John Constable Salisbury Cathedral from the Meadows2 Painting ID:: 435 John Constable1.jpg
Salisbury Cathedral from the Meadows2
John Constable The Glebe Farm Painting ID:: 437 John Constable3.jpg
The Glebe Farm 1835
Tate Gallery, London
John Constable Whitehall Stairs on June 18, 1817 Painting ID:: 438 John Constable4.jpg
Whitehall Stairs on June 18, 1817 1832
John Constable Parham Mill at Gillingham Painting ID:: 439 John Constable5.jpg
Parham Mill at Gillingham 1826
Yale Centre for British Art, New Haven,
John Constable Arundel Mill and Castle Painting ID:: 440 John Constable6.jpg
Arundel Mill and Castle 1837
The Toledo Museum of Art, Toledo
John Constable Stonehenge Painting ID:: 441 John Constable7.jpg
Stonehenge 1836 V
ictoria and Albert Museum, London
John Constable Wivenhoe Park, Essex Painting ID:: 456 John Constable8.jpg
Wivenhoe Park, Essex 1816
National Gallery of Art, Washington DC
John Constable Maria Bicknell Painting ID:: 457 John Constable9.jpg
Maria Bicknell 1816
Tate Gallery, London
John Constable Helmingham Dell (mk05) Painting ID:: 20833 new6/John Constable-965495.jpg
Helmingham Dell (mk05) Canvas 40 1/2 x 51''(103 x 129 cm)Acquired in 1948
R.F 1948-5
John Constable View of Salisbury (mk05) Painting ID:: 20837 new6/John Constable-296769.jpg
View of Salisbury (mk05) Canvas ,14 1/4 x 20 1/2''(36 x 52 cm)Bequeathed in 1952 R.F 1952-25
John Constable The White Horse (mk09) Painting ID:: 21299 new6/John Constable-995248.jpg
The White Horse (mk09) 1819
OIl on canvas,131.4 x 188.3 cm
New York,The Frick Collection
John Constable Weymouth Bay (mk09) Painting ID:: 21434 new6/John Constable-645942.jpg
Weymouth Bay (mk09) c.1816
Oil on canvas,53 x 75 cm
London,National Gallery
John Constable Salisbury Cathedral from the Bishop's Grounds (mk09) Painting ID:: 21435 new6/John Constable-399725.jpg
Salisbury Cathedral from the Bishop's Grounds (mk09) 1828
Oil on canvas,34 x 44 cm
Berlin,Nationalgalerie,Staatliche Museen zu Berlin-Preussischer Kulturbesitz
John Constable Dedham Lock and Mill (mk09) Painting ID:: 21436 new6/John Constable-254867.jpg
Dedham Lock and Mill (mk09) 1820
Oil on canvas,53.7 x 76.2 cm
London,Victoria and Albert Museum
John Constable The Hay Wain (mk09) Painting ID:: 21437 new6/John Constable-846563.jpg
The Hay Wain (mk09) 1821
Oil on canvas,130.5 x 185.5 cm
London,National Gallery
John Constable The Valley Farm (mk09) Painting ID:: 21439 new6/John Constable-453278.jpg
The Valley Farm (mk09) 1835
Oil on canvas,147.3 x 125 cm
London,Tate Gallery
John Constable Lake Derwent with Evening Storm (mk10) Painting ID:: 21770 new6/John Constable-242385.jpg
Lake Derwent with Evening Storm (mk10) Watercolour,33.5 x 38 cm
London,Victorian and Albert Museum
John Constable Landscape with Two Rainbows (mk10) Painting ID:: 21822 new7/John Constable-528946.jpg
Landscape with Two Rainbows (mk10) 1812
Oil on paper
34 x 38 cm
London,Victoria and Albert Museum
John Constable Old Sarum (mk22) Painting ID:: 22809 new7/John Constable-472872.jpg
Old Sarum (mk22) 1834
Watercolor,30 x 48.7 cm
London,Victoria and Albert Museum
John Constable The Lock (nn03) Painting ID:: 23276 new8/John Constable-892527.jpg
The Lock (nn03) c 1824
Oil on canvas 142 x 120 cm 56 x 47 1/2 in Fundacion Coleccion Thyssen-Bornemisza Madrid
John Constable Salisbury Cathedral from the Meadows Painting ID:: 26358 new2/John Constable-545874.jpg
Salisbury Cathedral from the Meadows mk49
1831
Oil on canvas
on loan to the National Gallery,London
John Constable Dedham Lock and Mill Painting ID:: 30676 new4/John Constable-777379.jpg
Dedham Lock and Mill mk68
Oil on canvas
London,Victoria and Albert Museum
1820
Britain
John Constable View of Salisbury Cathedral Grounds from the Bishop's House Painting ID:: 30681 new4/John Constable-887827.jpg
View of Salisbury Cathedral Grounds from the Bishop's House mk68
Oil on canvas
London,
Victoria and Albert Museum
1823
Britain
John Constable The White horse Painting ID:: 31837 new4/John Constable-896757.jpg
The White horse mk76
Dated 1819
Oil on canvas
51 3/4x74 1/8in
John Constable Details of The White horse Painting ID:: 31838 new4/John Constable-943459.jpg
Details of The White horse mk76
Dated 1819
Oil on canvas
51 3/4x74 1/8in
John Constable Salisbury cathedral from the bishop's garden Painting ID:: 31839 new4/John Constable-777744.jpg
Salisbury cathedral from the bishop's garden mk76
Dated 1826
Oil on canvas
John Constable Chain Pier Painting ID:: 32800 new9/John Constable-346466.jpg
Chain Pier mk81
Brighton 1826-7
John Constable Flatford Mill Painting ID:: 32836 new9/John Constable-628346.jpg
Flatford Mill mk81
1816-17
John Constable The Mill Stream Painting ID:: 32842 new9/John Constable-982542.jpg
1776-1837
British
John Constable Locations
1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy