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Giorgione Oil Painting Reproductions

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Giorgione Judith oil


Giorgione
Judith
Painting ID::  29116
new3/Giorgione-656365.jpg
Judith
mk65 Oil on canvas 56 1/2x26"
   
   
     

Giorgione Detail of  Judith oil


Giorgione
Detail of Judith
Painting ID::  29118
new3/Giorgione-625652.jpg
Detail of Judith
mk65 Details
   
   
     

Giorgione The Singing Lesson oil


Giorgione
The Singing Lesson
Painting ID::  29886
new3/Giorgione-767267.jpg
The Singing Lesson
mk67 Panel 24 7/16x30 5/16in Pitti,Palatine Gallery
   
   
     

Giorgione Portrait of a Man in Armor with His Page oil


Giorgione
Portrait of a Man in Armor with His Page
Painting ID::  29887
new3/Giorgione-957958.jpg
Portrait of a Man in Armor with His Page
mk67 Canvas 35 7/16x 28 3/4in Uffizi,Gallery
   
   
     

Giorgione The Tempest oil


Giorgione
The Tempest
Painting ID::  30457
new4/Giorgione-675554.jpg
The Tempest
mk68 Oil on canvas 32 1/2x28 3/4" Venice Accademia Gallery c.1507 Italy
   
   
     

Giorgione Virgin and CHild with SS Francis and Liberalis oil


Giorgione
Virgin and CHild with SS Francis and Liberalis
Painting ID::  33472
new9/Giorgione-692283.jpg
Virgin and CHild with SS Francis and Liberalis
mk86 c.1504/05 Oil on wood 200x152cm Castelfranco Veneto
   
   
     

Giorgione Concert Champetre oil


Giorgione
Concert Champetre
Painting ID::  33473
new9/Giorgione-387887.jpg
Concert Champetre
mk86 c.1510/11 Oil on canvas 110x138cm Paris,Musee National du Louvre
   
   
     

Giorgione La Tempesta oil


Giorgione
La Tempesta
Painting ID::  33474
new9/Giorgione-687896.jpg
La Tempesta
mk86 c.1510 Oil on canvas 78x72cm Venice,Galleria dell'Accademia
   
   
     

Giorgione Die drei Philosophen oil


Giorgione
Die drei Philosophen
Painting ID::  34369
new10/Giorgione-268599.jpg
Die drei Philosophen
mk92 1500 123.5x144.5cm Wien Kunsthistorisches Museum
   
   
     

Giorgione The storm oil


Giorgione
The storm
Painting ID::  39403
new12/Giorgione-769572.jpg
The storm
mk148 Both columns remainder verwei sen in accordance with esoteric symbolism on the destroyed temple of the Salomo, what on a deeper mystical meaning refers directly clearly becomes as out of the simplicity of the scene
   
   
     

Giorgione Castelfranco Veneto oil


Giorgione
Castelfranco Veneto
Painting ID::  39585
new12/Giorgione-737952.jpg
Castelfranco Veneto
mk150 c.1476/8-Venice 150
   
   
     

Giorgione The Three philosophers oil


Giorgione
The Three philosophers
Painting ID::  39586
new12/Giorgione-977622.jpg
The Three philosophers
mk150 c.1508/9 Canvas 123.8x144.5cm
   
   
     

Giorgione Portrait of a young woman oil


Giorgione
Portrait of a young woman
Painting ID::  39587
new12/Giorgione-796596.jpg
Portrait of a young woman
mk150 1506 Canvas on panel 41x33.6cm
   
   
     

Giorgione The Tempest oil


Giorgione
The Tempest
Painting ID::  40297
new12/Giorgione-953846.jpg
The Tempest
mk156 c.1507 Oil on canvas 82x73cm
   
   
     

Giorgione The Pastoral Concert oil


Giorgione
The Pastoral Concert
Painting ID::  40298
new12/Giorgione-963362.jpg
The Pastoral Concert
mk156 c.1508 Oil on canvas 109x137cm
   
   
     

Giorgione The Three Philosophers oil


Giorgione
The Three Philosophers
Painting ID::  40300
new12/Giorgione-572386.jpg
The Three Philosophers
mk156 1508-09 Oil on canvas 123.5x144.5cm
   
   
     

Giorgione Judith oil


Giorgione
Judith
Painting ID::  40978
new16/Giorgione-433238.jpg
Judith
mk159 Oil on canvas transferred from panel 144x66.5cm
   
   
     

Giorgione THe Tempest oil


Giorgione
THe Tempest
Painting ID::  41168
new16/Giorgione-976659.jpg
THe Tempest
mk157 c.1510 Oil on canvas 68x59cm
   
   
     

Giorgione Three ways oil


Giorgione
Three ways
Painting ID::  42660
new16/Giorgione-629856.jpg
Three ways
MK169 ca. 1509 Cloth 121x141cm
   
   
     

Giorgione The Adoration of the Kings oil


Giorgione
The Adoration of the Kings
Painting ID::  43029
new16/Giorgione-888736.jpg
The Adoration of the Kings
mk170 1503-1504 Oil on wood 32x84.3cm
   
   
     

Giorgione Madonna with the Child, St Anthony of Padua and St Roch oil


Giorgione
Madonna with the Child, St Anthony of Padua and St Roch
Painting ID::  43526
new16/Giorgione-845484.jpg
Madonna with the Child, St Anthony of Padua and St Roch
1451-1500 Oil on canvas, 92 x 133 cm
   
   
     

Giorgione Old Woman oil


Giorgione
Old Woman
Painting ID::  43528
new16/Giorgione-648695.jpg
Old Woman
1451-1500 The description of the shrivelled flesh, the aged eyelids, the toothless mouth, retains nothing at all of the Nordic prototypes and uses colour alone to create an objectively naturalistic image with consummate skill.
   
