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HOLBEIN, Hans the Younger Oil Painting Reproductions
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HOLBEIN, Hans the Younger Portrait of Edward, Prince of Wales sg oil


HOLBEIN, Hans the Younger
Portrait of Edward, Prince of Wales sg
Painting ID::  7578
HOLBEIN, Hans the Younger63.jpg 		Portrait of Edward, Prince of Wales sg
c. 1539 Oil on oak, 57 x 44 cm National Gallery of Art, Washington
   
   
     
HOLBEIN, Hans the Younger Portrait of Henry VIII dg oil


HOLBEIN, Hans the Younger
Portrait of Henry VIII dg
Painting ID::  7579
HOLBEIN, Hans the Younger64.jpg 		Portrait of Henry VIII dg
1540 Oil on panel, 88,5 x 74,5 cm Galleria Nazionale d'Arte Antica, Rome
   
   
     
HOLBEIN, Hans the Younger Portrait of Catherine Howard s oil


HOLBEIN, Hans the Younger
Portrait of Catherine Howard s
Painting ID::  7580
HOLBEIN, Hans the Younger65.jpg 		Portrait of Catherine Howard s
1540-41 Oil on wood, 74 x 51 cm Toledo Museum of Art, Toledo, Ohio
   
   
     
HOLBEIN, Hans the Younger Henry VIII and the Barber Surgeons sf oil


HOLBEIN, Hans the Younger
Henry VIII and the Barber Surgeons sf
Painting ID::  7581
HOLBEIN, Hans the Younger66.jpg 		Henry VIII and the Barber Surgeons sf
c. 1543 Oak, 180,3 x 312,4 cm Royal College of Surgeons of England, London
   
   
     
HOLBEIN, Hans the Younger Henry VIII and the Barber Surgeons sf oil


HOLBEIN, Hans the Younger
Henry VIII and the Barber Surgeons sf
Painting ID::  7582
HOLBEIN, Hans the Younger67.jpg 		Henry VIII and the Barber Surgeons sf
c. 1543 Paper mounted on canvas, 160 x 280 cm Royal College of Surgeons of England, London
   
   
     
HOLBEIN, Hans the Younger Edward, Prince of Wales d oil


HOLBEIN, Hans the Younger
Edward, Prince of Wales d
Painting ID::  7583
HOLBEIN, Hans the Younger68.jpg 		Edward, Prince of Wales d
1543 Oil on wood, diameter 32,4 cm Metropolitan Museum of Art, New York
   
   
     
HOLBEIN, Hans the Younger Sir Richard Southwell sg oil


HOLBEIN, Hans the Younger
Sir Richard Southwell sg
Painting ID::  7584
HOLBEIN, Hans the Younger69.jpg 		Sir Richard Southwell sg
1536 Oil on wood, 47,5 x 38 cm Galleria degli Uffizi, Florence
   
   
     
HOLBEIN, Hans the Younger Portrait of Simon George sf oil


HOLBEIN, Hans the Younger
Portrait of Simon George sf
Painting ID::  7585
HOLBEIN, Hans the Younger70.jpg 		Portrait of Simon George sf
1536-37 Oil on oak, diameter 31 cm Städelsches Kunstinstitut, Frankfurt
   
   
     
HOLBEIN, Hans the Younger Christina of Denmark, Ducchess of Milan sf oil


HOLBEIN, Hans the Younger
Christina of Denmark, Ducchess of Milan sf
Painting ID::  7586
HOLBEIN, Hans the Younger71.jpg 		Christina of Denmark, Ducchess of Milan sf
1538 Oil on oak, 179 x 83 cm National Gallery, London
   
   
     
HOLBEIN, Hans the Younger Portrait of a Man Holding Gloves and Letter sg oil


HOLBEIN, Hans the Younger
Portrait of a Man Holding Gloves and Letter sg
Painting ID::  7587
HOLBEIN, Hans the Younger72.jpg 		Portrait of a Man Holding Gloves and Letter sg
c. 1540 Oil on wood, 32,5 x 26 cm Kunstmuseum, Öffentliche Kunstsammlung, Basle
   
