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Jacopo Bassano Oil Painting Reproductions
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Jacopo Bassano Return of Jacob with His Family oil


Jacopo Bassano
Return of Jacob with His Family
Painting ID::  95748
new26/Jacopo Bassano-437735.jpg 		Return of Jacob with His Family
circa 1580(1580) Medium oil on canvas cyf
   
   
     
Jacopo Bassano St Jerome oil


Jacopo Bassano
St Jerome
Painting ID::  95749
new26/Jacopo Bassano-545566.jpg 		St Jerome
1556(1556) Medium oil on canvas cyf
   
   
     
Jacopo Bassano Anbetung der Heiligen Drei Konige oil


Jacopo Bassano
Anbetung der Heiligen Drei Konige
Painting ID::  95750
new26/Jacopo Bassano-847946.jpg 		Anbetung der Heiligen Drei Konige
1562(1562) Medium oil on canvas Dimensions Deutsch: 92,3 x 117,5 cm cyf
   
   
     
Jacopo Bassano The Purification of the Temple oil


Jacopo Bassano
The Purification of the Temple
Painting ID::  95752
new26/Jacopo Bassano-355965.jpg 		The Purification of the Temple
1580 Medium oil on canvas Dimensions 158.7 x 265 cm. cyf
   
   
     
Jacopo Bassano Entry into the Ark oil


Jacopo Bassano
Entry into the Ark
Painting ID::  96604
new26/Jacopo Bassano-736596.jpg 		Entry into the Ark
1575-80 Medium oil on canvas cyf
   
   
     
Jacopo Bassano The Adoration of the Magi oil


Jacopo Bassano
The Adoration of the Magi
Painting ID::  97972
new26/Jacopo Bassano-373464.jpg 		The Adoration of the Magi
between 1580(1580) and 1585(1585) Medium oil on slate cyf
   
   
     
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     Jacopo Bassano
     Italian c1510-1592 Jacopo Bassano Gallery He was apprenticed to his father, with whom he collaborated on the Nativity (1528; Valstagna, Vicenza, parish church). In the first half of the 1530s Jacopo trained in Venice with Bonifazio de Pitati, whose influence, with echoes of Titian, is evident in the Flight into Egypt (1534; Bassano del Grappa, Mus. Civ.). He continued to work in the family shop until his fathers death in 1539. His paintings from those years were mainly altarpieces for local churches; many show signs of collaboration. He also worked on public commissions, such as the three canvases on biblical subjects (1535-6; Bassano del Grappa, Mus. Civ.) for the Palazzo Communale, Bassano del Grappa, in which the narrative schemes learnt from Bonifazio are combined with a new naturalism. From 1535 he concentrated on fresco painting, executing, for example, the interior and exterior decoration (1536-7) of S Lucia di Tezze, Vicenza, which demonstrates the maturity of his technique.

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