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John Constable Oil Painting Reproductions
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John Constable Branch hill Pond, Hampstead oil


John Constable
Branch hill Pond, Hampstead
Painting ID::  81453
new24/John Constable-495877.jpg 		Branch hill Pond, Hampstead
Branch hill Pond, Hampstead. Oil on canvas. Date 1819(1819) cjr
   
   
     
John Constable The Close, Salisbury oil


John Constable
The Close, Salisbury
Painting ID::  81466
new24/John Constable-787588.jpg 		The Close, Salisbury
The Close, Salisbury. Oil on paper. Date 1829(1829) cjr
   
   
     
John Constable Summer morning: Dedham from Langham oil


John Constable
Summer morning: Dedham from Langham
Painting ID::  81908
new24/John Constable-348856.jpg 		Summer morning: Dedham from Langham
John Constable. Summer morning: Dedham from Langham. Oil on paper. Victoria and Albert Museum, London Date C. 1812. cjr
   
   
     
John Constable Full-scale study for The Hay Wain oil


John Constable
Full-scale study for The Hay Wain
Painting ID::  81910
new24/John Constable-986565.jpg 		Full-scale study for The Hay Wain
John Constable. Full-scale study for The Hay Wain. Oil on canvas. Victoria and Albert Museum, London Date C. 1821 cjr
   
   
     
John Constable Stoke-by-Nayland, Suffolk. oil


John Constable
Stoke-by-Nayland, Suffolk.
Painting ID::  82052
new24/John Constable-996464.jpg 		Stoke-by-Nayland, Suffolk.
Stoke-by-Nayland, Suffolk. Oil on paper. Date C. 1829/1830 cjr
   
   
     
John Constable A Lane near Flatford oil


John Constable
A Lane near Flatford
Painting ID::  83573
new24/John Constable-339975.jpg 		A Lane near Flatford
Date between 1810(1810) and 1811(1811) Medium Oil on paper laid on canvas Dimensions Height: 20 cm (7.9 in). Width: 31 cm (12.2 in). cjr
   
   
     
John Constable Seascape Study with Rain Cloud oil


John Constable
Seascape Study with Rain Cloud
Painting ID::  85286
new25/John Constable-487459.jpg 		Seascape Study with Rain Cloud
Date 1827(1827) Medium Oil on paper Dimensions 22,2 x 31,1 cm cjr
   
   
     
John Constable Wivenhoe Park, Essex, Wohnsitz des Major-Generals Rebow oil


John Constable
Wivenhoe Park, Essex, Wohnsitz des Major-Generals Rebow
Painting ID::  85329
new25/John Constable-677748.jpg 		Wivenhoe Park, Essex, Wohnsitz des Major-Generals Rebow
Date 1816(1816) Medium Oil on canvas Dimensions 56,1 x 101,2 cm cjr
   
   
     
John Constable Branch hill Pond oil


John Constable
Branch hill Pond
Painting ID::  85471
new25/John Constable-843768.jpg 		Branch hill Pond
Oil on canvas. Date 1819(1819) cyf
   
   
     
John Constable The Close oil


John Constable
The Close
Painting ID::  85473
new25/John Constable-586533.jpg 		The Close
Oil on paper. Date 1829(1829) cyf
   
   
     
John Constable Hadleight Castle oil


John Constable
Hadleight Castle
Painting ID::  86057
new25/John Constable-586575.jpg 		Hadleight Castle
Date 1829(1829) Medium Oil on canvas Dimensions 123 x 167 cm cjr
   
   
     
John Constable Yarmouth Pier oil


John Constable
Yarmouth Pier
Painting ID::  87066
new25/John Constable-777877.jpg 		Yarmouth Pier
Oil on Canvas. 12 x 20 in (30.5 x 50.8 cm). Date 1822(1822) cyf
   
   
     
John Constable Bootsbau in Flatford oil


John Constable
Bootsbau in Flatford
Painting ID::  87198
new25/John Constable-897835.jpg 		Bootsbau in Flatford
Date 1815(1815) Medium Oil on canvas Dimensions 51 x 62 cm cjr
   
   
     
John Constable A Lane near Flatford oil


John Constable
A Lane near Flatford
Painting ID::  87412
new25/John Constable-674944.jpg 		A Lane near Flatford
between 1810(1810) and 1811(1811) Medium Oil on paper laid on canvas cyf
   
   
     
John Constable Landscape with Cottages oil


John Constable
Landscape with Cottages
Painting ID::  87541
new25/John Constable-368946.jpg 		Landscape with Cottages
1809-1810 Medium Oil on canvas Dimensions 15 x 29.2 cm (5.9 x 11.5 in) cyf
   
