Amigoni Bildnis einer Dame Bildnis einer Dame als Diana, Leinwand, 128 ?? 94 cm, Berlin, Staatliche Museen
Jacopo Amigoni Venus and Adonis Painting ID:: 69984 new23/Jacopo Amigoni-963986.jpg
Venus and Adonis Medium Oil on canvas
Dimensions 045 X 75 cm
Jacopo Amigoni Marquis of Ensenada Painting ID:: 70121 new23/Jacopo Amigoni-977577.jpg
Marquis of Ensenada Medium Oil painting
Dimensions 104 x 124 cm
Jacopo Amigoni Bildnis einer Dame als Diana Painting ID:: 70836 new23/Jacopo Amigoni-644897.jpg
Bildnis einer Dame als Diana 128 x 94 cm,
Jacopo Amigoni Portrait of a Gentlemen in Blue Jacket Painting ID:: 76919 new24/Jacopo Amigoni-674634.jpg
Portrait of a Gentlemen in Blue Jacket 1st half of 18th century
Oil on canvas
102 cm (40.2 in). Height: 127 cm (50 in).
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Jacopo Amigoni Juno Receiving the Head of Argos Painting ID:: 77007 new24/Jacopo Amigoni-844795.jpg
Juno Receiving the Head of Argos Date between 1730(1730) and 1732(1732)
Medium Oil on canvas
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Jacopo Amigoni Venus and Adonis Painting ID:: 77962 new24/Jacopo Amigoni-868974.jpg
Venus and Adonis Date ca. 1740(1740)
Medium Oil on canvas
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Jacopo Amigoni Carlo Broschi, Farinelli Painting ID:: 77974 new24/Jacopo Amigoni-473753.jpg
Carlo Broschi, Farinelli Date between 1750(1750) and 1752(1752)
Medium Oil on canvas
Dimensions Width: 61 cm (24 in). Height: 82 cm (32.3 in).
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Jacopo Amigoni Portrait of Caroline Wilhelmina of Brandenburg-Ansbach Painting ID:: 78290 new24/Jacopo Amigoni-384547.jpg
Portrait of Caroline Wilhelmina of Brandenburg-Ansbach 1735(1735)
Medium Oil on canvas
Dimensions 2,439 x 1,524 cm (960.2 x 600 in)
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Jacopo Amigoni infanta of Spain, daughter of King Philip V of Spain and of his wife, Elizabeth Farnese, and Queen consort of Sardinia as wife of King en:Victor Amade Painting ID:: 78867 new24/Jacopo Amigoni-774965.jpg
infanta of Spain, daughter of King Philip V of Spain and of his wife, Elizabeth Farnese, and Queen consort of Sardinia as wife of King en:Victor Amade Maria Antonietta of Spain (1729-1785), infanta of Spain, daughter of King Philip V of Spain and of his wife, Elizabeth Farnese, and Queen consort of Sardinia as wife of King en:Victor Amadeus III of Sardinia.
Deutsch: de:Maria Antonia von Spanien (1729-1785), Königin von Piemont-Sardinien, Infantin von Spanien, jxngste Tochter des spanischen Königs Philipp V. und dessen Gemahlin de:Elisabetta Farnese. Frau von König Viktor Amadeus II. (Sardinien-Piemont) (Herzog Viktor Amadeus III von Savoyen).
Français : Marie Antoinette infante d'Espagne (1729-1785), reine de Sardaigne-Pixmont, duchesse de Savoie, fille de roi Philippe V d'Espagne, femme de Victor-Amxdxe III de Savoie.
Español: es:Marxa Antonieta de España
Magyar: Mxria Antonietta spanyol infxnsnő (1729-1785), szxrd-piemionti kirxlynx, savoyai hercegnx, V. Fxlöp spanyol kirxly xs Farnese Erzsxbet legkisebb lexnya, I. Viktor Amadx szxrd-piemonti kirxly (II. Viktor Amadx sayvoai herceg) felesxge.
