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James Ensor Oil Painting Reproductions

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James Ensor The Artist-s Studio oil


James Ensor
The Artist-s Studio
Painting ID::  37518
new11/James Ensor-673659.jpg
The Artist-s Studio
mk126 1930
   
   
     

James Ensor Point of the Compass oil


James Ensor
Point of the Compass
Painting ID::  37519
new11/James Ensor-596924.jpg
Point of the Compass
mk126 West 1932
   
   
     

James Ensor Point of the Compass oil


James Ensor
Point of the Compass
Painting ID::  37520
new11/James Ensor-884942.jpg
Point of the Compass
mk126 North 1932
   
   
     

James Ensor Point of the Compass oil


James Ensor
Point of the Compass
Painting ID::  37521
new11/James Ensor-537685.jpg
Point of the Compass
mk126 South 1932
   
   
     

James Ensor Point of the Compass oil


James Ensor
Point of the Compass
Painting ID::  37522
new11/James Ensor-929586.jpg
Point of the Compass
mk126 East 1932
   
   
     

James Ensor My Dead mother oil


James Ensor
My Dead mother
Painting ID::  37523
new11/James Ensor-829829.jpg
My Dead mother
mk126 1915 Ensor was already fifty-five years old in 1915 when his mother did.
   
   
     

James Ensor My Dead Aunt oil


James Ensor
My Dead Aunt
Painting ID::  37524
new11/James Ensor-243623.jpg
My Dead Aunt
mk126 1916 One year after the death of Ensor-s Mother came that of her sister.
   
   
     

James Ensor The Droll Smokers oil


James Ensor
The Droll Smokers
Painting ID::  37525
new11/James Ensor-755575.jpg
The Droll Smokers
mk126 1920 Almost everyone,Even the skulls,appears to be smoking in the painting.
   
   
     

James Ensor The Pisser oil


James Ensor
The Pisser
Painting ID::  37526
new11/James Ensor-265773.jpg
The Pisser
mk126 1887 This Etching is also known under the title.
   
   
     

James Ensor Strange Insects oil


James Ensor
Strange Insects
Painting ID::  37527
new11/James Ensor-823322.jpg
Strange Insects
mk126 1888 Here,Ensor Depicts himself as a beetle,and Mariette Rousseau,His Friend-s Wife whom he much admired,as a dragonfly
   
   
     

James Ensor Plague Above,Plague below,Plague all around oil


James Ensor
Plague Above,Plague below,Plague all around
Painting ID::  37528
new11/James Ensor-386992.jpg
Plague Above,Plague below,Plague all around
mk126 1904 This print,like the earlier 1888 drawing that it copied in reverse,is base on a photograph of a trip Ensor took with family and friends to Bruges.
   
   
     

James Ensor At the Conservatory oil


James Ensor
At the Conservatory
Painting ID::  37529
new11/James Ensor-389492.jpg
At the Conservatory
mk126 1902 As he later wrote to his friend the poet and art critic pol de Mont,frome the very start of His career.
   
   
     

James Ensor The Fight oil


James Ensor
The Fight
Painting ID::  37530
new11/James Ensor-382769.jpg
The Fight
mk126 ca.1910 It seems that Ensor was already fascinated by the motif of fighting men a number of years before he produced this work
   
   
     

James Ensor The Assassination oil


James Ensor
The Assassination
Painting ID::  37531
new11/James Ensor-864843.jpg
The Assassination
mk126 1890 The Macabre side of the Victorian imagination was fueled by naturalist novels and sensationalist tabloids
   
   
     

James Ensor The Wise judges oil


James Ensor
The Wise judges
Painting ID::  37532
new11/James Ensor-455366.jpg
The Wise judges
mk126 1891 Social satire works best when there is just enough of a connection with reality to underscore is sardonic difference.
   
