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Gian Lorenzo Bernini Oil Painting Reproductions

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Gian Lorenzo Bernini Head of a Young Man oil


Gian Lorenzo Bernini
Head of a Young Man
Painting ID::  29990
new3/Gian Lorenzo Bernini-326395.jpg
Head of a Young Man
mk67 Oil on canvas 24 13/16x24 3/8in Uffizi,Gallery
   
   
     

Gian Lorenzo Bernini Saint Andrew and Saint Thomas oil


Gian Lorenzo Bernini
Saint Andrew and Saint Thomas
Painting ID::  32245
new4/Gian Lorenzo Bernini-772227.jpg
Saint Andrew and Saint Thomas
c. 1627 Oil on canvas, 59 x 76 cm
   
   
     

Gian Lorenzo Bernini David with the Head of Goliath oil


Gian Lorenzo Bernini
David with the Head of Goliath
Painting ID::  51190
new18/Gian Lorenzo Bernini-554742.jpg
David with the Head of Goliath
1625 Oil on canvas, 75 x 65,5 cm
   
   
     

Gian Lorenzo Bernini Self-Portrait as a Young Man oil


Gian Lorenzo Bernini
Self-Portrait as a Young Man
Painting ID::  51197
new18/Gian Lorenzo Bernini-982867.jpg
Self-Portrait as a Young Man
c. 1623 Oil on canvas
   
   
     

Gian Lorenzo Bernini Pope Urban VIII oil


Gian Lorenzo Bernini
Pope Urban VIII
Painting ID::  51199
new18/Gian Lorenzo Bernini-959735.jpg
Pope Urban VIII
1632 Oil on canvas, 67 x 50 cm
   
   
     

Gian Lorenzo Bernini The Assumption oil


Gian Lorenzo Bernini
The Assumption
Painting ID::  62359
new21/Gian Lorenzo Bernini-962555.jpg
The Assumption
1607-10 Marble Santa Maria Maggiore, Rome This relief was commissioned for the sacristy of the Santa Maria Maggiore. Inspired by contemporary paintings of the subject (particularly by Ludovico Carracci), Pietro Bernini's relief illustrates his virtuoso marble-carving ability and his exploitation of pictorial affects, more skills that he passed on to his son, the young Gianlorenzo. At the same time the relief is rooted in an approach to relief sculpture which differs little from the famous scenes of the life of the Virgin by the fourteenth-century Florentine sculpture Andrea Orcagna. We find in this composition the sharp linear drapery style and the extreme tenseness of the figures that characterize Pietro's art, never entirely freed from the Mannerist limitations of his training. The work, however, is one of the earliest examples of the pictorial relief altarpieces that were to be popular during the 17th century
   
   
     

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     Gian Lorenzo Bernini
     Italian sculptor , b. 1598, Napoli, d. 1680, Roma ,Italian architect and artist credited with creating the Baroque style of sculpture. He began his career working for his father, a sculptor. Among his early sculptures are Apollo and Daphne (1622 -C 24) and an active David (1623 -C 24). Under the patronage of Urban VIII, the first of eight popes he was to serve, he created the baldachin over the tomb of St. Peter in Rome. Bernini's architectural duties increased after 1629, when he was appointed architect of St. Peter's Basilica and the Palazzo Barberini. His works often represent a fusion of architecture and sculpture, as in the Cornaro Chapel, in Santa Maria della Vittoria, Rome, with its celebrated theatrical sculpture, The Ecstasy of St. Teresa (1645 C 52). His greatest architectural achievement is the colonnade enclosing the piazza before St. Peter's.

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