กก

LEONARDO da Vinci Oil Painting Reproductions

       Prev  1  2  3  4  5  6  7   Next
  Next Artist     

   
    

LEONARDO da Vinci Raffaello Sanzio named Raffael Portrat of Lorenzo de Medici oil


LEONARDO da Vinci
Raffaello Sanzio named Raffael Portrat of Lorenzo de Medici
Painting ID::  38474
new12/LEONARDO da Vinci-398835.jpg
Raffaello Sanzio named Raffael Portrat of Lorenzo de Medici
mk137 1518 oils on linen collection Ira Spanierman New York
   
   
     

LEONARDO da Vinci Portrat of a musician oil


LEONARDO da Vinci
Portrat of a musician
Painting ID::  38475
new12/LEONARDO da Vinci-325859.jpg
Portrat of a musician
mk137 ca. 1485 oils on wood chalkboard 43x31cm Pinacoteca Ambrosiana. Milan
   
   
     

LEONARDO da Vinci Study fur the Sforza-Reiterstandbild oil


LEONARDO da Vinci
Study fur the Sforza-Reiterstandbild
Painting ID::  38486
new12/LEONARDO da Vinci-593943.jpg
Study fur the Sforza-Reiterstandbild
mk137 ca.1485-1490 charcoal and metal pencil Royal Library, Windsor Castle
   
   
     

LEONARDO da Vinci Studies of horses oil


LEONARDO da Vinci
Studies of horses
Painting ID::  38487
new12/LEONARDO da Vinci-446483.jpg
Studies of horses
mk137 1493-1494 metal pencil 21.2x16cm Royal Library, Windsor Castle
   
   
     

LEONARDO da Vinci Study fur the Sforza-Reiterstandbild oil


LEONARDO da Vinci
Study fur the Sforza-Reiterstandbild
Painting ID::  38488
new12/LEONARDO da Vinci-748767.jpg
Study fur the Sforza-Reiterstandbild
mk137 ca.1485-1490 metal pencil on blue prepared paper 11.6x10.3cm Royal Library, Windsor Castle
   
   
     

LEONARDO da Vinci Study of the proportion of horses oil


LEONARDO da Vinci
Study of the proportion of horses
Painting ID::  38489
new12/LEONARDO da Vinci-948639.jpg
Study of the proportion of horses
mk137 ca.1481-1482 metal pencil 22x11cm Royal Library, Windsor Castle
   
   
     

LEONARDO da Vinci Study fur the Trivulzio-monument oil


LEONARDO da Vinci
Study fur the Trivulzio-monument
Painting ID::  38492
new12/LEONARDO da Vinci-689347.jpg
Study fur the Trivulzio-monument
mk137 1508-1511Feder and ink uber of black chalk 15.2x14.5cm Royal Library, Windsor Castle
   
   
     

LEONARDO da Vinci Study Fur the Trivulzio-monument oil


LEONARDO da Vinci
Study Fur the Trivulzio-monument
Painting ID::  38493
new12/LEONARDO da Vinci-536645.jpg
Study Fur the Trivulzio-monument
mk137 1508-1511 black chalk on paper 20x12.4cm Royal Library, Windsor Castle
   
   
     

LEONARDO da Vinci Madonna in the rock grottos oil


LEONARDO da Vinci
Madonna in the rock grottos
Painting ID::  38496
new12/LEONARDO da Vinci-682953.jpg
Madonna in the rock grottos
mk137 1491-1508 oils on wood chalkboard 189.5x120cm The nationally Gallery, London
   
   
     

LEONARDO da Vinci Knieened figure in Draperie oil


LEONARDO da Vinci
Knieened figure in Draperie
Painting ID::  38497
new12/LEONARDO da Vinci-724446.jpg
Knieened figure in Draperie
mk137 ca. 1490 brushes black ink and grey India ink 21.2x15.9cm Royal Library, Windsor Castle
   
   
     

LEONARDO da Vinci Studies of children oil


LEONARDO da Vinci
Studies of children
Painting ID::  38498
new12/LEONARDO da Vinci-594273.jpg
Studies of children
mk137 ca.1506-1508 black chalk, Uberarbeitet with feather and ink 20.4x15.2cm Royal Library, Windsor Castle
   
   
     

LEONARDO da Vinci Profile of a child oil


LEONARDO da Vinci
Profile of a child
Painting ID::  38499
new12/LEONARDO da Vinci-227976.jpg
Profile of a child
mk137 ca.1495Rotel on paper 10x10cm Royal Library, Windsor Castle
   
   
     

