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Giorgione Oil Painting Reproductions
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Giorgione the tempest oil


Giorgione
the tempest
Painting ID::  55997
new20/Giorgione-859856.jpg 		the tempest
mk247 1505 to 10 ,oil on canvas,32x28 in,90x73 cm,gallerie dell accademia,venice,ltaly
   
   
     
Giorgione adoration of the shepherds oil


Giorgione
adoration of the shepherds
Painting ID::  55998
new20/Giorgione-564837.jpg 		adoration of the shepherds
mk247 1505 to 10 ,oil on panel,35.75x43 in,91x111 cm,national gallery of art,washingtom,dc,usa
   
   
     
Giorgione Pastoral ensemble oil


Giorgione
Pastoral ensemble
Painting ID::  56828
new20/Giorgione-779923.jpg 		Pastoral ensemble
mk250 About the year 1508. Oil on canvas, about 109.2 x 137.2 cm. The Louvre in Paris.
   
   
     
Giorgione Storm oil


Giorgione
Storm
Painting ID::  56829
new20/Giorgione-834334.jpg 		Storm
mk250 About the year 1510. Oil on canvas, 78.7 x 73 cm. Venice Fine Arts Academy.
   
   
     
Giorgione Pope fleet department life Jacob wears Salol portrait oil


Giorgione
Pope fleet department life Jacob wears Salol portrait
Painting ID::  58138
new20/Giorgione-466652.jpg 		Pope fleet department life Jacob wears Salol portrait
mk261 Venice 1500-1501 years, Florence, Ukrainian Fiji art museum
   
   
     
Giorgione Laura Kunsthistorisches Museum, Vienna oil


Giorgione
Laura Kunsthistorisches Museum, Vienna
Painting ID::  59056
new21/Giorgione-893465.jpg 		Laura Kunsthistorisches Museum, Vienna
Laura (1506) Kunsthistorisches Museum, Vienna
   
   
     
Giorgione Sleeping Venus oil


Giorgione
Sleeping Venus
Painting ID::  59060
new21/Giorgione-564987.jpg 		Sleeping Venus
Sleeping Venus (c. 1510) Gemäldegalerie Alte Meister, Dresden
   
   
     
Giorgione The Tempest oil


Giorgione
The Tempest
Painting ID::  59071
new21/Giorgione-644576.jpg 		The Tempest
The Tempest (c. 1508) Gallerie dell'Accademia, Venice, Italy
   
   
     
Giorgione The Three Philosophers oil


Giorgione
The Three Philosophers
Painting ID::  59072
new21/Giorgione-563572.jpg 		The Three Philosophers
The Three Philosophers, Vienna. Attributed to Giorgione by Michiel, who said Sebastiano del Piombo finished it. Some modern writers also involve Titian in its completion.
   
   
     
Giorgione Concert Champetre oil


Giorgione
Concert Champetre
Painting ID::  59074
new21/Giorgione-378923.jpg 		Concert Champetre
Concert Champetre (Pastoral Concert). Louvre, Paris. A work which the Louvre now attributes to Titian, c. 1509
   
   
     
Giorgione The Allendale Nativity Adoration of the Shepherds oil


Giorgione
The Allendale Nativity Adoration of the Shepherds
Painting ID::  59076
new21/Giorgione-286397.jpg 		The Allendale Nativity Adoration of the Shepherds
The Allendale Nativity/Adoration of the Shepherds c. 1505 - National Gallery of Art. The "Allendale Group" takes its name from this painting.
   
