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LASTMAN, Pieter Pietersz. Oil Painting Reproductions
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LASTMAN, Pieter Pietersz. Abraham's Journey to Canaan sg oil


LASTMAN, Pieter Pietersz.
Abraham's Journey to Canaan sg
Painting ID::  7812
LASTMAN, Pieter Pietersz.1.jpg 		Abraham's Journey to Canaan sg
1614 Oil on canvas transferred from wood, 72 x 122 cm The Hermitage, St. Petersburg
   
   
     
LASTMAN, Pieter Pietersz. Juno Discovering Jupiter with Io g oil


LASTMAN, Pieter Pietersz.
Juno Discovering Jupiter with Io g
Painting ID::  7813
LASTMAN, Pieter Pietersz.2.jpg 		Juno Discovering Jupiter with Io g
1618 Oil on oak, 54 x 78 cm National Gallery, London
   
   
     
LASTMAN, Pieter Pietersz. The Triumph of Mordecai g oil


LASTMAN, Pieter Pietersz.
The Triumph of Mordecai g
Painting ID::  7814
LASTMAN, Pieter Pietersz.3.jpg 		The Triumph of Mordecai g
1624 Oil on panel Museum het Rembrandthuis, Amsterdam
   
   
     
LASTMAN, Pieter Pietersz. Odysseus and Nausicaa g oil


LASTMAN, Pieter Pietersz.
Odysseus and Nausicaa g
Painting ID::  7815
LASTMAN, Pieter Pietersz.4.jpg 		Odysseus and Nausicaa g
1619 Oil on panel, 91,5 x 117,2 cm Alte Pinakothek, Munich
   
   
     
LASTMAN, Pieter Pietersz. Orestes and Pylades Disputing at the Altar s oil


LASTMAN, Pieter Pietersz.
Orestes and Pylades Disputing at the Altar s
Painting ID::  7816
LASTMAN, Pieter Pietersz.5.jpg 		Orestes and Pylades Disputing at the Altar s
1614 Oil on panel, 83 x 126 cm Rijksmuseum, Amsterdam
   
   
     
LASTMAN, Pieter Pietersz. The Angel and Tobias with the Fish g oil


LASTMAN, Pieter Pietersz.
The Angel and Tobias with the Fish g
Painting ID::  7817
LASTMAN, Pieter Pietersz.6.jpg 		The Angel and Tobias with the Fish g
c. 1625 Oil on wood, 34,3 x 59 cm Museum of Fine Arts, Budapest
   
   
     
LASTMAN, Pieter Pietersz. The Angel and Tobias with the Fish (detail) f oil


LASTMAN, Pieter Pietersz.
The Angel and Tobias with the Fish (detail) f
Painting ID::  7818
LASTMAN, Pieter Pietersz.7.jpg 		The Angel and Tobias with the Fish (detail) f
c. 1625 Oil on wood Museum of Fine Arts, Budapest
   
   
     
LASTMAN, Pieter Pietersz. The Sacrifice of Abraham (mk05) oil


LASTMAN, Pieter Pietersz.
The Sacrifice of Abraham (mk05)
Painting ID::  20362
new5/LASTMAN, Pieter Pietersz.-775259.jpg 		The Sacrifice of Abraham (mk05)
Wood,14 1/4 x 16 1/2''(36 x 42 cm).Acquired in 1895
   
   
     
LASTMAN, Pieter Pietersz. Abraham on the Way to Canaan oil


LASTMAN, Pieter Pietersz.
Abraham on the Way to Canaan
Painting ID::  29104
new3/LASTMAN, Pieter Pietersz.-887865.jpg 		Abraham on the Way to Canaan
mk65 1614 Oil on canvas transferred from panel 28x48"
   
   
     
LASTMAN, Pieter Pietersz. Detail of Abraham on the Way to Canaan oil


LASTMAN, Pieter Pietersz.
Detail of Abraham on the Way to Canaan
Painting ID::  29105
new3/LASTMAN, Pieter Pietersz.-658928.jpg 		Detail of Abraham on the Way to Canaan
mk65 Details
   
   
     
LASTMAN, Pieter Pietersz. Odysseus and Nausicaa oil


LASTMAN, Pieter Pietersz.
Odysseus and Nausicaa
Painting ID::  40421
new16/LASTMAN, Pieter Pietersz.-336885.jpg 		Odysseus and Nausicaa
mk156 1619 Oil on panel 91.5x117.2cm
   
   
     
LASTMAN, Pieter Pietersz. Abraham s Journey to Canaan oil


LASTMAN, Pieter Pietersz.
Abraham s Journey to Canaan
Painting ID::  71873
new23/LASTMAN, Pieter Pietersz.-475388.jpg 		Abraham s Journey to Canaan
Date 1614 Dimensions 72 x 122 cm (28.35 x 48.03 in)
   
   
     
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     LASTMAN, Pieter Pietersz.
     Dutch Baroque Era Painter, ca.1583-1633 Dutch painter and draughtsman. He was the son of the goldsmith Pieter Segersz. His older brother Seeger Pietersz. [Coninck] became a goldsmith like his father, while his younger brother Claes Lastman became an engraver and painter. Pieter trained as a painter under the Mannerist artist Gerrit Pietersz., brother of the composer Jan Pietersz. Sweelinck. In June 1602 Lastman travelled to Rome, like so many of his contemporaries. Van Mander, in his biography of Gerrit Pietersz., mentioned his pupil 'Pieter Lasman [sic] who shows great promise, being presently in Italy'. While there, Lastman made two drawings of an Oriental in a Landscape (both 1603; Amsterdam, Rijksmus.), which betray his continuing stylistic dependence on his master (as can also be seen in three drawings made before his trip to Italy). Related to the drawings made in Italy is a series of 12 prints after designs by Lastman of figures in Italian costumes (Hollstein, nos 11-22). Lastman also visited Venice, as is documented by a drawing (Cambridge, Fitzwilliam) after Veronese's Adoration of the Shepherds in the church of SS Giovanni e Paolo. Lastman was apparently in Italy until March 1607 but thereafter spent the rest of his life in Amsterdam.

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