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John Constable Oil Painting Reproductions

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John Constable The Valley Farm oil


John Constable
The Valley Farm
Painting ID::  33924
new9/John Constable-976482.jpg
The Valley Farm
mk87 1835 Oil on canvas 147.3x125cm London,Tate Gallery
   
   
     

John Constable The Grove,or the Admiral-s House Hampstead oil


John Constable
The Grove,or the Admiral-s House Hampstead
Painting ID::  38583
new12/John Constable-973346.jpg
The Grove,or the Admiral-s House Hampstead
mk138 1821/22 Oil on canvas 60x50cm
   
   
     

John Constable Golding Constable-s Flower Garden oil


John Constable
Golding Constable-s Flower Garden
Painting ID::  38752
new12/John Constable-526788.jpg
Golding Constable-s Flower Garden
mk141 1815 Oil on canvas
   
   
     

John Constable Golding Constable-s Kitchen Garden oil


John Constable
Golding Constable-s Kitchen Garden
Painting ID::  38753
new12/John Constable-823738.jpg
Golding Constable-s Kitchen Garden
mk141 1815 Oil on canvas
   
   
     

John Constable A Study for The Leaping Horse oil


John Constable
A Study for The Leaping Horse
Painting ID::  38754
new12/John Constable-446823.jpg
A Study for The Leaping Horse
mk141 1824-25 Oil on canvas
   
   
     

John Constable The Leaping Horse oil


John Constable
The Leaping Horse
Painting ID::  38755
new12/John Constable-934422.jpg
The Leaping Horse
mk141 1825 The Royal Academy of Arts,London
   
   
     

John Constable Study of clouds at Hampstead oil


John Constable
Study of clouds at Hampstead
Painting ID::  38756
new12/John Constable-282945.jpg
Study of clouds at Hampstead
mk141 1821 Oil on canvas
   
   
     

John Constable View in  Garden at Hampstead,with a Red House beyond oil


John Constable
View in Garden at Hampstead,with a Red House beyond
Painting ID::  38757
new12/John Constable-648642.jpg
View in Garden at Hampstead,with a Red House beyond
mk141 1821 Oil on canvas
   
   
     

John Constable Hadleigh Castle oil


John Constable
Hadleigh Castle
Painting ID::  38758
new12/John Constable-257392.jpg
Hadleigh Castle
mk141 1829 Yale Center for British Art
   
   
     

John Constable East Bergholt oil


John Constable
East Bergholt
Painting ID::  38759
new12/John Constable-763962.jpg
East Bergholt
mk141 1831 The Artist-s Birthplace
   
   
     

John Constable Sun bursting through dark clouds oil


John Constable
Sun bursting through dark clouds
Painting ID::  38764
new12/John Constable-385868.jpg
Sun bursting through dark clouds
mk141 1821 Oil on paper laid on panel 21.2x29cm
   
   
     

John Constable A Vignette oil


John Constable
A Vignette
Painting ID::  38761
new12/John Constable-983975.jpg
A Vignette
mk141 1829 Oil on canvas
   
   
     

John Constable Old Sarum oil


John Constable
Old Sarum
Painting ID::  38762
new12/John Constable-364777.jpg
Old Sarum
mk141 1831/32 2nd plate
   
   
     

John Constable View into a Garden in Hampstead with a Red House beyond oil


John Constable
View into a Garden in Hampstead with a Red House beyond
Painting ID::  38763
new12/John Constable-697449.jpg
View into a Garden in Hampstead with a Red House beyond
mk141 1821 Oil on canvas 35.5x30.5cm
   
   
     

John Constable Cloud Study over a horizon of trees oil


John Constable
Cloud Study over a horizon of trees
Painting ID::  38765
new12/John Constable-497764.jpg
Cloud Study over a horizon of trees
mk141 1821 Oil on paper laid on board 24.8x29.2cm
   
   
     

John Constable Study of Clouds at Hampstead oil


John Constable
Study of Clouds at Hampstead
Painting ID::  38766
new12/John Constable-983973.jpg
Study of Clouds at Hampstead
mk141 1821 Oil on paper laid on board 24.2x29.8cm
   
