LEONARDO da Vinci Hi Hieronymus Painting ID:: 45191 new16/LEONARDO da Vinci-999328.jpg
Hi Hieronymus mk180
um 1480
Vatikanische Museen
LEONARDO da Vinci Madonna and Child with St Anne and the Young St John Painting ID:: 52318 new19/LEONARDO da Vinci-622557.jpg
Madonna and Child with St Anne and the Young St John 1507-08
LEONARDO da Vinci Battle of Anghiari Painting ID:: 52329 new19/LEONARDO da Vinci-633772.jpg
Battle of Anghiari 1503-05 Oil on panel, 85 x 115 cm
LEONARDO da Vinci Madonna with the Yarnwinder after 1510 Painting ID:: 52330 new19/LEONARDO da Vinci-559295.jpg
Madonna with the Yarnwinder after 1510 Oil on panel
LEONARDO da Vinci Equestrian monument Painting ID:: 52331 new19/LEONARDO da Vinci-534828.jpg
Equestrian monument 1517-18 Black chalk on paper, 278 x 184 mm
LEONARDO da Vinci A full-scale composition of the Virgin and Child with St Anne and the infant St John the Baptist Painting ID:: 52741 new19/LEONARDO da Vinci-298563.jpg
A full-scale composition of the Virgin and Child with St Anne and the infant St John the Baptist mk223
before he left Milan,between 1497 and 1499
LEONARDO da Vinci Mona Lisa Painting ID:: 53716 new19/LEONARDO da Vinci-756937.jpg
Mona Lisa mk234
1503
77x53cm
LEONARDO da Vinci Lady with Ermine Painting ID:: 53717 new19/LEONARDO da Vinci-878999.jpg
Lady with Ermine mk234
about 1485
54x39cm
LEONARDO da Vinci Kvinnoportratt Painting ID:: 53718 new19/LEONARDO da Vinci-723789.jpg
Kvinnoportratt mk234
about 1474
39x37cm
LEONARDO da Vinci Madonna in the cave Painting ID:: 53720 new19/LEONARDO da Vinci-363536.jpg
Madonna in the cave mk234
about 1508
190x120cm
LEONARDO da Vinci The annunciation Painting ID:: 55957 new20/LEONARDO da Vinci-362366.jpg
The annunciation 1472-75,oil on panel,38.675x85.375 in,98x217 cm,uffizi,florence,ltaly
LEONARDO da Vinci the last supper Painting ID:: 55981 new20/LEONARDO da Vinci-799244.jpg
the last supper mk247
1495 to 98,fresco,180x346 in,460x879 cm,convent of santa maria delle grazie,milan,ltaly
LEONARDO da Vinci virgin and child with st.anne Painting ID:: 55994 new20/LEONARDO da Vinci-588774.jpg
virgin and child with st.anne mk247
c.1510,oil on poplar,66x51 in,168x130 cm,louvre,paris,france
LEONARDO da Vinci la scapigliata Painting ID:: 56620 new20/LEONARDO da Vinci-928549.jpg
la scapigliata mk248 studie i olja, kanske en madonna, kand som kvinna med ostyrigt har.
LEONARDO da Vinci anna sjalv tredje Painting ID:: 56621 new20/LEONARDO da Vinci-549287.jpg
anna sjalv tredje mk248 livet stralar fran marias moder moder annas buvud genom de tre generationerna i en intrikat, foljsam vagrorelse kallad contrapposto.
LEONARDO da Vinci The Last Supper Painting ID:: 56818 new20/LEONARDO da Vinci-526957.jpg
The Last Supper mk250 About the Year in 1495-1498. Frescoes, 880 x 460 cm. Milan Thanksgiving Church of Our Lady canteen.
LEONARDO da Vinci Mona Lisa Painting ID:: 56819 new20/LEONARDO da Vinci-298254.jpg
Mona Lisa mk250 About the Year in 1503-1505. Oil painting of wood, about 77 x 53 cm. The Louvre in Paris.
LEONARDO da Vinci Mona Lisa Painting ID:: 57236 new20/LEONARDO da Vinci-377837.jpg
Mona Lisa mk255 for in the years 1503-1506. 0.77 x 0.53 meters canvas. Paris, the Louvre
LEONARDO da Vinci Woman portrait Painting ID:: 58344 new20/LEONARDO da Vinci-364977.jpg
Woman portrait mk261 about 1478 Acupuncture paper silver screen, with white lead carbonate handle 28 x 19.9 cm
LEONARDO da Vinci The Baptism of Christ Painting ID:: 58583 new20/LEONARDO da Vinci-932358.jpg
The Baptism of Christ The Baptism of Christ (1472?C1475)??Uffizi, by Verrocchio and Leonardo
LEONARDO da Vinci The Adoration of the Magi Painting ID:: 58584 new20/LEONARDO da Vinci-965423.jpg
The Adoration of the Magi
The Adoration of the Magi, (1481)??Uffizi.
