveal forts which would have looked strikingly modern in the 19th century, and might even feature in science fiction films today. On 18 August 1502 Cesare Borgia appointed Leonardo as his Military Engineer General, although no known building by Leonardo exists. Leonardo was also fascinated by flight. Thirteen pages with drawings for man-powered aeroplanes survive and there is one design for a helicoidal helicopter. Leonardo later realized the inadequacy of the power a man could generate and turned his attention to aerofoils. Had his enormous abilities been concentrated on one thing, he might have invented the modern glider.

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