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Giovanni Paolo Panini Oil Painting Reproductions

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Giovanni Paolo Panini Adoration of the Shepherds oil


Giovanni Paolo Panini
Adoration of the Shepherds
Painting ID::  71326
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Adoration of the Shepherds
ca. 1755(1755) Oil on canvas 96.5 x 73.3 cm (37.99 x 28.86 in)
   
   
     

Giovanni Paolo Panini Adoration of the Magi oil


Giovanni Paolo Panini
Adoration of the Magi
Painting ID::  71631
new23/Giovanni Paolo Panini-863486.jpg
Adoration of the Magi
between 1753(1753) and 1757(1757) Oil on canvas 99.1 x 73.7 cm (39.02 x 29.02 in)
   
   
     

Giovanni Paolo Panini Adoration of the Magi oil


Giovanni Paolo Panini
Adoration of the Magi
Painting ID::  72830
new24/Giovanni Paolo Panini-397487.jpg
Adoration of the Magi
Date between 1753(1753) and 1757(1757) Medium Oil on canvas Dimensions 99.1 X 73.7 cm (39.02 X 29.02 in) cyf
   
   
     

Giovanni Paolo Panini A Capriccio of the Roman Forum oil


Giovanni Paolo Panini
A Capriccio of the Roman Forum
Painting ID::  72956
new24/Giovanni Paolo Panini-573849.jpg
A Capriccio of the Roman Forum
"A Capriccio of the Roman Forum," oil on canvas, by the Italian painter and architect Giovanni Paolo Panini. 67 1/4 in. x 85 3/4in. Yale University Art Gallery, Stephen Carlton Clark, B.A.1903, Fund. Courtesy of Yale University, New Haven, Conn. 1741(1741) cjr
   
   
     

Giovanni Paolo Panini A Capriccio of the Roman Forum oil


Giovanni Paolo Panini
A Capriccio of the Roman Forum
Painting ID::  74770
new24/Giovanni Paolo Panini-467499.jpg
A Capriccio of the Roman Forum
English: "A Capriccio of the Roman Forum," oil on canvas, by the Italian painter and architect Giovanni Paolo Panini. 67 1/4 in. x 85 3/4in. Yale University Art Gallery, Stephen Carlton Clark, B.A.1903, Fund. Courtesy of Yale University, New Haven, Conn. Date 1741 cyf
   
   
     

Giovanni Paolo Panini Architectural Capriccio with an Apostle Preaching oil


Giovanni Paolo Panini
Architectural Capriccio with an Apostle Preaching
Painting ID::  83086
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Architectural Capriccio with an Apostle Preaching
oil on canvas by Giovanni Paolo Panini, 1755 - 1760 Date 1755 - 1760 cyf
   
   
     

Giovanni Paolo Panini A capriccio of classical ruins with Diogenes throwing away his cup oil


Giovanni Paolo Panini
A capriccio of classical ruins with Diogenes throwing away his cup
Painting ID::  83648
new24/Giovanni Paolo Panini-967484.jpg
A capriccio of classical ruins with Diogenes throwing away his cup
A capriccio of classical ruins with Diogenes throwing away his cup. Oil on canvas. 72.4 x 97.2 cm. Date late 1720s cjr
   
   
     

Giovanni Paolo Panini A capriccio of classical ruins with Diogenes throwing away his cup oil


Giovanni Paolo Panini
A capriccio of classical ruins with Diogenes throwing away his cup
Painting ID::  87511
new25/Giovanni Paolo Panini-884894.jpg
A capriccio of classical ruins with Diogenes throwing away his cup
Oil on canvas. 72.4 x 97.2 cm. Date late 1720s cyf
   
   
     

Giovanni Paolo Panini Ancient Roman Ruins oil


Giovanni Paolo Panini
Ancient Roman Ruins
Painting ID::  97032
new26/Giovanni Paolo Panini-785979.jpg
Ancient Roman Ruins
from 1725(1725) until 1750(1750) Medium oil on canvas Dimensions 67 X 87 cm cyf
   
   
     

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     Giovanni Paolo Panini
     17 June 1691 - 21 October 1765) was an Italian painter and architect, mainly known as one of the vedutisti . As a young man, Panini trained in his native town of Piacenza, under Giuseppe Natali and Andrea Galluzzi, and later the stage designer Francesco Galli-Bibiena. In 1711, he moved to Rome, where he studied drawing with Benedetto Luti and became famous as a decorator of palaces, including the Villa Patrizi (1719-1725), the Palazzo de Carolis (1720), and the Seminario Romano (1721-1722). In 1719, Panini was admitted to the Congregazione dei Virtuosi al Pantheon. He taught in Rome at the Accademia di San Luca and the Academie de France, where he influenced Jean-Honore Fragonard. In 1754, he served as the principal of the Accademia di San Luca. Panini died in Rome on 21 October 1765 As a painter, Panini is best known for his vistas of Rome, in which he took a particular interest in the city's antiquities. Among his most famous works are the interior of the Pantheon, and his vedute paintings of picture galleries containing views of Rome. Most of his works, specially those of ruins have a substantial fanciful and unreal embellishment characteristic of capriccio themes.

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