Jean-Leon Gerome Oil Painting Reproductions

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Jean-Leon Gerome
L Eminence grise
Painting ID:: 27662
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L Eminence grise
mk58 1873 oil on canvas 68.6x101cm Museum of Fine Arts,Boston

Jean-Leon Gerome
Pollice Verso
Painting ID:: 27665
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Pollice Verso
mk58 1872 oil on canvas 97.5x146.7cm Phoenix Art Museum

Jean-Leon Gerome
Esclave a vendre
Painting ID:: 31089
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Esclave a vendre
mk71 1873 Toile H.2.17 L.1.42 Musee d'Art et d'Industrie Andre Diligent ,de Roubaix

Jean-Leon Gerome Recreation by our Gallery oil

Jean-Leon Gerome
Recreation by our Gallery
Painting ID:: 32591
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Recreation by our Gallery
mk79 About 1890

Jean-Leon Gerome Painting Breathes Life Into Sculpture oil

Jean-Leon Gerome
Painting Breathes Life Into Sculpture
Painting ID:: 38189
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Painting Breathes Life Into Sculpture
mk29 1893 Oil on canvas 50.2x68.9cm

Jean-Leon Gerome
Pool in a Harem
Painting ID:: 38937
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Pool in a Harem
mk142 ca.1876 Oil on canvas

Jean-Leon Gerome Oedipus,or General Bonaparte in Egypt oil

Jean-Leon Gerome
Oedipus,or General Bonaparte in Egypt
Painting ID:: 39950
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Oedipus,or General Bonaparte in Egypt
mk155 1867-1868 Oil on canvas 30.2x45.6cm

Jean-Leon Gerome Interior of a Mosque oil

Jean-Leon Gerome
Interior of a Mosque
Painting ID:: 40024
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Interior of a Mosque
mk155 undated Oil on canvas 22x31cm

Jean-Leon Gerome is the immediate source of the thumbs down gesture in popular culture. It is owned by Phoenix Art Museum. oil

Jean-Leon Gerome
is the immediate source of the thumbs down gesture in popular culture. It is owned by Phoenix Art Museum.
Painting ID:: 59046
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is the immediate source of the thumbs down gesture in popular culture. It is owned by Phoenix Art Museum.
Pollice Verso by Jean-L??on G??rôme, 1872, is the immediate source of the "thumbs down" gesture in popular culture. It is owned by Phoenix Art Museum.

Jean-Leon Gerome
The Cockfight
Painting ID:: 59048
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The Cockfight
The Cockfight (1846); now in the Mus??e d'Orsay, Paris.

Jean-Leon Gerome Phryne before the Areopagus, oil

Jean-Leon Gerome
Phryne before the Areopagus,
Painting ID:: 59049
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Phryne before the Areopagus,
Phryne before the Areopagus, 1861

Jean-Leon Gerome Reception of Le Grand Conde at Versailles oil

Jean-Leon Gerome
Reception of Le Grand Conde at Versailles
Painting ID:: 59050
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Reception of Le Grand Conde at Versailles
Reception of Le Grand Conde at Versailles (1878)

Jean-Leon Gerome
Harem baths
Painting ID:: 59051
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Harem baths
Harem baths

Jean-Leon Gerome Arabs Crossing the Desert oil

Jean-Leon Gerome
Arabs Crossing the Desert
Painting ID:: 61826
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Arabs Crossing the Desert
1870. Oil on panel. 16.25 x 22 in. (41.2 x 56cm(. Najd Collection. Courtesy Mathaf Gallery, London.

Jean-Leon Gerome Jeunes Grecs Faisant battre des coqus oil

Jean-Leon Gerome
Jeunes Grecs Faisant battre des coqus
Painting ID:: 66522
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Jeunes Grecs Faisant battre des coqus
Oil on canvas 1846

Jean-Leon Gerome
Eminence grise
Painting ID:: 67151
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Eminence grise
Description G??rôme Eminence grise 1873.jpg Oil painting of the Grey Eminence, François Leclerc du Tremblay, the right-hand man of Cardinal Richelieu Date 1873

Jean-Leon Gerome
Black Bashi-Bazouk
Painting ID:: 67152
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Black Bashi-Bazouk
Year c. 1869 Technique Oil on canvas Dimensions 31 7/8 x 25 7/8 inches (81 x 66 cm)

Jean-Leon Gerome Gerome Eminence grise oil

Jean-Leon Gerome
Gerome Eminence grise
Painting ID:: 69942
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Gerome Eminence grise
Oil painting of the Grey Eminence, Francois Leclerc du Tremblay, the right-hand man of Cardinal Richelieu

Jean-Leon Gerome
Jeunes Grecs Faisant battre des coqus
Painting ID:: 71807
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Jeunes Grecs Faisant battre des coqus
Date 1846

Jean-Leon Gerome
Painting Breathes Life into Sculpture
Painting ID:: 77805
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Painting Breathes Life into Sculpture
ca. 1893(1893) Oil on canvas cjr

Jean-Leon Gerome
Pollice Verso
Painting ID:: 80151
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Pollice Verso
1872 Oil on canvas cjr