LEONARDO da Vinci Madonna in the rock grotto oil


LEONARDO da Vinci
Madonna in the rock grotto
Painting ID::  38501
new12/LEONARDO da Vinci-963566.jpg
Madonna in the rock grotto
mk137 1483-1486 oil on linen 199x1222cm muse you Louvre, Paris
   
   
     

LEONARDO da Vinci Madonna in the rock grottos oil


LEONARDO da Vinci
Madonna in the rock grottos
Painting ID::  38502
new12/LEONARDO da Vinci-244456.jpg
Madonna in the rock grottos
mk137 1491-1508 oils on linen 189.5x120cm The nationally Gallery, London
   
   
     

LEONARDO da Vinci Madonna in the rock grottos(Details oil


LEONARDO da Vinci
Madonna in the rock grottos(Details
Painting ID::  38503
new12/LEONARDO da Vinci-867679.jpg
Madonna in the rock grottos(Details
mk137 1491-1508 oils on linen 189.5x120cm The nationally Gallery, London
   
   
     

LEONARDO da Vinci Study fur a women head oil


LEONARDO da Vinci
Study fur a women head
Painting ID::  38504
new12/LEONARDO da Vinci-237897.jpg
Study fur a women head
mk137 ca. 1490 silver pencils on paper 18x16.8cm muse you Louvre, Paris
   
   
     

LEONARDO da Vinci Study fur the head of a Madchens oil


LEONARDO da Vinci
Study fur the head of a Madchens
Painting ID::  38505
new12/LEONARDO da Vinci-723868.jpg
Study fur the head of a Madchens
mk137 ca. 1483 silver pencils 18.2x16cm Biblioteca real, Turin
   
   
     

LEONARDO da Vinci Portrat of a Madchens oil


LEONARDO da Vinci
Portrat of a Madchens
Painting ID::  38506
new12/LEONARDO da Vinci-878474.jpg
Portrat of a Madchens
mk137 ca. 1485 metal pencils 18x16cm Biblioteca real, Turin
   
   
     

LEONARDO da Vinci The master of the Pala Sforzesca attributed oil


LEONARDO da Vinci
The master of the Pala Sforzesca attributed
Painting ID::  38507
new12/LEONARDO da Vinci-685498.jpg
The master of the Pala Sforzesca attributed
mk137 Frauenbuste silver pencil 23.6x15.5cm Galleria degli Uffizi, Florence
   
   
     

LEONARDO da Vinci Madchenkopf with confused hair oil


LEONARDO da Vinci
Madchenkopf with confused hair
Painting ID::  38509
new12/LEONARDO da Vinci-382329.jpg
Madchenkopf with confused hair
mk137 1500 Umbra and grunlicher Amber with Weibhohungen on wood chalkboard 24.7x21cm Galleria Nazionale, Parma
   
   
     

LEONARDO da Vinci Study of an apostle oil


LEONARDO da Vinci
Study of an apostle
Painting ID::  38510
new12/LEONARDO da Vinci-967677.jpg
Study of an apostle
mk137 ca. 1495 feathers uber metal pencil before blue background 14.5x11.3cm Albertina museum Vienna
   
   
     

LEONARDO da Vinci Study fur the communion oil


LEONARDO da Vinci
Study fur the communion
Painting ID::  38511
new12/LEONARDO da Vinci-999584.jpg
Study fur the communion
mk137 ca. 1495. Rotel Royal Library, Windsor Castle.
   
   
     

LEONARDO da Vinci Study fur the communion oil


LEONARDO da Vinci
Study fur the communion
Painting ID::  38512
new12/LEONARDO da Vinci-969893.jpg
Study fur the communion
mk137 ca. 1495 Rotel. Royal Library, Windsor Castle.
   
   
     

LEONARDO da Vinci Last Supper oil


LEONARDO da Vinci
Last Supper
Painting ID::  38513
new12/LEONARDO da Vinci-329738.jpg
Last Supper
mk137 1495-1498 oil and Tempera on stone 460x880cm Santa Maria della grace Milan
   
   
     

LEONARDO da Vinci Portrait oil


LEONARDO da Vinci
Portrait
Painting ID::  38514
new12/LEONARDO da Vinci-938859.jpg
Portrait
mk137 ca. 1495 Pastelkkreide and charcoal. 40x32cm Pinacoteca di Brera, Milan
   
   
     

LEONARDO da Vinci Lady with the ermine oil


LEONARDO da Vinci
Lady with the ermine
Painting ID::  38516
new12/LEONARDO da Vinci-929592.jpg
Lady with the ermine
mk137 1483-1490 oil on wood chalkboard 54.8x40.3cm Czartoryski museum, Krakau
   
