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Giovanni Migliara Oil Painting Reproductions
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Giovanni Migliara Interior of Basilica of San Lorenzo oil


Giovanni Migliara
Interior of Basilica of San Lorenzo
Painting ID::  30678
new4/Giovanni Migliara-298237.jpg 		Interior of Basilica of San Lorenzo
mk68 Oil on canvas Milan,Milan Museum 1822 Italy
   
   
     
Giovanni Migliara Veduta dei dintorni di Lecco oil


Giovanni Migliara
Veduta dei dintorni di Lecco
Painting ID::  87379
new25/Giovanni Migliara-656696.jpg 		Veduta dei dintorni di Lecco
1815(1815) and 1820(1820) Medium Oil on canvas cyf
   
   
     
Giovanni Migliara Veduta di piazza del Duomo in Milano oil


Giovanni Migliara
Veduta di piazza del Duomo in Milano
Painting ID::  87533
new25/Giovanni Migliara-679435.jpg 		Veduta di piazza del Duomo in Milano
Date 1819(1819) Medium Oil on canvas Dimensions Height: 47 cm (18.5 in). Width: 61 cm (24 in). cjr
   
   
     
Giovanni Migliara Veduta di Palazzo Ducale a Venezia oil


Giovanni Migliara
Veduta di Palazzo Ducale a Venezia
Painting ID::  88279
new25/Giovanni Migliara-774938.jpg 		Veduta di Palazzo Ducale a Venezia
1815(1815) Medium Oil on canvas cyf
   
   
     
Giovanni Migliara Veduta di Palazzo Ducale a Venezia oil


Giovanni Migliara
Veduta di Palazzo Ducale a Venezia
Painting ID::  91099
new25/Giovanni Migliara-376688.jpg 		Veduta di Palazzo Ducale a Venezia
1815(1815) Medium oil on canvas Dimensions Height: 34.7 cm (13.7 in). Width: 45 cm (17.7 in). cyf
   
   
     
Giovanni Migliara Interno del monastero di Altacomba oil


Giovanni Migliara
Interno del monastero di Altacomba
Painting ID::  92072
new25/Giovanni Migliara-639343.jpg 		Interno del monastero di Altacomba
1833(1833) Medium oil on canvas cyf
   
   
     
Giovanni Migliara Frati in cucina oil


Giovanni Migliara
Frati in cucina
Painting ID::  92073
new25/Giovanni Migliara-386637.jpg 		Frati in cucina
1827(1827) Medium oil on canvas Dimensions Height: 59 cm (23.2 in). Width: 44.3 cm (17.4 in). cyf
   
   
     
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     Giovanni Migliara
     Italian 1785-1837 He began his career as a scene painter with Gaspare Galiari (1761-1823) in Milan, working at the Teatro Carcano in 1804 and at La Scala from 1805 to 1809. Owing to illness, after 1810 he turned to small-scale works in watercolour or oil using various supports, including silk and ivory. At this date Milanese painting was dominated by Andrea Appiani and Luigi Sabatelli, both leading Neo-classical artists. However, Migliara remained aloof from this dominant movement and instead drew on medieval and historical subjects with Romantic undertones. His precise, jewel-like technique and choice of subject-matter found favour with aristocratic patrons in Milan. His figures are generally stilted and burdened by their costumes, though the crowd in Sacking of Minister Prina's House (1814; Milan, Gal. A. Mod.) is depicted with unusual fluency. In 1822 Migliara was appointed Professor of Perspective at the Accademia di Belle Arti, Milan, and in 1833 he was nominated painter to the court of Charles-Albert, King of Sardinia (reg 1831-49). More typical of his historical scenes is Entrance to the Castle of Plessis de la Tour (Turin, Gal. Civ. A. Mod.), which was exhibited at the Brera in 1833. He also produced many topographically precise pictures of church interiors in which he combined his training as a scene painter with his knowledge of intaglio techniques.

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