   
     

James Ensor The Bad Doctors oil


James Ensor
The Bad Doctors
Painting ID::  37533
new11/James Ensor-437373.jpg
The Bad Doctors
mk126 1892 Beginng in the 1890s,Ensor produced a number of Satirical paintings that mocked Belgium-s professional middld class-judges.
   
   
     

James Ensor The Dangerous Cooks oil


James Ensor
The Dangerous Cooks
Painting ID::  37534
new11/James Ensor-692562.jpg
The Dangerous Cooks
mk126 1896 Ensor made two studies for this painting,a pastel drawing and a gouache on cardboard.
   
   
     

James Ensor Mr.and Mrs.Rousseau Speaking with Sophie Yoteko oil


James Ensor
Mr.and Mrs.Rousseau Speaking with Sophie Yoteko
Painting ID::  37535
new11/James Ensor-624533.jpg
Mr.and Mrs.Rousseau Speaking with Sophie Yoteko
mk126 1892 This small painting is a truly puzzing work.
   
   
     

James Ensor The Gendarmes oil


James Ensor
The Gendarmes
Painting ID::  37536
new11/James Ensor-633265.jpg
The Gendarmes
mk126 1892 The Gendarmes,painted in 1892,provides an intriguing example of how Ensor deployed his own engaged and expressive individaualism as a vehicle for social critique.
   
   
     

James Ensor Doctrinaire Nourishment oil


James Ensor
Doctrinaire Nourishment
Painting ID::  37537
new11/James Ensor-949479.jpg
Doctrinaire Nourishment
mk126 1889 Ensor exhibited
   
   
     

James Ensor La Gamme d-amour oil


James Ensor
La Gamme d-amour
Painting ID::  37538
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La Gamme d-amour
mk126 1921
   
   
     

James Ensor Decor oil


James Ensor
Decor
Painting ID::  37539
new11/James Ensor-299847.jpg
Decor
mk126 1929
   
   
     

James Ensor The Song of the Wine or Thirsty Masks oil


James Ensor
The Song of the Wine or Thirsty Masks
Painting ID::  37540
new11/James Ensor-599798.jpg
The Song of the Wine or Thirsty Masks
mk126 1935
   
   
     

James Ensor Theater of Masks oil


James Ensor
Theater of Masks
Painting ID::  37541
new11/James Ensor-744498.jpg
Theater of Masks
mk126 1908
   
   
     

James Ensor The Puzzled Masks oil


James Ensor
The Puzzled Masks
Painting ID::  37542
new11/James Ensor-956247.jpg
The Puzzled Masks
mk126 1930 This work is immediately preceded by a number of graphic varia--tions on the theme.
   
   
     

James Ensor The Tribulations of St.Anthony oil


James Ensor
The Tribulations of St.Anthony
Painting ID::  37543
new11/James Ensor-945997.jpg
The Tribulations of St.Anthony
mk126 1909 The theme of temptation as a representation of the artist-s explo-ration of his own powers of imagination is a subject that continued to fascinate Ensor throughout his career.
   
   
     

James Ensor The Tormens of St.Anthony oil


James Ensor
The Tormens of St.Anthony
Painting ID::  37544
new11/James Ensor-962938.jpg
The Tormens of St.Anthony
mk126 1932-33 The motif of illness is evoked by the monk-s habit.
   
   
     

James Ensor The Fantastic Ballet oil


James Ensor
The Fantastic Ballet
Painting ID::  37546
new11/James Ensor-655592.jpg
The Fantastic Ballet
mk126 1889 This color etching predates the painting of the same name by almost thirty years.
   
   
     

James Ensor Flowered Figures oil


James Ensor
Flowered Figures
Painting ID::  37547
new11/James Ensor-583243.jpg
Flowered Figures
mk126 1936
   
   
     

James Ensor The Garden of love oil


James Ensor
The Garden of love
Painting ID::  37548
new11/James Ensor-874934.jpg
The Garden of love
mk126 1910
   
   
     

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     James Ensor
     Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.

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