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Julius Schnorr von Carolsfeld Oil Painting Reproductions
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Julius Schnorr von Carolsfeld Portrait of Clata Bianca von Quandt (mk22) oil


Julius Schnorr von Carolsfeld
Portrait of Clata Bianca von Quandt (mk22)
Painting ID::  22797
new7/Julius Schnorr von Carolsfeld-656777.jpg 		Portrait of Clata Bianca von Quandt (mk22)
c 1820 Oil on wood panel,37 x 26 cm Berlin,Nationalgalerie,Staatliche Museen zu Berlin-Preussischer Kulturbesitz
   
   
     
Julius Schnorr von Carolsfeld Portrait of Clara Bianca von Quandt oil


Julius Schnorr von Carolsfeld
Portrait of Clara Bianca von Quandt
Painting ID::  38586
new12/Julius Schnorr von Carolsfeld-282838.jpg 		Portrait of Clara Bianca von Quandt
mk138 1820 Oil on wood 37x26cm
   
   
     
Julius Schnorr von Carolsfeld Study of Larkspur oil


Julius Schnorr von Carolsfeld
Study of Larkspur
Painting ID::  38786
new12/Julius Schnorr von Carolsfeld-624685.jpg 		Study of Larkspur
mk141 ca.1816/26 Watercolor and pencil on paper 20x12.5cm
   
   
     
Julius Schnorr von Carolsfeld The Family of St John the Baptist Visiting the Family of Christ oil


Julius Schnorr von Carolsfeld
The Family of St John the Baptist Visiting the Family of Christ
Painting ID::  43995
new16/Julius Schnorr von Carolsfeld-393564.jpg 		The Family of St John the Baptist Visiting the Family of Christ
1817 Oil on canvas 123 x 102,5 cm
   
   
     
Julius Schnorr von Carolsfeld The Wedding Feast at Cana oil


Julius Schnorr von Carolsfeld
The Wedding Feast at Cana
Painting ID::  43996
new16/Julius Schnorr von Carolsfeld-768644.jpg 		The Wedding Feast at Cana
1819 Oil on canvas, 140 x 210 cm
   
   
     
Julius Schnorr von Carolsfeld The View of the Archpriest in oil


Julius Schnorr von Carolsfeld
The View of the Archpriest in
Painting ID::  62456
new21/Julius Schnorr von Carolsfeld-498434.jpg 		The View of the Archpriest in
230 x 305 mm Albertinum, Dresden Schnorr was considered the best draughtsman of the Brotherhood of St. Luke. Like no other artist, he knew how to exploit the potential of the sepia technique. He drew in pen over pencil before applying wash with a brush. His works are characterized by dark and illuminated sections, dynamic sketching within the contours of objects and gently curving contours of line, as in this picture. Author: SCHNORR VON CAROLSFELD, Julius Title: The View of the Archpriest in Olevano Form: graphics , 1801-1850 , German , landscape
   
   
     
Julius Schnorr von Carolsfeld Madonna and Child oil


Julius Schnorr von Carolsfeld
Madonna and Child
Painting ID::  62558
new21/Julius Schnorr von Carolsfeld-895493.jpg 		Madonna and Child
74 x 62 cm Wallraf-Richartz Museum, Cologne The experience of Italy was not only decisive for the majority of German landscape artists of the nineteenth century but also for figurative painting, secular as well as sacred. In 1818 Julius Schnorr von Carolsfeld moved to Rome from his home town of Leipzig. There he joined the Lukas-Bund (Guild of St Luke), an artists' group originally set up by Friedrich Overbeck and Franz Pforr in Vienna in opposition to the academy there. After Overbeck and Pforr had moved to Rome the Lukas-Bund exercised great influence (though Pforr died in 1812), and not only on the German artists in Rome. The members of the group, called the 'Nazarenes' after their long hair like Christ's, wanted to return to what they saw as the simple truth and piety of Derer and the early Italian Renaissance. They tried in their work to employ the forms, style and colour of the Old Masters. The composition and clear luminous colour of the Madonna and Child illustrates Schnorr's intensive, creative relationship with the Italian Renaissance. Artist: SCHNORR VON CAROLSFELD, Julius Title: Madonna and Child , painting Date: 1801-1850 German : religious
   
   
     
Julius Schnorr von Carolsfeld Die Hochzeit zu Kana oil


Julius Schnorr von Carolsfeld
Die Hochzeit zu Kana
Painting ID::  70542
new23/Julius Schnorr von Carolsfeld-388364.jpg 		Die Hochzeit zu Kana
Medium Oil on canvas Dimensions Deutsch: 138,5 ?? 208 cm
   
   
     
Julius Schnorr von Carolsfeld Clara Bianca von Quandt oil


Julius Schnorr von Carolsfeld
Clara Bianca von Quandt
Painting ID::  80290
new24/Julius Schnorr von Carolsfeld-774787.jpg 		Clara Bianca von Quandt
1820(1820) Medium Oil on panel cyf
   
   
     
Julius Schnorr von Carolsfeld Ruth in Boazs Field oil


Julius Schnorr von Carolsfeld
Ruth in Boazs Field
Painting ID::  87040
new25/Julius Schnorr von Carolsfeld-399648.jpg 		Ruth in Boazs Field
1828(1828) Medium Oil on canvas Dimensions 59 x 70 cm (23.2 x 27.6 in) cyf
   
   
     
Julius Schnorr von Carolsfeld Siegfried's Departure from Kriemhild oil


Julius Schnorr von Carolsfeld
Siegfried's Departure from Kriemhild
Painting ID::  93125
new25/Julius Schnorr von Carolsfeld-843789.jpg 		Siegfried's Departure from Kriemhild
ca. 1843, oil on canvas, 87,5 x 85,5 cm, cjr
   
   
     
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     Julius Schnorr von Carolsfeld
     1794-1872 Painter and draughtsman, brother of Ludwig Ferdinand Schnorr von Carolsfeld. He was taught engraving by his father and then trained under Heinrich Feger at the Akademie in Vienna (1811-15). Though not particularly excited by the curriculum, he was inspired by his friendship with Ferdinand Olivier and Joseph Anton Koch and the circle around A. W. Schlegel to an interest in both landscape sketching and in old German and Netherlandish art, as reflected in the style of the detailed pen drawing of the Prodigal Son (1816; Dresden, Kupferstichkab.). From 1815 to 1818 he lived in the house of Ferdinand Olivier, whose step-daughter, Marie Heller, he later married. A painting of 1817, St Roch Distributing Alms

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