   
     

LEONARDO da Vinci Head and shoulders Christs oil


LEONARDO da Vinci
Head and shoulders Christs
Painting ID::  38518
new12/LEONARDO da Vinci-559386.jpg
Head and shoulders Christs
mk137 ca.1490-1495 metal pencil 115x9cm Galleria Dell' Accademia Venice
   
   
     

LEONARDO da Vinci Profile of a man oil


LEONARDO da Vinci
Profile of a man
Painting ID::  38519
new12/LEONARDO da Vinci-885973.jpg
Profile of a man
mk137 ca.1506-1508 feather and ink, Rotel and black chalk 14.7x10.4cm Galleria Dell' Accademia, Venice
   
   
     

LEONARDO da Vinci Portrats of two men oil


LEONARDO da Vinci
Portrats of two men
Painting ID::  38520
new12/LEONARDO da Vinci-475893.jpg
Portrats of two men
mk137 ca.1487-1490 feather and ink 16.3x14.3cm Royal Library, Windsor Castle
   
   
     

LEONARDO da Vinci Grotesque profile of a man oil


LEONARDO da Vinci
Grotesque profile of a man
Painting ID::  38521
new12/LEONARDO da Vinci-525696.jpg
Grotesque profile of a man
mk137 ca.1485-1490 feather and ink 12.6x10.4cm Biblioteca Ambrosiana, Milan
   
   
     

       Prev  1  2  3  4  5  6  7   Next
Next Artist     

     LEONARDO da Vinci
     Italian High Renaissance Painter and Inventor, 1452-1519 Italian High Renaissance Painter and Inventor, 1452-1519 Florentine Renaissance man, genius, artist in all media, architect, military engineer. Possibly the most brilliantly creative man in European history, he advertised himself, first of all, as a military engineer. In a famous letter dated about 1481 to Ludovico Sforza, of which a copy survives in the Codice Atlantico in Milan, Leonardo asks for employment in that capacity. He had plans for bridges, very light and strong, and plans for destroying those of the enemy. He knew how to cut off water to besieged fortifications, and how to construct bridges, mantlets, scaling ladders, and other instruments. He designed cannon, very convenient and easy of transport, designed to fire small stones, almost in the manner of hail??grape- or case-shot (see ammunition, artillery). He offered cannon of very beautiful and useful shapes, quite different from those in common use and, where it is not possible to employ cannon ?? catapults, mangonels and trabocchi and other engines of wonderful efficacy not in general use. And he said he made armoured cars, safe and unassailable, which will enter the serried ranks of the enemy with their artillery ?? and behind them the infantry will be able to follow quite unharmed, and without any opposition. He also offered to design ships which can resist the fire of all the heaviest cannon, and powder and smoke. The large number of surviving drawings and notes on military art show that Leonardo claims were not without foundation, although most date from after the Sforza letter. Most of the drawings, including giant crossbows (see bows), appear to be improvements on existing machines rather than new inventions. One exception is the drawing of a tank dating from 1485-8 now in the British Museum??a flattened cone, propelled from inside by crankshafts, firing guns. Another design in the British Museum, for a machine with scythes revolving in the horizontal plane, dismembering bodies as it goes, is gruesomely fanciful. Most of the other drawings are in the Codice Atlantico in Milan but some are in the Royal Libraries at Windsor and Turin, in Venice, or the Louvre and the École des Beaux Arts in Paris. Two ingenious machines for continuously firing arrows, machine-gun style, powered by a treadmill are shown in the Codice Atlantico. A number of other sketches of bridges, water pumps, and canals could be for military or civil purposes: dual use technology. Leonardo lived at a time when the first artillery fortifications were appearing and the Codice Atlantico contains sketches of ingenious fortifications combining bastions, round towers, and truncated cones. Models constructed from the drawings and photographed in Calvi works reveal forts which would have looked strikingly modern in the 19th century, and might even feature in science fiction films today. On 18 August 1502 Cesare Borgia appointed Leonardo as his Military Engineer General, although no known building by Leonardo exists. Leonardo was also fascinated by flight. Thirteen pages with drawings for man-powered aeroplanes survive and there is one design for a helicoidal helicopter. Leonardo later realized the inadequacy of the power a man could generate and turned his attention to aerofoils. Had his enormous abilities been concentrated on one thing, he might have invented the modern glider.

BBBOnLine Reliability Seal

http://www.xiamenoilpainting.com

China Oil Painting Studio Team