กก

John Constable Oil Painting Reproductions

       Prev  1  2  3  4  5  6  7  8  9  10   Next
  Next Artist     

   
    

John Constable Old Sarum oil


John Constable
Old Sarum
Painting ID::  33010
new9/John Constable-636897.jpg
Old Sarum
mk82 1834
   
   
     

John Constable West End Fields,Hampstead,noon oil


John Constable
West End Fields,Hampstead,noon
Painting ID::  33011
new9/John Constable-786429.jpg
West End Fields,Hampstead,noon
mk82 c.1821-22
   
   
     

John Constable Keswick oil


John Constable
Keswick
Painting ID::  33102
new9/John Constable-462929.jpg
Keswick
mk82 c.1807
   
   
     

John Constable Clouds oil


John Constable
Clouds
Painting ID::  33103
new9/John Constable-424836.jpg
Clouds
mk82 5 September 1822
   
   
     

John Constable The Quarters behind Alresford Hall oil


John Constable
The Quarters behind Alresford Hall
Painting ID::  33104
new9/John Constable-236438.jpg
The Quarters behind Alresford Hall
mk82 1816
   
   
     

John Constable Hove Beach oil


John Constable
Hove Beach
Painting ID::  33105
new9/John Constable-958845.jpg
Hove Beach
mk82 c.1842
   
   
     

John Constable John Constable oil


John Constable
John Constable
Painting ID::  33106
new9/John Constable-444625.jpg
John Constable
mk82 c.1799 oil on canvas 76.2x63.8cm National Portrait Gallery
   
   
     

John Constable Windermere oil


John Constable
Windermere
Painting ID::  33107
new9/John Constable-672787.jpg
Windermere
mk82 1806 Watercolour and very faint pencil 20.2x37.8cm
   
   
     

John Constable The Castle Rock,Borrowdale oil


John Constable
The Castle Rock,Borrowdale
Painting ID::  33108
new9/John Constable-774378.jpg
The Castle Rock,Borrowdale
mk82 1806 Watercolour and charcoal 26.8x36.3cm
   
   
     

John Constable Keswick,Lake oil


John Constable
Keswick,Lake
Painting ID::  33109
new9/John Constable-995238.jpg
Keswick,Lake
mk82 c.1807 Oil on millboard inlaid into mahogany panel 26.5x44.7cm
   
   
     

John Constable The edge of a Heath by moonlight oil


John Constable
The edge of a Heath by moonlight
Painting ID::  33110
new9/John Constable-692735.jpg
The edge of a Heath by moonlight
mk82 oil on paper laid on canvas 15x25.7cm
   
   
     

John Constable The Stour 27 September 1810 oil


John Constable
The Stour 27 September 1810
Painting ID::  33111
new9/John Constable-565386.jpg
The Stour 27 September 1810
mk82 oil on canvas 23.8x23.5cm
   
   
     

John Constable View towards the rectory,East Bergholt 30 September 1810 oil


John Constable
View towards the rectory,East Bergholt 30 September 1810
Painting ID::  33112
new9/John Constable-857585.jpg
View towards the rectory,East Bergholt 30 September 1810
mk82 oil on canvas laid on panel 15.6x24.8cm
   
   
     

John Constable The Village fair,East Bergholt 1811 oil


John Constable
The Village fair,East Bergholt 1811
Painting ID::  33113
new9/John Constable-795792.jpg
The Village fair,East Bergholt 1811
mk82 oil on canvas 17.2x35.5cm
   
   
     

John Constable Flatford Lock 1810-12 oil


John Constable
Flatford Lock 1810-12
Painting ID::  33114
new9/John Constable-399428.jpg
Flatford Lock 1810-12
mk82 Oil on canvas laid on board 18.7x24.4cm
   
   
     

