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LEONARDO da Vinci Oil Painting Reproductions

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LEONARDO da Vinci Virgin of the Rocks oil


LEONARDO da Vinci
Virgin of the Rocks
Painting ID::  33469
new9/LEONARDO da Vinci-659676.jpg
Virgin of the Rocks
mk86 c.1483 Oil on wood Transferred to canvas 199x122cm Paris,Musee National du Louvre
   
   
     

LEONARDO da Vinci Virgin of the Rocks oil


LEONARDO da Vinci
Virgin of the Rocks
Painting ID::  33470
new9/LEONARDO da Vinci-433795.jpg
Virgin of the Rocks
mk86 completed c.1506 Oil on wood 190x120cm London,National Gallery
   
   
     

LEONARDO da Vinci The Virgin and St Anne oil


LEONARDO da Vinci
The Virgin and St Anne
Painting ID::  33471
new9/LEONARDO da Vinci-386249.jpg
The Virgin and St Anne
mk86 c.1508 Oil on wood 168x130cm Paris,Musee National du Louvre
   
   
     

LEONARDO da Vinci The Last Supper oil


LEONARDO da Vinci
The Last Supper
Painting ID::  34472
new10/REMBRANDT Harmenszoon van Rijn-525778.jpg
The Last Supper
mk93 1495-98 Fresco,Approx 29x15ft Santa Maria delle Grazie Milan
   
   
     

LEONARDO da Vinci Power and ortraits oil


LEONARDO da Vinci
Power and ortraits
Painting ID::  34678
new10/LEONARDO da Vinci-742849.jpg
Power and ortraits
mk94
   
   
     

LEONARDO da Vinci The Annunciation oil


LEONARDO da Vinci
The Annunciation
Painting ID::  34679
new10/LEONARDO da Vinci-773865.jpg
The Annunciation
mk96 104x217cm
   
   
     

LEONARDO da Vinci Self Portrait oil


LEONARDO da Vinci
Self Portrait
Painting ID::  38428
new12/LEONARDO da Vinci-222299.jpg
Self Portrait
mk137 ca.1512 Rotel on paper 33.3x21.3cm Biblioteca real, Turin
   
   
     

LEONARDO da Vinci The madonna with the Children oil


LEONARDO da Vinci
The madonna with the Children
Painting ID::  38429
new12/LEONARDO da Vinci-692785.jpg
The madonna with the Children
mk137 1475-1478 oil on linen of wood ubertragen 49.5x33cm Eremitage, St Peter castle
   
   
     

LEONARDO da Vinci Leonardo there Vinci and Andrea del Verrocchio, madonna with the child and angels oil


LEONARDO da Vinci
Leonardo there Vinci and Andrea del Verrocchio, madonna with the child and angels
Painting ID::  38432
new12/LEONARDO da Vinci-455832.jpg
Leonardo there Vinci and Andrea del Verrocchio, madonna with the child and angels
mk137 ca. 1470 Tempera on wood chalkboard 96.5x70.5cm The nationally Gallery London
   
   
     

LEONARDO da Vinci Jacopo Bellini oil


LEONARDO da Vinci
Jacopo Bellini
Painting ID::  38433
new12/LEONARDO da Vinci-955825.jpg
Jacopo Bellini
mk137 that of Leonello d' Este madonna of the humility admired ca. 1440 oils on wood chalkboard 60x40cm muse you Louvre, Paris
   
   
     

LEONARDO da Vinci Madonna with the carnation oil


LEONARDO da Vinci
Madonna with the carnation
Painting ID::  38434
new12/LEONARDO da Vinci-647477.jpg
Madonna with the carnation
mk137 ca. 1470 oils Pinakothek Munchen old on wood chalkboard 62x47.5cm
   
   
     

LEONARDO da Vinci The Verkundigung oil


LEONARDO da Vinci
The Verkundigung
Painting ID::  38439
new12/LEONARDO da Vinci-963763.jpg
The Verkundigung
mk137 1472-1475 oils on wood chalkboard 98x217cm Galleria degli Uffizi, Florence
   
   
     

LEONARDO da Vinci Profile of an old man oil


LEONARDO da Vinci
Profile of an old man
Painting ID::  38446
new12/LEONARDO da Vinci-398969.jpg
Profile of an old man
mk137 ca.1485-1490 feather and ink 7.8x5.6cm Biblioteca Ambrosiana, Milan
   
   
     