   
     
Giorgione Young Man with Arrow oil


Giorgione
Young Man with Arrow
Painting ID::  59077
new21/Giorgione-425825.jpg 		Young Man with Arrow
Young Man with Arrow' (1506) Kunsthistorisches Museum, Vienna
   
   
     
Giorgione The Castelfranco Madonna, before recent cleaning oil


Giorgione
The Castelfranco Madonna, before recent cleaning
Painting ID::  59078
new21/Giorgione-832333.jpg 		The Castelfranco Madonna, before recent cleaning
The Castelfranco Madonna, before recent cleaning. Giorgione's only altarpiece
   
   
     
Giorgione Allendale group oil


Giorgione
Allendale group
Painting ID::  59080
new21/Giorgione-424372.jpg 		Allendale group
One of the "Allendale group", the small Adoration of the Magi predella, London
   
   
     
Giorgione The Old Woman oil


Giorgione
The Old Woman
Painting ID::  59081
new21/Giorgione-924235.jpg 		The Old Woman
La Vecchia, "The Old Woman", Accademia. "Col tempo",or "With age" reads the paper.
   
   
     
Giorgione Il Tramonte oil


Giorgione
Il Tramonte
Painting ID::  59082
new21/Giorgione-679688.jpg 		Il Tramonte
Il Tramonte, London. Little known until the middle of the 20th century, and still a controversial attribution
   
   
     
Giorgione The Berlin Portrait of a Man oil


Giorgione
The Berlin Portrait of a Man
Painting ID::  59085
new21/Giorgione-975334.jpg 		The Berlin Portrait of a Man
The Berlin Portrait of a Man, one of the most frequently attributed portraits
   
   
     
Giorgione The San Diego Portrait of a Man oil


Giorgione
The San Diego Portrait of a Man
Painting ID::  59086
new21/Giorgione-772384.jpg 		The San Diego Portrait of a Man
The San Diego Portrait of a Man, another of the more frequently attributed portraits
   
   
     
Giorgione The Budapest Portrait of a Young Man oil


Giorgione
The Budapest Portrait of a Young Man
Painting ID::  59087
new21/Giorgione-732285.jpg 		The Budapest Portrait of a Young Man
The Budapest Portrait of a Young Man, very beautiful, but damaged.
   
   
     
Giorgione Portrait of a Venetian Gentleman oil


Giorgione
Portrait of a Venetian Gentleman
Painting ID::  59088
new21/Giorgione-922865.jpg 		Portrait of a Venetian Gentleman
Portrait of a Venetian Gentleman - Giorgione and Tizian 1510 - National Gallery of Art
   
   
     
Giorgione Der Mosesknabe vor dem Pharao oil


Giorgione
Der Mosesknabe vor dem Pharao
Painting ID::  68545
new23/Giorgione-478398.jpg 		Der Mosesknabe vor dem Pharao
c. 1505 Oil on panel 89 ?? 72 cm (35.04 ?? 28.35 in)
   
   
     
Giorgione Pastoral Concert oil


Giorgione
Pastoral Concert
Painting ID::  82289
new24/Giorgione-985654.jpg 		Pastoral Concert
Date ca. 1510(1510) Medium Oil on canvas Dimensions 110 x 138 cm (43.3 x 54.3 in) cjr
   
   
     
Giorgione Portrait of a Young Woman oil


Giorgione
Portrait of a Young Woman
Painting ID::  86880
new25/Giorgione-899877.jpg 		Portrait of a Young Woman
Date 1506(1506) Medium Oil on canvas mounted on panel Dimensions Height: 41 cm (16.1 in). Width: 34 cm (13.4 in). cjr
   
   
     
Giorgione The Adoration of the Kings oil


Giorgione
The Adoration of the Kings
Painting ID::  88063
new25/Giorgione-877934.jpg 		The Adoration of the Kings
Oil on wood Dimensions Height: 29.8 cm (11.7 in). Width: 81.3 cm (32 in). cjr
   
   
     
Giorgione Judith oil


Giorgione
Judith
Painting ID::  88609
new25/Giorgione-776977.jpg 		Judith
c. 1504(1504) Medium Oil on canvas, trasferred from panel Dimensions Height: 144 cm (56.7 in). Width: 68 cm (26.8 in). cjr
   