Jean-Leon Gerome
The Snake Charmer
Painting ID:: 80625
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The Snake Charmer
"The Snake Charmer", by Jean-Lxon Gxrôme. Oil on canvas; on display at the New Orleans Museum of Art, New Orleans, Louisiana, USA. This is not the classic painting much commented on in studies of Orientalism, but a different painting with the same name and general subject matter. Public domainPublic domainfalsefalse cjr

Jean-Leon Gerome
Arabs Crossing the Desert
Painting ID:: 81590
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Arabs Crossing the Desert
Date 1870(1870) Source Oil on canvas cjr

Jean-Leon Gerome
After the Bath
Painting ID:: 81830
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After the Bath
Medium English: Oil on canvas Dimensions English: 82.6 x 66.7 cm cjr

Jean-Leon Gerome Egyptian Recruits Crossing the Desert oil

Jean-Leon Gerome
Egyptian Recruits Crossing the Desert
Painting ID:: 82636
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Egyptian Recruits Crossing the Desert
Date 1857(1857) Source Oil on panel cjr

Jean-Leon Gerome
Markos Botsaris
Painting ID:: 82637
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Markos Botsaris
Date 1874(1874) Medium Oil on canvas cjr

Jean-Leon Gerome
Diogenes
Painting ID:: 82928
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Diogenes
1860(1860) Medium Oil on canvas cyf

Jean-Leon Gerome A Muezzin Calling from the Top of a Minaret the Faithful to Prayer oil

Jean-Leon Gerome
A Muezzin Calling from the Top of a Minaret the Faithful to Prayer
Painting ID:: 82960
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A Muezzin Calling from the Top of a Minaret the Faithful to Prayer
Date 1879(1879) Medium Oil on canvas Dimensions (91.4 x 66 cm) cjr

Jean-Leon Gerome
King Candaules
Painting ID:: 83169
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King Candaules
Date 1859(1859) Medium Oil on canvas Dimensions 67.3 x 99 cm (26.5 x 39 in) cjr

Jean-Leon Gerome Egyptian water carrier. oil

Jean-Leon Gerome
Egyptian water carrier.
Painting ID:: 83286
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Egyptian water carrier.
Date ca. 1882(1882) Medium Oil on canvas cjr

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Jean-Leon Gerome

French Academic Painter and Sculptor, 1824-1904 was a French painter and sculptor in the style now known as Academicism. The range of his oeuvre included historical painting, Greek mythology, Orientalism, portraits and other subjects, bringing the Academic painting tradition to an artistic climax. Born at Vesoul (Haute-Saône), he went to Paris in 1840 where he studied under Paul Delaroche, whom he accompanied to Italy (1843-1844). He visited Florence, Rome, the Vatican and Pompeii, but he was more attracted to the world of nature. Taken by a fever, he was forced to return to Paris in 1844. On his return he followed, like many other students of Delaroche, into the atelier of Charles Gleyre and studied there for a brief time. He then attended the Ecole des Beaux-Arts. In 1846 he tried to enter the prestigious Prix de Rome, but failed in the final stage because his figure drawing was inadequate. He tried to improve his skills by painting The Cockfight (1846), an academic exercise depicting a nude young man and a lightly draped girl with two fighting cocks and in the background the Bay of Naples. He sent this painting to the Salon of 1847, where it gained him a third-class medal. This work was seen as the epitome of the Neo-Grec movement that had formed out of Gleyre's studio (such as Henri-Pierre Picou (1824-1895) and Jean-Louis Hamon), and was championed by the influential French critic Theophile Gautier. G??rôme abandoned his dream of winning the Prix de Rome and took advantage of his sudden success. His paintings The Virgin, the Infant Jesus and St John (private collection) and Anacreon, Bacchus and Cupid (Mus??e des Augustins, Toulouse, France) took a second-class medal in 1848. In 1849 he produced the paintings Michelangelo (also called In his studio) (now in private collection) image of the painting and A portrait of a Lady (Mus??e Ingres, Montauban). In 1851 he decorated a vase, later offered by Emperor Napoleon III of France to Prince Albert, now part of the Royal Collection at St. James's Palace, London. He exhibited Bacchus and Love, Drunk, a Greek Interior and Souvenir d'Italie, in 1851; Paestum (1852); and An Idyll (1853). In 1852 G??rôme received a commission by Alfred Emilien Comte de Nieuwerkerke, Surintendant des Beaux-Arts to the court of Napoleon III, for the painting of a large historical canvas, the Age of Augustus image of the painting. In this canvas he combines the birth of Christ with conquered nations paying homage to Augustus. Thanks to a considerable down payment, he was able to travel in 1853 to Constantinople, together with the actor Edmond Got. This would be the first of several travels to the East : in 1854 he made another journey to Turkey and the shores of the Danube, where he was present at a concert of Russian conscripts, making music under the threat of a lash. In 1854 he completed another important commission of decorating the Chapel of St. Jerome in the church of St. S??verin in Paris. His Last communion of St. Jerome in this chapel reflects the influence of the school of Ingres on his religious works. To the exhibition of 1855 he contributed a Pifferaro, a Shepherd, A Russian Concert, The Age of Augustus and Birth of Christ.



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