LEONARDO da Vinci Profile of an old man oil


LEONARDO da Vinci
Profile of an old man
Painting ID::  38447
new12/LEONARDO da Vinci-782363.jpg
Profile of an old man
mk137 ca. 1480 feathers and ink 7.2x5.5cm Biblioteca Ambrosiana, Milan
   
   
     

LEONARDO da Vinci Study of an old man oil


LEONARDO da Vinci
Study of an old man
Painting ID::  38448
new12/LEONARDO da Vinci-778824.jpg
Study of an old man
mk137 ca. 1505 Rotel 9.4x6cm muses you Louvre, Paris
   
   
     

LEONARDO da Vinci Buste one frontal to seeing man and head of a Lowen oil


LEONARDO da Vinci
Buste one frontal to seeing man and head of a Lowen
Painting ID::  38449
new12/LEONARDO da Vinci-882834.jpg
Buste one frontal to seeing man and head of a Lowen
mk137 ca.1505-1510 Rotel and Weibhohungen on paper 18.3x13.6cm Royal Library, Windsor Castle.
   
   
     

LEONARDO da Vinci Aurelio Luini attributed, profile of an old man oil


LEONARDO da Vinci
Aurelio Luini attributed, profile of an old man
Painting ID::  38450
new12/LEONARDO da Vinci-934952.jpg
Aurelio Luini attributed, profile of an old man
mk137 16.Jahrhundert. Feather metal stiff and ink 13x10.2cm Biblioteca real, Turin
   
   
     

LEONARDO da Vinci Master of the Pala Sforzesca, profile of an old man oil


LEONARDO da Vinci
Master of the Pala Sforzesca, profile of an old man
Painting ID::  38451
new12/LEONARDO da Vinci-688539.jpg
Master of the Pala Sforzesca, profile of an old man
mk137 ca. 1495 silver stiff on paper 15x11.5cm Galleria degli Uffizi, Florence
   
   
     

LEONARDO da Vinci Profile of an old man oil


LEONARDO da Vinci
Profile of an old man
Painting ID::  38453
new12/LEONARDO da Vinci-426987.jpg
Profile of an old man
mk137 ca.1510 black chalk and Rotel 22.2x16cm Royal Library, Windsor Castle
   
   
     

LEONARDO da Vinci Profile one with book leaves gekroten of old man oil


LEONARDO da Vinci
Profile one with book leaves gekroten of old man
Painting ID::  38454
new12/LEONARDO da Vinci-373377.jpg
Profile one with book leaves gekroten of old man
mk137 ca.1506-1508 feather and ink, Rotel on paper 16.8x12.5cm Biblioteca real, Turin
   
   
     

LEONARDO da Vinci Study fur the adoration of the Konige oil


LEONARDO da Vinci
Study fur the adoration of the Konige
Painting ID::  38456
new12/LEONARDO da Vinci-684575.jpg
Study fur the adoration of the Konige
mk137 ca. 1480 feathers and ink 27.5x18cm Wallraf-Richartz museum, Koln
   
   
     

LEONARDO da Vinci Six studies fur naked or clothed men oil


LEONARDO da Vinci
Six studies fur naked or clothed men
Painting ID::  38457
new12/LEONARDO da Vinci-767485.jpg
Six studies fur naked or clothed men
mk137 ca. 1480 feathers and ink 27.7x21cm muse you Louvre, Paris
   
   
     

LEONARDO da Vinci Studies fur the adoration of the Konige oil


LEONARDO da Vinci
Studies fur the adoration of the Konige
Painting ID::  38458
new12/LEONARDO da Vinci-895929.jpg
Studies fur the adoration of the Konige
mk137 ca. 1481 feathers and ink uber metal pencil uf paper 21.3x15.2cm Bonnat museum, Bayonne
   
   
     

LEONARDO da Vinci Studies fur the adoration of the Konige oil


LEONARDO da Vinci
Studies fur the adoration of the Konige
Painting ID::  38459
new12/LEONARDO da Vinci-728832.jpg
Studies fur the adoration of the Konige
mk137 ca. 1480 feathers and ink 16.6x26.5cm The British museum London
   
   
     

LEONARDO da Vinci The adoration of the Konige oil


LEONARDO da Vinci
The adoration of the Konige
Painting ID::  38460
new12/LEONARDO da Vinci-443944.jpg
The adoration of the Konige
mk137 1481-1482 yellow Ocker and brown ink on wood chalkboard 246x243cm Galleria degli Uffizi, Florence
   
   
     

LEONARDO da Vinci Holy Hieronymus oil


LEONARDO da Vinci
Holy Hieronymus
Painting ID::  38464
new12/LEONARDO da Vinci-372588.jpg
Holy Hieronymus
mk137 1482 Tempera and oil on wood chalkboard 103x75cm Pinacoteca Vaticana, Rome
   
   
     

LEONARDO da Vinci Landscape in the Arnotal oil


LEONARDO da Vinci
Landscape in the Arnotal
Painting ID::  38465
new12/LEONARDO da Vinci-229359.jpg
Landscape in the Arnotal
mk137 1473 feathers and ink 19x28.5cm Galleria degli Uffizi, Florence
   
   
     

LEONARDO da Vinci Plan fur a canal to the evasion of the Arno oil


LEONARDO da Vinci
Plan fur a canal to the evasion of the Arno
Painting ID::  38466
new12/LEONARDO da Vinci-592385.jpg
Plan fur a canal to the evasion of the Arno
mk137 1503-1504 feather and ink Uber of black chalk 33.5x48.2cm Royal Library, Windsor Castle.
   
   
     

LEONARDO da Vinci A rock gorge oil


LEONARDO da Vinci
A rock gorge
Painting ID::  38467
new12/LEONARDO da Vinci-354338.jpg
A rock gorge
mk137 ca. 1494 feathers and ink on paper 22x15.8cm Royal Library, Windsor Castle.
   
   
     

LEONARDO da Vinci Portrat of Isabella d-Este oil


LEONARDO da Vinci
Portrat of Isabella d-Este
Painting ID::  38468
new12/LEONARDO da Vinci-833432.jpg
Portrat of Isabella d-Este
mk137 1500 black chalk with traces of Rotel in the hair and in the skin and Hohungen in bubble yellow in the dress 61x46cm muse you Louvre, Paris
   
   
     

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     LEONARDO da Vinci
     Italian High Renaissance Painter and Inventor, 1452-1519 Italian High Renaissance Painter and Inventor, 1452-1519 Florentine Renaissance man, genius, artist in all media, architect, military engineer. Possibly the most brilliantly creative man in European history, he advertised himself, first of all, as a military engineer. In a famous letter dated about 1481 to Ludovico Sforza, of which a copy survives in the Codice Atlantico in Milan, Leonardo asks for employment in that capacity. He had plans for bridges, very light and strong, and plans for destroying those of the enemy. He knew how to cut off water to besieged fortifications, and how to construct bridges, mantlets, scaling ladders, and other instruments. He designed cannon, very convenient and easy of transport, designed to fire small stones, almost in the manner of hail??grape- or case-shot (see ammunition, artillery). He offered cannon of very beautiful and useful shapes, quite different from those in common use and, where it is not possible to employ cannon ?? catapults, mangonels and trabocchi and other engines of wonderful efficacy not in general use. And he said he made armoured cars, safe and unassailable, which will enter the serried ranks of the enemy with their artillery ?? and behind them the infantry will be able to follow quite unharmed, and without any opposition. He also offered to design ships which can resist the fire of all the heaviest cannon, and powder and smoke. The large number of surviving drawings and notes on military art show that Leonardo claims were not without foundation, although most date from after the Sforza letter. Most of the drawings, including giant crossbows (see bows), appear to be improvements on existing machines rather than new inventions. One exception is the drawing of a tank dating from 1485-8 now in the British Museum??a flattened cone, propelled from inside by crankshafts, firing guns. Another design in the British Museum, for a machine with scythes revolving in the horizontal plane, dismembering bodies as it goes, is gruesomely fanciful. Most of the other drawings are in the Codice Atlantico in Milan but some are in the Royal Libraries at Windsor and Turin, in Venice, or the Louvre and the École des Beaux Arts in Paris. Two ingenious machines for continuously firing arrows, machine-gun style, powered by a treadmill are shown in the Codice Atlantico. A number of other sketches of bridges, water pumps, and canals could be for military or civil purposes: dual use technology. Leonardo lived at a time when the first artillery fortifications were appearing and the Codice Atlantico contains sketches of ingenious fortifications combining bastions, round towers, and truncated cones. Models constructed from the drawings and photographed in Calvi works reveal forts which would have looked strikingly modern in the 19th century, and might even feature in science fiction films today. On 18 August 1502 Cesare Borgia appointed Leonardo as his Military Engineer General, although no known building by Leonardo exists. Leonardo was also fascinated by flight. Thirteen pages with drawings for man-powered aeroplanes survive and there is one design for a helicoidal helicopter. Leonardo later realized the inadequacy of the power a man could generate and turned his attention to aerofoils. Had his enormous abilities been concentrated on one thing, he might have invented the modern glider.

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