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John Constable Oil Painting Reproductions

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John Constable View of the grounds of Wivenhoe Park,Essex oil


John Constable
View of the grounds of Wivenhoe Park,Essex
Painting ID::  48604
new17/John Constable-966247.jpg
View of the grounds of Wivenhoe Park,Essex
mk190 1816 the Seat of Major-General
   
   
     

John Constable The Kitchen Garden at East Bergholt House,Essex oil


John Constable
The Kitchen Garden at East Bergholt House,Essex
Painting ID::  48618
new17/John Constable-767752.jpg
The Kitchen Garden at East Bergholt House,Essex
mk190 1815
   
   
     

John Constable The Flower Garden at East Bergholt House,Essex oil


John Constable
The Flower Garden at East Bergholt House,Essex
Painting ID::  48619
new17/John Constable-964465.jpg
The Flower Garden at East Bergholt House,Essex
mk190 1815
   
   
     

John Constable Unknown work oil


John Constable
Unknown work
Painting ID::  48670
new18/John Constable-679734.jpg
Unknown work
mk191 1827 Oil on canvas 127x183cm
   
   
     

John Constable Unknown work oil


John Constable
Unknown work
Painting ID::  48671
new18/John Constable-985734.jpg
Unknown work
mk191 Oil on canvas 1827 127x183cm
   
   
     

John Constable The Cornfield oil


John Constable
The Cornfield
Painting ID::  51368
new18/John Constable-439282.jpg
The Cornfield
mk218 1826 Oil on canvas 143x122cm
   
   
     

John Constable Sketch for The Leaping Horse oil


John Constable
Sketch for The Leaping Horse
Painting ID::  52461
new19/John Constable-578936.jpg
Sketch for The Leaping Horse
1824-25 Oil on canvas, 129 x 188 cm
   
   
     

John Constable A Boat at the Sluice oil


John Constable
A Boat at the Sluice
Painting ID::  52462
new19/John Constable-593593.jpg
A Boat at the Sluice
Oil on canvas
   
   
     

John Constable The white hasten oil


John Constable
The white hasten
Painting ID::  53881
new19/John Constable-692986.jpg
The white hasten
mk234 probably 1819 130x188cm
   
   
     

John Constable Dedham seen from Langham oil


John Constable
Dedham seen from Langham
Painting ID::  53882
new19/John Constable-397394.jpg
Dedham seen from Langham
mk234 about 1813 13.5x19cm
   
   
     

John Constable Hampstead Heat oil


John Constable
Hampstead Heat
Painting ID::  54518
new19/John Constable-296533.jpg
Hampstead Heat
mk235 1824 Oil on canvas
   
   
     

John Constable The Hay Wain oil


John Constable
The Hay Wain
Painting ID::  54520
new19/John Constable-448623.jpg
The Hay Wain
mk235 1821 Oil on canvas 130.2x185.4cm
   
   
     

John Constable the hay wain oil


John Constable
the hay wain
Painting ID::  56190
new20/John Constable-634356.jpg
the hay wain
mk247 1821,oil on canvas,51.375x73 in,130.5x185.5 cm,national gallery ,london,uk
   
   
     

John Constable brighton beach with colliers oil


John Constable
brighton beach with colliers
Painting ID::  56194
new20/John Constable-579838.jpg
brighton beach with colliers
mk247 1824,oil on paper,5.875x9.75 in,14.9x24.8 cm,victoria and albert museum,london,uk
   
   
     

John Constable en studie av himmel och trad oil


John Constable
en studie av himmel och trad
Painting ID::  56521
new20/John Constable-539824.jpg
en studie av himmel och trad
mk248 for constable innebar bimmelsiakttagelsiakttagelser att gora sma studier i olja av moln med detakjerade anteckningar skrivna pensselstreck ocb over lappen deferger, vilket gav djup at molnformationen, studierna var inte nodvadigtvis en del av en storre komposition utan atergav vader ljus ocb farg pa ett speciellt avsnitt av bimlen.
   