   
     

John Constable Dedham Mill oil


John Constable
Dedham Mill
Painting ID::  40661
new16/John Constable-729692.jpg
Dedham Mill
mk156 1820 Oil on canvas 70x90.5cm
   
   
     

John Constable Salisbury Cathedral from the Bishop-s Grounds oil


John Constable
Salisbury Cathedral from the Bishop-s Grounds
Painting ID::  40671
new16/John Constable-977737.jpg
Salisbury Cathedral from the Bishop-s Grounds
mk156 1823 Oil on canvas 88x112cm
   
   
     

John Constable The Opening of Waterloo Bridge oil


John Constable
The Opening of Waterloo Bridge
Painting ID::  40675
new16/John Constable-579542.jpg
The Opening of Waterloo Bridge
mk156 1932 Oil on canvas 130.8x218cm
   
   
     

John Constable Sailsbury Cathedral From the Bishop-s Garden oil


John Constable
Sailsbury Cathedral From the Bishop-s Garden
Painting ID::  41350
new16/John Constable-925675.jpg
Sailsbury Cathedral From the Bishop-s Garden
mk161 Oil on canvas 34x44
   
   
     

John Constable Stour Valley and the church of Dedham oil


John Constable
Stour Valley and the church of Dedham
Painting ID::  42756
new16/John Constable-363667.jpg
Stour Valley and the church of Dedham
MK169 1814-15 oil Paint on cloth 55x77.8cm Museum or Finn Physician.
   
   
     

John Constable The jumping horse oil


John Constable
The jumping horse
Painting ID::  42757
new16/John Constable-683863.jpg
The jumping horse
MK169 1824-24 oil Paint on cloth 142x187cm
   
   
     

John Constable Weymouth Bay Bowleaze Cove and Jordan Hill oil


John Constable
Weymouth Bay Bowleaze Cove and Jordan Hill
Painting ID::  43314
new16/John Constable-393564.jpg
Weymouth Bay Bowleaze Cove and Jordan Hill
mk170 1816-1817 Oil on canvas 53.3x74.9cm
   
   
     

John Constable The Cornfield oil


John Constable
The Cornfield
Painting ID::  43315
new16/John Constable-738992.jpg
The Cornfield
mk170 1826 Oil on canvas 142.9x121.9cm
   
   
     

John Constable The Hay-Wain oil


John Constable
The Hay-Wain
Painting ID::  43316
new16/John Constable-333635.jpg
The Hay-Wain
mk170 1821 Oil on canvas 130.2x185.4cm
   
   
     

John Constable Boat-Building on the Stour oil


John Constable
Boat-Building on the Stour
Painting ID::  44233
new16/John Constable-576997.jpg
Boat-Building on the Stour
1814-15 Oil on canvas, 25 x 30 cm
   
   
     

John Constable The Stour-Valley with the Church of Dedham oil


John Constable
The Stour-Valley with the Church of Dedham
Painting ID::  44235
new16/John Constable-745895.jpg
The Stour-Valley with the Church of Dedham
1814 Oil on canvas, 55,5 x 77,8 cm
   
   
     

John Constable Weymouth Bay, with Jordan Hill oil


John Constable
Weymouth Bay, with Jordan Hill
Painting ID::  44244
new16/John Constable-474998.jpg
Weymouth Bay, with Jordan Hill
1816 Oil on canvas, 53 x 75 cm
   
   
     

John Constable Malvern Hall in Warwickshire oil


John Constable
Malvern Hall in Warwickshire
Painting ID::  44245
new16/John Constable-869548.jpg
Malvern Hall in Warwickshire
1809 Oil on canvas, 51 x 77 cm
   
   
     

John Constable View of Malvern Hall,Warwickshire oil


John Constable
View of Malvern Hall,Warwickshire
Painting ID::  48603
new17/John Constable-432932.jpg
View of Malvern Hall,Warwickshire
mk190 1809
   
   
     

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     John Constable
     1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy

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