   
     
Giorgione Moses Undergoing Trial by Fire oil


Giorgione
Moses Undergoing Trial by Fire
Painting ID::  89277
new25/Giorgione-665547.jpg 		Moses Undergoing Trial by Fire
1505(1505) Medium oil on wood cyf
   
   
     
Giorgione The Judgment of Solomon oil


Giorgione
The Judgment of Solomon
Painting ID::  89278
new25/Giorgione-386339.jpg 		The Judgment of Solomon
1505(1505) Medium oil on wood cyf
   
   
     
Giorgione Self-portrait oil


Giorgione
Self-portrait
Painting ID::  92418
new25/Giorgione-459847.jpg 		Self-portrait
Date c. between 1500(1500) and 1510(1510) Medium color on canvas Dimensions 52 X 43 cm ttd
   
   
     
Giorgione The Three Ages of Man oil


Giorgione
The Three Ages of Man
Painting ID::  94673
new26/Giorgione-896577.jpg 		The Three Ages of Man
c. 1500-1501 Type oil on canvas Dimensions 62 cm x 77.5 cm (24 in x 30.5 in) cyf
   
   
     
Giorgione Portrat einer alten Frau oil


Giorgione
Portrat einer alten Frau
Painting ID::  94700
new26/Giorgione-635799.jpg 		Portrat einer alten Frau
circa 1500-1510 Medium color on canvas Dimensions 68 x 59 cm cyf
   
   
     
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     Giorgione
     Italian 1476-1510 Giorgione Galleries For his home town of Castelfranco, Giorgione painted the Castelfranco Madonna, an altarpiece in sacra conversazione form ?? Madonna enthroned, with saints on either side forming an equilateral triangle. This gave the landscape background an importance which marks an innovation in Venetian art, and was quickly followed by his master Giovanni Bellini and others.Giorgione began to use the very refined chiaroscuro called sfumato ?? the delicate use of shades of color to depict light and perspective ?? around the same time as Leonardo. Whether Vasari is correct in saying he learnt it from Leonardo's works is unclear ?? he is always keen to ascribe all advances to Florentine sources. Leonardo's delicate color modulations result from the tiny disconnected spots of paint that he probably derived from manuscript illumination techniques and first brought into oil painting. These gave Giorgione's works the magical glow of light for which they are celebrated. Most entirely central and typical of all Giorgione's extant works is the Sleeping Venus now in Dresden, first recognized by Morelli, and now universally accepted, as being the same as the picture seen by Michiel and later by Ridolfi (his 17th century biographer) in the Casa Marcello at Venice. An exquisitely pure and severe rhythm of line and contour chastens the sensuous richness of the presentment: the sweep of white drapery on which the goddess lies, and of glowing landscape that fills the space behind her, most harmoniously frame her divinity. The use of an external landscape to frame a nude is innovative; but in addition, to add to her mystery, she is shrouded in sleep, spirited away from accessibility to her conscious expression. It is recorded by Michiel that Giorgione left this piece unfinished and that the landscape, with a Cupid which subsequent restoration has removed, were completed after his death by Titian. The picture is the prototype of Titian's own Venus of Urbino and of many more by other painters of the school; but none of them attained the fame of the first exemplar. The same concept of idealized beauty is evoked in a virginally pensive Judith from the Hermitage Museum, a large painting which exhibits Giorgione's special qualities of color richness and landscape romance, while demonstrating that life and death are each other's companions rather than foes. Apart from the altarpiece and the frescoes, all Giorgione's surviving works are small paintings designed for the wealthy Venetian collector to keep in his home; most are under two foot (60 cm) in either dimension. This market had been emerging over the last half of the fifteenth century in Italy, and was much better established in the Netherlands, but Giorgione was the first major Italian painter to concentrate his work on it to such an extent ?? indeed soon after his death the size of such paintings began to increase with the prosperity and palaces of the patrons.

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