   
     

John Constable sadesfalrer oil


John Constable
sadesfalrer
Painting ID::  56522
new20/John Constable-244548.jpg
sadesfalrer
mk248 det befolkade landskapet var constables standiga motiv ovb det ban var mest fortrogen med. vagen till sadesfaltet ar samma som konstnaren gick langs nar ban skulle till skolan detta ar det suffolk som ban bar i sitt bjarta i bela sitt liv.sadesfalter foljer olika riktningar i tid ocb rymd. det vertikala fitrmatet styr askadarens blick fran pojken vid backen till mannen som skordar saden ocb slutligen till kyrktornet bland traden.den romantiske poeten wordswortb bifrog till den fond som kopte in malningen till nationak gallery i london.
   
   
     

John Constable Constable Dedham Vale of 1802 oil


John Constable
Constable Dedham Vale of 1802
Painting ID::  58414
new20/John Constable-623874.jpg
Constable Dedham Vale of 1802
Constable's Dedham Vale of 1802
   
   
     

John Constable Wivenhoe Park oil


John Constable
Wivenhoe Park
Painting ID::  58415
new20/John Constable-594482.jpg
Wivenhoe Park
Wivenhoe Park, 1816
   
   
     

John Constable Maria Bicknell oil


John Constable
Maria Bicknell
Painting ID::  58416
new20/John Constable-379722.jpg
Maria Bicknell
Maria Bicknell, painted by Constable in 1816
   
   
     

John Constable Constable Weymouth Bay oil


John Constable
Constable Weymouth Bay
Painting ID::  58417
new20/John Constable-623599.jpg
Constable Weymouth Bay
Constable's Weymouth Bay, c. 1816
   
   
     

John Constable Constable The Hay Wain oil


John Constable
Constable The Hay Wain
Painting ID::  58418
new20/John Constable-525772.jpg
Constable The Hay Wain
Constable's The Hay Wain of 1821
   
   
     

John Constable Constable The Cornfield of 1826 oil


John Constable
Constable The Cornfield of 1826
Painting ID::  58419
new20/John Constable-636897.jpg
Constable The Cornfield of 1826
Constable's The Cornfield of 1826
   
   
     

John Constable Constable Seascape Study with Rain Cloud c.1824 oil


John Constable
Constable Seascape Study with Rain Cloud c.1824
Painting ID::  58422
new20/John Constable-453525.jpg
Constable Seascape Study with Rain Cloud c.1824
Constable's Seascape Study with Rain Cloud c.1824
   
   
     

John Constable Salisbury Cathedral by John Constable oil


John Constable
Salisbury Cathedral by John Constable
Painting ID::  58423
new20/John Constable-438289.jpg
Salisbury Cathedral by John Constable
Salisbury Cathedral by John Constable, ca. 1825. As a gesture of appreciation for John Fisher, the Bishop of Salisbury, who commissioned this painting, Constable included the Bishop and his wife in the canvas. Their figures can be seen at the bottom left of the painting, behind the fence and under the shade of the trees.
   
   
     

John Constable ''Malvern Hall'' oil


John Constable
''Malvern Hall''
Painting ID::  66249
new22/John Constable-748584.jpg
''Malvern Hall''
1809, oil on canvas, Tate Gallery, London.
   
   
     

John Constable east bergholt rectory oil


John Constable
east bergholt rectory
Painting ID::  68838
new23/John Constable-787496.jpg
east bergholt rectory
1810 oil on canvas 15.5x24.5cm se
   
   
     

John Constable old sarum oil


John Constable
old sarum
Painting ID::  68910
new23/John Constable-495384.jpg
old sarum
1833 mezzotint engraving 20.4x28.3cm se
   
   
     

John Constable Malvern Hall, oil


John Constable
Malvern Hall,
Painting ID::  71920
new23/John Constable-348859.jpg
Malvern Hall,
Malvern Hall, 1809, oil on canvas, Tate Gallery, London.
   
   
     

John Constable Constable MalvernHall oil


John Constable
Constable MalvernHall
Painting ID::  73204
new24/John Constable-853779.jpg
Constable MalvernHall
, 1809, oil on canvas cyf
   
   
     

John Constable Beach of Brighton with sailing boats oil


John Constable
Beach of Brighton with sailing boats
Painting ID::  80222
new24/John Constable-669839.jpg
Beach of Brighton with sailing boats
1824(1824) Oil on paper 14,9 x 24,8 cm cjr
   
   
     

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     John Constable
     1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy

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