   
     
HOLBEIN, Hans the Younger De Vos van Steenwijk oil


HOLBEIN, Hans the Younger
De Vos van Steenwijk
Painting ID::  7588
HOLBEIN, Hans the Younger73.jpg 		De Vos van Steenwijk
1541 Oil on wood, 47,6 x 36,2 cm Staatliche Museen, Berlin
   
   
     
HOLBEIN, Hans the Younger Unknown Young Man at his Office Desk sf oil


HOLBEIN, Hans the Younger
Unknown Young Man at his Office Desk sf
Painting ID::  7589
HOLBEIN, Hans the Younger74.jpg 		Unknown Young Man at his Office Desk sf
1541 Oil on wood, 47 x 34,9 cm Kunsthistorisches Museum, Vienna
   
   
     
HOLBEIN, Hans the Younger Portrait of Henry Howard, the Earl of Surrey s oil


HOLBEIN, Hans the Younger
Portrait of Henry Howard, the Earl of Surrey s
Painting ID::  7590
HOLBEIN, Hans the Younger75.jpg 		Portrait of Henry Howard, the Earl of Surrey s
1541-43 Oil on wood, 55,5 x 44 cm Museu de Arte, São Paolo
   
   
     
HOLBEIN, Hans the Younger Portrait of Sir William Butts sg oil


HOLBEIN, Hans the Younger
Portrait of Sir William Butts sg
Painting ID::  7591
HOLBEIN, Hans the Younger76.jpg 		Portrait of Sir William Butts sg
1543 Oil on wood, 47 x 36,8 cm Isabella Stewart Gardner Museum, Boston
   
   
     
HOLBEIN, Hans the Younger Portrait of Lady Margaret Butts sg oil


HOLBEIN, Hans the Younger
Portrait of Lady Margaret Butts sg
Painting ID::  7592
HOLBEIN, Hans the Younger77.jpg 		Portrait of Lady Margaret Butts sg
1543 Oil on wood, 46 x 37 cm Isabella Stewart Gardner Museum, Boston
   
   
     
HOLBEIN, Hans the Younger Portrait of John Chambers dg oil


HOLBEIN, Hans the Younger
Portrait of John Chambers dg
Painting ID::  7593
HOLBEIN, Hans the Younger78.jpg 		Portrait of John Chambers dg
1543 Oil on oak, 58 x 39,7 cm Kunsthistorisches Museum, Vienna
   
   
     
HOLBEIN, Hans the Younger Portrait of Duke Antony the Good of Lorraine sf oil


HOLBEIN, Hans the Younger
Portrait of Duke Antony the Good of Lorraine sf
Painting ID::  7594
HOLBEIN, Hans the Younger79.jpg 		Portrait of Duke Antony the Good of Lorraine sf
c. 1543 Oil on oak, 51 x 37 cm Staatliche Museen, Berlin
   
   
     
HOLBEIN, Hans the Younger Portrait of Nikolaus Kratzer,Astronomer oil


HOLBEIN, Hans the Younger
Portrait of Nikolaus Kratzer,Astronomer
Painting ID::  40343
new12/HOLBEIN, Hans the Younger-357493.jpg 		Portrait of Nikolaus Kratzer,Astronomer
mk156 1528 Tempera on oak 83x67cm
   
   
     
HOLBEIN, Hans the Younger Damstadt Madonna oil


HOLBEIN, Hans the Younger
Damstadt Madonna
Painting ID::  40338
new12/HOLBEIN, Hans the Younger-768487.jpg 		Damstadt Madonna
mk156 c.1528 Oil on lindenwood 146x102cm
   
   
     
