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John Constable Oil Painting Reproductions
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John Constable Flowers in a glass vase, study oil


John Constable
Flowers in a glass vase, study
Painting ID::  98468
new26/John Constable-948733.jpg 		Flowers in a glass vase, study
Oil on paperboard Dimensions 503 x 330 mm c. 1814
   
   
     
John Constable Boats on the Stour, Dedham Church in the background oil


John Constable
Boats on the Stour, Dedham Church in the background
Painting ID::  98469
new26/John Constable-388834.jpg 		Boats on the Stour, Dedham Church in the background
circa 1811(1811) Medium oil on canvas Dimensions 26 x 31.1 cm (10.2 x 12.2 in)
   
   
     
John Constable Das Haus des Admirals in Hampstead oil


John Constable
Das Haus des Admirals in Hampstead
Painting ID::  98470
new26/John Constable-339759.jpg 		Das Haus des Admirals in Hampstead
1821-1822 Medium oil on canvas Dimensions 60 x 50 cm
   
   
     
John Constable John Constable R.A., The Leaping Horse oil


John Constable
John Constable R.A., The Leaping Horse
Painting ID::  98471
new26/John Constable-664459.jpg 		John Constable R.A., The Leaping Horse
1825(1825) Medium oil on canvas Dimensions 142 x 187 cm
   
   
     
John Constable Das Stour-Tal mit der Kirche von Dedham oil


John Constable
Das Stour-Tal mit der Kirche von Dedham
Painting ID::  98472
new26/John Constable-879475.jpg 		Das Stour-Tal mit der Kirche von Dedham
1814-1815 Medium oil on canvas Dimensions 55,3 x 78,1 cm
   
   
     
John Constable Das Waterloo-Fest in East Bergholt oil


John Constable
Das Waterloo-Fest in East Bergholt
Painting ID::  98473
new26/John Constable-344379.jpg 		Das Waterloo-Fest in East Bergholt
1st quarter of 19th century Medium oil on canvas Dimensions 23 x 33,5 cm
   
   
     
John Constable Der Heuwagen, Studie oil


John Constable
Der Heuwagen, Studie
Painting ID::  98474
new26/John Constable-688437.jpg 		Der Heuwagen, Studie
circa 1821(1821) Medium oil on canvas Dimensions 137 x 188 cm
   
   
     
John Constable Weymouth Bay oil


John Constable
Weymouth Bay
Painting ID::  98475
new26/John Constable-553895.jpg 		Weymouth Bay
1816(1816) Medium oil on canvas Dimensions 53,3 x 75 cm
   
   
     
John Constable Die Kathedrale von Salisbury vom Flub aus gesehen, mit dem Haus des Archidiakonus Fischer, Skizze oil


John Constable
Die Kathedrale von Salisbury vom Flub aus gesehen, mit dem Haus des Archidiakonus Fischer, Skizze
Painting ID::  98476
new26/John Constable-967987.jpg 		Die Kathedrale von Salisbury vom Flub aus gesehen, mit dem Haus des Archidiakonus Fischer, Skizze
1827(1827) Medium oil on canvas Dimensions 52,5 x 77 cm
   
   
     
John Constable Portrat der Maria Bicknell oil


John Constable
Portrat der Maria Bicknell
Painting ID::  98478
new26/John Constable-793878.jpg 		Portrat der Maria Bicknell
1816(1816) Medium oil on canvas Dimensions 30 x 25 cm
   
   
     
John Constable Schleuse und Muhle in Dedham oil


John Constable
Schleuse und Muhle in Dedham
Painting ID::  98479
new26/John Constable-847559.jpg 		Schleuse und Muhle in Dedham
1820 Medium oil on canvas Dimensions Deutsch: 53,7 x 76,2 cm
   
   
     
John Constable The Chain Pier, Brighton oil


John Constable
The Chain Pier, Brighton
Painting ID::  98480
new26/John Constable-877779.jpg 		The Chain Pier, Brighton
1824-1827 Medium oil on canvas Dimensions 127 x 183 cm
   
   
     
John Constable Cloud Study, Hampstead; Tree at Right, Royal Academy of Arts, London oil


John Constable
Cloud Study, Hampstead; Tree at Right, Royal Academy of Arts, London
Painting ID::  98481
new26/John Constable-956849.jpg 		Cloud Study, Hampstead; Tree at Right, Royal Academy of Arts, London
1821 Source repro from art book
   
   
     
John Constable Flatford Mill or Scene on a Navigable River oil


John Constable
Flatford Mill or Scene on a Navigable River
Painting ID::  98483
new26/John Constable-834688.jpg 		Flatford Mill or Scene on a Navigable River
Dimensions 1331 mm x 162 mm x 1583 mm (52.4 in x 6.4 in x 62.3 in)
   
   
     
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     John Constable
     1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy

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