   
     
John Constable Die Valley Farm oil


John Constable
Die Valley Farm
Painting ID::  88163
new25/John Constable-455745.jpg 		Die Valley Farm
c. 1835(1835) Medium Oil on canvas Dimensions 147 x 125 cm cjr
   
   
     
John Constable Zirruswolken oil


John Constable
Zirruswolken
Painting ID::  88999
new25/John Constable-895537.jpg 		Zirruswolken
1821-1822 Medium Oil on paper Dimensions 11,4 x 17,8 cm cjr
   
   
     
John Constable Wivenhoe Park oil


John Constable
Wivenhoe Park
Painting ID::  89537
new25/John Constable-394788.jpg 		Wivenhoe Park
1816(1816) Medium oil on canvas Dimensions 56,1 x 101,2 cm cyf
   
   
     
John Constable Hadleight Castle oil


John Constable
Hadleight Castle
Painting ID::  90116
new25/John Constable-366854.jpg 		Hadleight Castle
1829(1829) Medium oil on canvas Dimensions 123 x 167 cm cyf
   
   
     
John Constable Portrait der Maria Bicknell oil


John Constable
Portrait der Maria Bicknell
Painting ID::  90990
new25/John Constable-457694.jpg 		Portrait der Maria Bicknell
1816(1816) Medium oil on canvas Dimensions 30 x 25 cm cyf
   
   
     
John Constable Wolken-Studie oil


John Constable
Wolken-Studie
Painting ID::  91127
new25/John Constable-973857.jpg 		Wolken-Studie
1822(1822) Medium oil on paper Dimensions 37 x 49 cm cyf
   
   
     
John Constable Bootsbau in Flatford oil


John Constable
Bootsbau in Flatford
Painting ID::  91969
new25/John Constable-894768.jpg 		Bootsbau in Flatford
1815(1815) Medium oil on canvas Dimensions 51 X 62 cm cyf
   
   
     
John Constable Die Kathedrale von Salisbury vom Garten des Bischofs aus gesehen oil


John Constable
Die Kathedrale von Salisbury vom Garten des Bischofs aus gesehen
Painting ID::  92503
new25/John Constable-467687.jpg 		Die Kathedrale von Salisbury vom Garten des Bischofs aus gesehen
1823(1823) Medium oil on canvas Dimensions 87,6 X 111,8 cm cjr
   
   
     
John Constable Bowleaze Cove and Jordon Hill oil


John Constable
Bowleaze Cove and Jordon Hill
Painting ID::  94964
new26/John Constable-693896.jpg 		Bowleaze Cove and Jordon Hill
1816 - 17 Type Oil on canvas Dimensions 53 cm x 75 cm cyf
   
   
     
John Constable Salisbury Cathedral from the Bishop s Grounds oil


John Constable
Salisbury Cathedral from the Bishop s Grounds
Painting ID::  94969
new26/John Constable-986975.jpg 		Salisbury Cathedral from the Bishop s Grounds
1823 (1823) Dimensions 87.6 cm x 111.8 cm cyf
   
   
     
John Constable Dedham Vale oil


John Constable
Dedham Vale
Painting ID::  98463
new26/John Constable-733547.jpg 		Dedham Vale
c. 1810(1810) Medium oil on board
   
   
     
John Constable Cottage at East Bergholt oil


John Constable
Cottage at East Bergholt
Painting ID::  98464
new26/John Constable-333663.jpg 		Cottage at East Bergholt
painting
   
   
     
John Constable Blick auf die Waterloo-Brucke von Whitehall Stairs, 18. Juni 1817 oil


John Constable
Blick auf die Waterloo-Brucke von Whitehall Stairs, 18. Juni 1817
Painting ID::  98465
new26/John Constable-368794.jpg 		Blick auf die Waterloo-Brucke von Whitehall Stairs, 18. Juni 1817
1832(1832) Medium oil on canvas Dimensions Deutsch: 134,6 x 219,7 cm
   
   
     
John Constable Blick auf Epsom oil


John Constable
Blick auf Epsom
Painting ID::  98466
new26/John Constable-678857.jpg 		Blick auf Epsom
circa 1808(1808) Medium oil on canvas Dimensions 28 x 34 cm
   
   
     
John Constable View of Highgate oil


John Constable
View of Highgate
Painting ID::  98467
new26/John Constable-869987.jpg 		View of Highgate
1st quarter of 19th century Medium oil on canvas Dimensions 24 x 29,5 cm
   
   
     
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     John Constable
     1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy

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