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John William Godward Oil Painting Reproductions

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John William Godward Noonday Rest oil


John William Godward
Noonday Rest
Painting ID::  1798
John William Godward1.jpg
Noonday Rest
   
   
     

John William Godward Nerissa oil


John William Godward
Nerissa
Painting ID::  1799
John William Godward2.jpg
Nerissa
   
   
     

John William Godward Dolce Far Niente oil


John William Godward
Dolce Far Niente
Painting ID::  1800
John William Godward3.jpg
Dolce Far Niente
1904
   
   
     

John William Godward The Tease oil


John William Godward
The Tease
Painting ID::  1801
John William Godward4.jpg
The Tease
1901
   
   
     

John William Godward The Betrothed oil


John William Godward
The Betrothed
Painting ID::  1802
John William Godward5.jpg
The Betrothed
1892
   
   
     

John William Godward Does He Love me oil


John William Godward
Does He Love me
Painting ID::  37674
new11/John William Godward-298526.jpg
Does He Love me
mk127 20x30 Oil on canvas
   
   
     

John William Godward The Muse Erato at Her Lyre oil


John William Godward
The Muse Erato at Her Lyre
Painting ID::  51792
new19/John William Godward-936793.jpg
The Muse Erato at Her Lyre
mk221 1895 Oil on cavnas 73x82.6cm Britain 1861-1922
   
   
     

John William Godward Classical Beauty oil


John William Godward
Classical Beauty
Painting ID::  51793
new19/John William Godward-475874.jpg
Classical Beauty
mk221 1906 Oil on canvas 40.6x30.5cm
   
   
     

John William Godward Absence Makes the Heart Grow Fonder oil


John William Godward
Absence Makes the Heart Grow Fonder
Painting ID::  51794
new19/John William Godward-938648.jpg
Absence Makes the Heart Grow Fonder
mk221 1906 Oil on canvas 131x80cm
   
   
     

John William Godward Autumn oil


John William Godward
Autumn
Painting ID::  67804
new23/John William Godward-638378.jpg
Autumn
Source Downloaded from
   
   
     

John William Godward Campaspe oil


John William Godward
Campaspe
Painting ID::  67805
new23/John William Godward-556489.jpg
Campaspe
Author John William Godward
   
   
     

John William Godward Idle Thoughts oil


John William Godward
Idle Thoughts
Painting ID::  67806
new23/John William Godward-494564.jpg
Idle Thoughts
Author John William Godward
   
   
     

John William Godward The Jewel Casket oil


John William Godward
The Jewel Casket
Painting ID::  67807
new23/John William Godward-777673.jpg
The Jewel Casket
John William Godward
   
   
     

John William Godward The Ring oil


John William Godward
The Ring
Painting ID::  67810
new23/John William Godward-957485.jpg
The Ring
Author John William Godward
   
   
     

John William Godward A Quiet Pet detail oil


John William Godward
A Quiet Pet detail
Painting ID::  67811
new23/John William Godward-857588.jpg
A Quiet Pet detail
Technique Oil on canvas Dimensions 20 x 30 inches (50.9 x 76.2 cm)
   
   
     

John William Godward Mischief oil


John William Godward
Mischief
Painting ID::  67813
new23/John William Godward-876457.jpg
Mischief
Technique Oil on canvas Dimensions 40 x 20 inches (101.6 x 50.8 cm)
   
   
     

John William Godward Study of Campaspe oil


John William Godward
Study of Campaspe
Painting ID::  67814
new23/John William Godward-448553.jpg
Study of Campaspe
Dimensions 14 ¼ X 7 ½ inches (36.2 X 19.3 cm) Current location Private collection
   
   
     

John William Godward A Priestess oil


John William Godward
A Priestess
Painting ID::  67829
new23/John William Godward-886799.jpg
A Priestess
Une pretresse 1894
   
   
     

John William Godward A Priestess oil


John William Godward
A Priestess
Painting ID::  67834
new23/John William Godward-797995.jpg
A Priestess
Une pretresse 1895
   
   
     

John William Godward A Pompeian Lady oil


John William Godward
A Pompeian Lady
Painting ID::  67845
new23/John William Godward-554655.jpg
A Pompeian Lady
A Pompeian Lady 1891
   
   
     