LEONARDO da Vinci Small devotional picture by Verrocchio Painting ID:: 58586 new20/LEONARDO da Vinci-778588.jpg
Small devotional picture by Verrocchio Small devotional picture by Verrocchio, c. 1470
LEONARDO da Vinci The Portinari Altarpiece Painting ID:: 58587 new20/LEONARDO da Vinci-653758.jpg
The Portinari Altarpiece The Portinari Altarpiece, by Hugo van der Goes for a Florentine family
LEONARDO da Vinci Lorenzo de Medici between Antonio Pucci and Francesco Sassetti, with Giulio de Medici, fresco by Ghirlandaio Painting ID:: 58588 new20/LEONARDO da Vinci-443235.jpg
Lorenzo de Medici between Antonio Pucci and Francesco Sassetti, with Giulio de Medici, fresco by Ghirlandaio Lorenzo de' Medici between Antonio Pucci and Francesco Sassetti, with Giulio de' Medici, fresco by Ghirlandaio
LEONARDO da Vinci Salai as John the Baptist Painting ID:: 58589 new20/LEONARDO da Vinci-833643.jpg
Salai as John the Baptist Salai as John the Baptist (c. 1514)??Louvre
LEONARDO da Vinci Annunciation Painting ID:: 58590 new20/LEONARDO da Vinci-649824.jpg
Annunciation Annunciation (1475?C1480)??Uffizi, is thought to be Leonardo's earliest complete work
LEONARDO da Vinci Unfinished painting of St. Jerome in the Wilderness Painting ID:: 58591 new20/LEONARDO da Vinci-339597.jpg
Unfinished painting of St. Jerome in the Wilderness Unfinished painting of St. Jerome in the Wilderness, (c. 1480), Vatican
LEONARDO da Vinci Virgin of the Rocks Painting ID:: 58592 new20/LEONARDO da Vinci-999452.jpg
Virgin of the Rocks Virgin of the Rocks, Louvre, possibly 1505?C1508, demonstrates Leonardo's interest in nature.
LEONARDO da Vinci Mona Lisa Painting ID:: 61739 new21/LEONARDO da Vinci-599872.jpg
Italian High Renaissance Painter and Inventor, 1452-1519
Italian High Renaissance Painter and Inventor, 1452-1519 Florentine Renaissance man, genius, artist in all media, architect, military engineer. Possibly the most brilliantly creative man in European history, he advertised himself, first of all, as a military engineer. In a famous letter dated about 1481 to Ludovico Sforza, of which a copy survives in the Codice Atlantico in Milan, Leonardo asks for employment in that capacity. He had plans for bridges, very light and strong, and plans for destroying those of the enemy. He knew how to cut off water to besieged fortifications, and how to construct bridges, mantlets, scaling ladders, and other instruments. He designed cannon, very convenient and easy of transport, designed to fire small stones, almost in the manner of hail??grape- or case-shot (see ammunition, artillery). He offered cannon of very beautiful and useful shapes, quite different from those in common use and, where it is not possible to employ cannon ?? catapults, mangonels and trabocchi and other engines of wonderful efficacy not in general use. And he said he made armoured cars, safe and unassailable, which will enter the serried ranks of the enemy with their artillery ?? and behind them the infantry will be able to follow quite unharmed, and without any opposition. He also offered to design ships which can resist the fire of all the heaviest cannon, and powder and smoke. The large number of surviving drawings and notes on military art show that Leonardo claims were not without foundation, although most date from after the Sforza letter. Most of the drawings, including giant crossbows (see bows), appear to be improvements on existing machines rather than new inventions. One exception is the drawing of a tank dating from 1485-8 now in the British Museum??a flattened cone, propelled from inside by crankshafts, firing guns. Another design in the British Museum, for a machine with scythes revolving in the horizontal plane, dismembering bodies as it goes, is gruesomely fanciful. Most of the other drawings are in the Codice Atlantico in Milan but some are in the Royal Libraries at Windsor and Turin, in Venice, or the Louvre and the École des Beaux Arts in Paris. Two ingenious machines for continuously firing arrows, machine-gun style, powered by a treadmill are shown in the Codice Atlantico. A number of other sketches of bridges, water pumps, and canals could be for military or civil purposes: dual use technology. Leonardo lived at a time when the first artillery fortifications were appearing and the Codice Atlantico contains sketches of ingenious fortifications combining bastions, round towers, and truncated cones. Models constructed from the drawings and photographed in Calvi works reveal forts which would have looked strikingly modern in the 19th century, and might even feature in science fiction films today. On 18 August 1502 Cesare Borgia appointed Leonardo as his Military Engineer General, although no known building by Leonardo exists. Leonardo was also fascinated by flight. Thirteen pages with drawings for man-powered aeroplanes survive and there is one design for a helicoidal helicopter. Leonardo later realized the inadequacy of the power a man could generate and turned his attention to aerofoils. Had his enormous abilities been concentrated on one thing, he might have invented the modern glider.