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James Wilson Morrice Oil Painting Reproductions
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James Wilson Morrice Quai des Grands-Augustins oil


James Wilson Morrice
Quai des Grands-Augustins
Painting ID::  11847
James Wilson Morrice_Ug9a34.jpg 		Quai des Grands-Augustins
Salon de la Societe Nationale des Beaux-Arts,1905 2' 1 1/2'' x 2' 7 1/2''(65 x 80 cm)
   
   
     
James Wilson Morrice The Left Branch of the Seine before the Place Dauphine oil


James Wilson Morrice
The Left Branch of the Seine before the Place Dauphine
Painting ID::  11851
James Wilson Morrice_gC9ZSs.jpg 		The Left Branch of the Seine before the Place Dauphine
1' 6'' x 1' 3''(46 x 38 cm)Bequest of Paul Cosson,1926
   
   
     
James Wilson Morrice Blanche Baume oil


James Wilson Morrice
Blanche Baume
Painting ID::  84868
new25/James Wilson Morrice-587889.jpg 		Blanche Baume
Blanche Baume, by James Wilson Morrice, 1911-1912. Oil on Canvas. cjr
   
   
     
James Wilson Morrice Blanche Baume oil


James Wilson Morrice
Blanche Baume
Painting ID::  88729
new25/James Wilson Morrice-396497.jpg 		Blanche Baume
1911-1912. Oil on Canvas. In the Collection of the National Gallery of Canada. cyf
   
   
     
James Wilson Morrice Quai des Grands Augustins oil


James Wilson Morrice
Quai des Grands Augustins
Painting ID::  91994
new25/James Wilson Morrice-738963.jpg 		Quai des Grands Augustins
Oil on Canvas, 65 x 80 cm. In the collection of the Musee D'Orsay. Date 1904(1904) cyf
   
   
     
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     James Wilson Morrice
     (August 10, 1865 Montreal - January 23, 1924 Tunis) was a significant Canadian landscape painter. He studied at the Academie Julian in Paris, France, where he lived for most of his career. Morrice was the son of a wealthy merchant, and studied law in Toronto from 1882 to 1889. In 1890 he left to study painting in England. The next year he arrived in Paris, where he studied at the Academie Julian from 1892-7. At Julians he befriended Charles Conder and Maurice Prendergast, and also met Robert Henri. Morrice continued to live in Paris until the First World War, although he spent most of his winters in Canada. He made many connections in the intellectual circles of Paris, while also remaining in touch with the Canadian art world:

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