John Constable Flatford Mill from a lock on the Stour oil


John Constable
Flatford Mill from a lock on the Stour
Painting ID::  33116
new9/John Constable-755357.jpg
Flatford Mill from a lock on the Stour
mk82 c.1811 oil on paper laid on canvas 26x35.5
   
   
     

John Constable The Valley of the Stour at sunset 31 October1812 oil


John Constable
The Valley of the Stour at sunset 31 October1812
Painting ID::  33117
new9/John Constable-342647.jpg
The Valley of the Stour at sunset 31 October1812
mk82 oil on canvas 11.7x28.4cm
   
   
     

John Constable Autumnal sunset oil


John Constable
Autumnal sunset
Painting ID::  33118
new9/John Constable-427683.jpg
Autumnal sunset
mk82 c.1812 oil on paper
   
   
     

John Constable Landscape study,cottage and rainbow oil


John Constable
Landscape study,cottage and rainbow
Painting ID::  33119
new9/John Constable-777992.jpg
Landscape study,cottage and rainbow
mk82 c.1808-16
   
   
     

John Constable A ploughing scene in Suffolk oil


John Constable
A ploughing scene in Suffolk
Painting ID::  33120
new9/John Constable-942447.jpg
A ploughing scene in Suffolk
mk82 1814 oil on canvas 50.5x76.5
   
   
     

John Constable The Stour Valley and Dedham Village oil


John Constable
The Stour Valley and Dedham Village
Painting ID::  33121
new9/John Constable-229627.jpg
The Stour Valley and Dedham Village
mk82 5 September 1814 oil on canvas 39.4x55.9
   
   
     

John Constable A cart and horses,with a carter and a dog oil


John Constable
A cart and horses,with a carter and a dog
Painting ID::  33122
new9/John Constable-395574.jpg
A cart and horses,with a carter and a dog
mk82 c.1814
   
   
     

John Constable Dedham from near Gun Hill,Langham oil


John Constable
Dedham from near Gun Hill,Langham
Painting ID::  33123
new9/John Constable-946584.jpg
Dedham from near Gun Hill,Langham
mk82 c.1815 oil on paper laid on canvas 25.1x30.5cm
   
   
     

John Constable The wheatfield oil


John Constable
The wheatfield
Painting ID::  33124
new9/John Constable-578648.jpg
The wheatfield
mk82 1816 oil on canvas 53.7x77.2cm
   
   
     

John Constable A country lane,with a church in the distance oil


John Constable
A country lane,with a church in the distance
Painting ID::  33125
new9/John Constable-958578.jpg
A country lane,with a church in the distance
mk82 1816
   
   
     

John Constable The Quarters'behind Alresford Hall oil


John Constable
The Quarters'behind Alresford Hall
Painting ID::  33126
new9/John Constable-754525.jpg
The Quarters'behind Alresford Hall
mk82 1816
   
   
     

John Constable A cottage in a cornfield oil


John Constable
A cottage in a cornfield
Painting ID::  33127
new9/John Constable-844557.jpg
A cottage in a cornfield
mk82 c.1815 pencil 10.2x7.9
   
   
     

John Constable A cottage in a cornfield oil


John Constable
A cottage in a cornfield
Painting ID::  33128
new9/John Constable-788426.jpg
A cottage in a cornfield
mk82 c.1816-17
   
   
     

John Constable Weymouth Bay oil


John Constable
Weymouth Bay
Painting ID::  33129
new9/John Constable-488342.jpg
Weymouth Bay
mk82 c.1819/1830
   
   
     

John Constable Hanwich Lightouse oil


John Constable
Hanwich Lightouse
Painting ID::  33130
new9/John Constable-858487.jpg
Hanwich Lightouse
mk82 c.1820 oil on canvas 32.7x50.2
   
   
     

       Prev  1  2  3  4  5  6  7  8  9  10   Next
Next Artist     

     John Constable
     1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy

BBBOnLine Reliability Seal

http://www.xiamenoilpainting.com

China Oil Painting Studio Team