HOLBEIN, Hans the Younger Portrait of a Member of the Wedigh Family oil


HOLBEIN, Hans the Younger
Portrait of a Member of the Wedigh Family
Painting ID::  41319
new16/HOLBEIN, Hans the Younger-558977.jpg 		Portrait of a Member of the Wedigh Family
mk161 Tempera and oil on wood 16x12
   
   
     
HOLBEIN, Hans the Younger Erasmus Van Rotterdam oil


HOLBEIN, Hans the Younger
Erasmus Van Rotterdam
Painting ID::  42643
new16/HOLBEIN, Hans the Younger-242523.jpg 		Erasmus Van Rotterdam
MK169 ca. 1523 Panel 76.2x51.4cm
   
   
     
HOLBEIN, Hans the Younger Allegory of the Old and the New Testament oil


HOLBEIN, Hans the Younger
Allegory of the Old and the New Testament
Painting ID::  42645
new16/HOLBEIN, Hans the Younger-482857.jpg 		Allegory of the Old and the New Testament
MK169 ca. 1530 oil Paint on panel 50.2x61cm National Gallery or Scotland
   
   
     
HOLBEIN, Hans the Younger The French Ambassadors oil


HOLBEIN, Hans the Younger
The French Ambassadors
Painting ID::  44871
new16/HOLBEIN, Hans the Younger-233868.jpg 		The French Ambassadors
mk176 6.8x6.9
   
   
     
HOLBEIN, Hans the Younger Portrait of Henry VIII oil


HOLBEIN, Hans the Younger
Portrait of Henry VIII
Painting ID::  52042
new19/HOLBEIN, Hans the Younger-443877.jpg 		Portrait of Henry VIII
1536 Oil on wood, 28 x 19 cm
   
   
     
HOLBEIN, Hans the Younger Portrait of Margaret Wyatt, Lady Lee oil


HOLBEIN, Hans the Younger
Portrait of Margaret Wyatt, Lady Lee
Painting ID::  52043
new19/HOLBEIN, Hans the Younger-387865.jpg 		Portrait of Margaret Wyatt, Lady Lee
c. 1540 Oil on wood, 42,5 x 32,7 cm
   
   
     
HOLBEIN, Hans the Younger Portrait of Jane Pemberton oil


HOLBEIN, Hans the Younger
Portrait of Jane Pemberton
Painting ID::  52046
new19/HOLBEIN, Hans the Younger-347235.jpg 		Portrait of Jane Pemberton
c. 1540 Vellum mounted on playing card, diameter 5,3 cm
   
   
     
HOLBEIN, Hans the Younger The Solothurn Madonna oil


HOLBEIN, Hans the Younger
The Solothurn Madonna
Painting ID::  52189
new19/HOLBEIN, Hans the Younger-852328.jpg 		The Solothurn Madonna
1522 Limewood, 140,5 x 102 cm
   
   
     
HOLBEIN, Hans the Younger St Barbara oil


HOLBEIN, Hans the Younger
St Barbara
Painting ID::  52193
new19/HOLBEIN, Hans the Younger-939556.jpg 		St Barbara
1516 Wood, 150 x 47 cm
   
   
     
HOLBEIN, Hans the Younger Signboard for a Schoolmaster oil


HOLBEIN, Hans the Younger
Signboard for a Schoolmaster
Painting ID::  52593
new19/HOLBEIN, Hans the Younger-297263.jpg 		Signboard for a Schoolmaster
1516 Pine panel
   
   
     