Polski: pl:Maria Antonia Burbon
ca. 1750(1750)
Oil on canvas
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Jacopo Amigoni Portrait of Barbara de Braganza Painting ID:: 80148 new24/Jacopo Amigoni-568943.jpg
Portrait of Barbara de Braganza Date 1750(1750)
Medium Oil
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Jacopo Amigoni Portrait of Marquis of Ensenada Painting ID:: 80153 new24/Jacopo Amigoni-877693.jpg
Portrait of Marquis of Ensenada 1750(1750)
Oil on canvas
104 x 124 cm
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Jacopo Amigoni Portrait of a Lady Painting ID:: 80702 new24/Jacopo Amigoni-435385.jpg
Portrait of a Lady 1st half of 18th century
Medium Oil on canvas
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Jacopo Amigoni Maria Antonietta of Spain Painting ID:: 81689 new24/Jacopo Amigoni-576343.jpg
Maria Antonietta of Spain 1750(1750)
Medium Oil on canvas
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Jacopo Amigoni Portrait of the Infanta Maria Antonia Fernanda Painting ID:: 82760 new24/Jacopo Amigoni-834858.jpg
Portrait of the Infanta Maria Antonia Fernanda 1750(1750)
Medium Oil on canvas
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Jacopo Amigoni Venus and Adonis Painting ID:: 83237 new24/Jacopo Amigoni-688558.jpg
Venus and Adonis Date first half of 18th century
Medium Oil on canvas
Dimensions Height: 142 cm (55.9 in). Width: 173 cm (68.1 in).
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Jacopo Amigoni Portrait of Marquis of Ensenada Painting ID:: 84060 new24/Jacopo Amigoni-855356.jpg
Portrait of Marquis of Ensenada 1750(1750)
Medium Oil on canvas
Dimensions 104 x 124 cm
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Jacopo Amigoni Venus and Adonis Painting ID:: 87314 new25/Jacopo Amigoni-699873.jpg
Venus and Adonis first half of 18th century
Medium Oil on canvas
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Jacopo Amigoni Portrait of Maria Anna of Sulzbach Painting ID:: 96771 new26/Jacopo Amigoni-377398.jpg
Portrait of Maria Anna of Sulzbach circa 1740(1740)
Medium oil on canvas
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Jacopo Amigoni Princess Royal and Princess of Orange Painting ID:: 98112 new26/Jacopo Amigoni-747533.jpg
Princess Royal and Princess of Orange 1736(1736)
Medium oil
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1685-1752
Italian Jacopo Amigoni Galleries
He was born in Naples or Venice. Amigoni initially painted both mythological and religious scenes; but as the panoply of his patrons expanded northward, he began producing many parlour works depicting gods in sensuous languor or games. His style influenced Giuseppe Nogari. Among his pupils were Charles Joseph Flipart, Michelangelo Morlaiter, Pietro Antonio Novelli, Joseph Wagner, and Antonio Zucchi.
Starting in 1717, he is documented as working in Bavaria in the Castle of Nymphenburg (1719); in the castle of Schleissheim (1725-1729); and in the Benedictine abbey of Ottobeuren. He returned to Venice in 1726. His Arraignment of Paris hangs in the Villa Pisani at Stra. From 1730 to 1739 he worked in England, in Pown House, Moor Park and in the Theatre of Covent Garden. From there, he helped convince Canaletto to travel to England by telling him of the ample patronage available.
From his travel to Paris in 1736, he met the celebrated castrato named Farinelli. Later in Madrid, he was to paint a self-portrait with the singer and entourage. He also encountered the painting of François Lemoine and Boucher.
In 1739 he returned to Italy, perhaps to Naples and surely to Montecassino, in whose Abbey existed two canvases (destroyed during World War II). Until 1747, he travelled to Venice to paint for Sigismund Streit, for the Casa Savoia and other buildings of the city. In 1747 he left Italy and established himself in Madrid. There he became court painter to Ferdinand VI of Spain and director of the Royal Academy of Saint Fernando. He died in Madrid.