John William Godward Godward Leaning on the Balcony oil


John William Godward
Godward Leaning on the Balcony
Painting ID::  67846
new23/John William Godward-553548.jpg
Godward Leaning on the Balcony
Godward Leaning on the Balcony 1892
   
   
     

John William Godward A Priestess oil


John William Godward
A Priestess
Painting ID::  67847
new23/John William Godward-454363.jpg
A Priestess
A Priestess, 1893
   
   
     

John William Godward Yes or No oil


John William Godward
Yes or No
Painting ID::  67849
new23/John William Godward-363994.jpg
Yes or No
Yes or No, 1893
   
   
     

John William Godward Endymion oil


John William Godward
Endymion
Painting ID::  67850
new23/John William Godward-474359.jpg
Endymion
1893(1893) Oil on canvas 24 1/2 X 40 3/8 inches
   
   
     

John William Godward A Priestess oil


John William Godward
A Priestess
Painting ID::  67852
new23/John William Godward-379878.jpg
A Priestess
A Priestess, 1894
   
   
     

John William Godward Pompeian Lady oil


John William Godward
Pompeian Lady
Painting ID::  67854
new23/John William Godward-435859.jpg
Pompeian Lady
Pompeian Lady, 1895
   
   
     

John William Godward He Loves Me, He Loves Me Not oil


John William Godward
He Loves Me, He Loves Me Not
Painting ID::  67855
new23/John William Godward-873475.jpg
He Loves Me, He Loves Me Not
1896(1896) Oil on canvas 31 7/8 X 17 5/8 inches (81.2 X 45 cm)
   
   
     

John William Godward Campaspe oil


John William Godward
Campaspe
Painting ID::  67856
new23/John William Godward-833937.jpg
Campaspe
Campaspe, 1896
   
   
     

John William Godward Venus Binding her Hair oil


John William Godward
Venus Binding her Hair
Painting ID::  67857
new23/John William Godward-576333.jpg
Venus Binding her Hair
Venus Binding her Hair, 1897
   
   
     

John William Godward At the Gate of the Temple oil


John William Godward
At the Gate of the Temple
Painting ID::  67858
new23/John William Godward-436698.jpg
At the Gate of the Temple
At the Gate of the Temple, 1898
   
   
     

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     John William Godward
     English 1861-1922 Godward was a Victorian Neo-classicist, and therefore a follower in theory of Frederic Leighton. However, he is more closely allied stylistically to Sir Lawrence Alma-Tadema, with whom he shared a penchant for the rendering of Classical architecture, in particular, static landscape features constructed from marble. The vast majority of Godward's extant images feature women in Classical dress, posed against these landscape features, though there are some semi-nude and fully nude figures included in his oeuvre (a notable example being In The Tepidarium (1913), a title shared with a controversial Alma-Tadema painting of the same subject that resides in the Lady Lever Art Gallery). The titles reflect Godward's source of inspiration: Classical civilisation, most notably that of Ancient Rome (again a subject binding Godward closely to Alma-Tadema artistically), though Ancient Greece sometimes features, thus providing artistic ties, albeit of a more limited extent, with Leighton. Given that Classical scholarship was more widespread among the potential audience for his paintings during his lifetime than in the present day, meticulous research of detail was important in order to attain a standing as an artist in this genre. Alma-Tadema was, as well as a painter, an archaeologist who attended historical sites and collected artefacts that were later used in his paintings: Godward, too, studied such details as architecture and dress, in order to ensure that his works bore the stamp of authenticity. In addition, Godward painstakingly and meticulously rendered those other important features in his paintings, animal skins (the paintings Noon Day Rest (1910) and A Cool Retreat (1910) contain superb examples of such rendition) and wild flowers (Nerissa (1906), illustrated above, and Summer Flowers (1903) are again excellent examples of this). The appearance of beautiful women in studied poses in so many of Godward's canvases causes many newcomers to his works to categorise him mistakenly as being Pre-Raphaelite, particularly as his palette is often a vibrantly colourful one. However, the choice of subject matter (ancient civilisation versus, for example, Arthurian legend) is more properly that of the Victorian Neoclassicist: however, it is appropriate to comment that in common with numerous painters contemporary with him, Godward was a 'High Victorian Dreamer', producing beautiful images of a world which, it must be said, was idealised and romanticised, and which in the case of both Godward and Alma-Tadema came to be criticised as a world-view of 'Victorians in togas'.

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