   
     

Giorgione Tempest oil


Giorgione
Tempest
Painting ID::  43529
new16/Giorgione-346424.jpg
Tempest
1451-1500 The vigour of cultural life at the beginning of the sixteenth century provided exactly the right fertile ground for the personality of Giorgione.
   
   
     

Giorgione Madonna and Child Enthroned between St Francis and St Liberalis oil


Giorgione
Madonna and Child Enthroned between St Francis and St Liberalis
Painting ID::  44397
new16/Giorgione-535658.jpg
Madonna and Child Enthroned between St Francis and St Liberalis
c. 1505 Oil on wood, 200 x 152 cm
   
   
     

Giorgione Sleeping Venus oil


Giorgione
Sleeping Venus
Painting ID::  44901
new16/Giorgione-369584.jpg
Sleeping Venus
mk176 c.1510 Oil on canvs 108.5x175.2cm
   
   
     

Giorgione The Adulteress brought Before Christ oil


Giorgione
The Adulteress brought Before Christ
Painting ID::  50863
new18/Giorgione-985997.jpg
The Adulteress brought Before Christ
mk216 Giorgione died in 1510 at the early age of 33 and there are perhaps no more than a dozen pictures in the world which can be assigned to him without question.
   
   
     

Giorgione The Adulteress brought before christ Giorgione oil


Giorgione
The Adulteress brought before christ Giorgione
Painting ID::  52725
new19/Giorgione-539484.jpg
The Adulteress brought before christ Giorgione
mk223 died in 1510 at the early age of 33 and there are perhaps no more than a dozen picutures in the world which can be assigned to him without quetion
   
   
     

Giorgione Ovadret oil


Giorgione
Ovadret
Painting ID::  53731
new19/Giorgione-764392.jpg
Ovadret
mk234 1505-10 83x73cm
   
   
     

Giorgione Herd worship oil


Giorgione
Herd worship
Painting ID::  53732
new19/Giorgione-673885.jpg
Herd worship
mk234 ca 1505/10 91x111cm
   
   
     

Giorgione The three philosophers oil


Giorgione
The three philosophers
Painting ID::  53733
new19/Giorgione-733648.jpg
The three philosophers
mk234 about 1509 121x141cm
   
   
     

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     Giorgione
     Italian 1476-1510 Giorgione Galleries For his home town of Castelfranco, Giorgione painted the Castelfranco Madonna, an altarpiece in sacra conversazione form ?? Madonna enthroned, with saints on either side forming an equilateral triangle. This gave the landscape background an importance which marks an innovation in Venetian art, and was quickly followed by his master Giovanni Bellini and others.Giorgione began to use the very refined chiaroscuro called sfumato ?? the delicate use of shades of color to depict light and perspective ?? around the same time as Leonardo. Whether Vasari is correct in saying he learnt it from Leonardo's works is unclear ?? he is always keen to ascribe all advances to Florentine sources. Leonardo's delicate color modulations result from the tiny disconnected spots of paint that he probably derived from manuscript illumination techniques and first brought into oil painting. These gave Giorgione's works the magical glow of light for which they are celebrated. Most entirely central and typical of all Giorgione's extant works is the Sleeping Venus now in Dresden, first recognized by Morelli, and now universally accepted, as being the same as the picture seen by Michiel and later by Ridolfi (his 17th century biographer) in the Casa Marcello at Venice. An exquisitely pure and severe rhythm of line and contour chastens the sensuous richness of the presentment: the sweep of white drapery on which the goddess lies, and of glowing landscape that fills the space behind her, most harmoniously frame her divinity. The use of an external landscape to frame a nude is innovative; but in addition, to add to her mystery, she is shrouded in sleep, spirited away from accessibility to her conscious expression. It is recorded by Michiel that Giorgione left this piece unfinished and that the landscape, with a Cupid which subsequent restoration has removed, were completed after his death by Titian. The picture is the prototype of Titian's own Venus of Urbino and of many more by other painters of the school; but none of them attained the fame of the first exemplar. The same concept of idealized beauty is evoked in a virginally pensive Judith from the Hermitage Museum, a large painting which exhibits Giorgione's special qualities of color richness and landscape romance, while demonstrating that life and death are each other's companions rather than foes. Apart from the altarpiece and the frescoes, all Giorgione's surviving works are small paintings designed for the wealthy Venetian collector to keep in his home; most are under two foot (60 cm) in either dimension. This market had been emerging over the last half of the fifteenth century in Italy, and was much better established in the Netherlands, but Giorgione was the first major Italian painter to concentrate his work on it to such an extent ?? indeed soon after his death the size of such paintings began to increase with the prosperity and palaces of the patrons.

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