HOLBEIN, Hans the Younger Diptych with Christ and the Mater Dolorosa oil


HOLBEIN, Hans the Younger
Diptych with Christ and the Mater Dolorosa
Painting ID::  63706
new21/HOLBEIN, Hans the Younger-378842.jpg 		Diptych with Christ and the Mater Dolorosa
1520 Limewood, 29 x 19.5 cm (each panel) Kunstmuseum, ?ffentliche Kunstsammlung, Basle Jesus sits exhausted on the plinth of an aedicula decorated in the style of the Italian Renaissance. In contrast to His strong, muscular body, Jesus' face is ravaged by the strains of the Passion, arousing pity in the beholder, who is also summoned to devotion by Mary's gesture towards her Son and by her pain-stricken gaze. Though Jesus wears a large crown of thorns, indicating that the Via Crucis (the Way of the Cross) has begun, the wounds are absent, so that the Crucifixion still lies in the future; he is not yet the Man of Sorrows. The architecture indicates Pilate's palace. Holbein has removed the figures from the scenic setting of the Biblical story and turned the tortured Christ into the main figure of a devotional picture.Artist:HOLBEIN, Hans the Younger Title: Diptych with Christ and the Mater Dolorosa Painted in 1501-1550 , German - - painting : religious
   
   
     
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     HOLBEIN, Hans the Younger
     German painter (b. 1497, Augsburg, d. 1543, London). Hans Holbein the Younger, born in Augsburg, was the son of a painter, Hans Holbein the Elder, and received his first artistic training from his father. Hans the Younger may have had early contacts with the Augsburg painter Hans Burgkmair the Elder. In 1515 Hans the Younger and his older brother, Ambrosius, went to Basel, where they were apprenticed to the Swiss painter Hans Herbster. Hans the Younger worked in Lucerne in 1517 and visited northern Italy in 1518-1519. On Sept. 25, 1519, Holbein was enrolled in the painters' guild of Basel, and the following year he set up his own workshop, became a citizen of Basel, and married the widow Elsbeth Schmid, who bore him four children. He painted altarpieces, portraits, and murals and made designs for woodcuts, stained glass, and jewelry. Among his patrons was Erasmus of Rotterdam, who had settled in Basel in 1521. In 1524 Holbein visited France. Holbein gave up his workshop in Basel in 1526 and went to England, armed with a letter of introduction from Erasmus to Sir Thomas More, who received him warmly. Holbein quickly achieved fame and financial success. In 1528 he returned to Basel, where he bought property and received commissions from the city council, Basel publishers, Erasmus, and others. However, with iconoclastic riots instigated by fanatic Protestants, Basel hardly offered the professional security that Holbein desired. In 1532 Holbein returned to England and settled permanently in London, although he left his family in Basel, retained his Basel citizenship, and visited Basel in 1538. He was patronized especially by country gentlemen from Norfolk, German merchants from the Steel Yard in London, and King Henry VIII and his court. Holbein died in London between Oct. 7 and Nov. 29, 1543. With few exceptions, Holbein's work falls naturally into the four periods corresponding to his alternate residences in Basel and London. His earliest extant work is a tabletop with trompe l'oeil motifs (1515) painted for the Swiss standard-bearer Hans Baer. Other notable works of the first Basel period are a diptych of Burgomaster Jakob Meyer zum Hasen and his wife, Dorothea Kannengiesser (1516); a portrait of Bonifacius Amerbach (1519); an unsparingly realistic Dead Christ (1521); a Madonna and Child Enthroned with Two Saints (1522); several portraits of Erasmus, of which the one in Paris (1523 or shortly after), with its accurate observation of the scholar's concentrated attitude and frail person and its beautifully balanced composition, is particularly outstanding; and woodcuts, among which the series of the Dance of Death (ca. 1521-1525, though not published until 1538) represents one of the high points of the artist's graphic oeuvre. Probably about 1520 Holbein painted an altarpiece, the Last Supper, now somewhat cut down, which is based on Leonardo da Vinci's famous painting, and four panels with eight scenes of the Passion of Christ (possibly the shutters of the Last Supper altarpiece), which contain further reminiscences of Italian painting, particularly Andrea Mantegna, the Lombard school, and Raphael, but with lighting effects that are characteristically northern. His two portraits of Magdalena Offenburg, as Laïs of Corinth and Venus with Cupid (1526),

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