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Georges Seurat Oil Painting Reproductions

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Georges Seurat The river Seine at La Grande-Jatte oil


Georges Seurat
The river Seine at La Grande-Jatte
Painting ID::  87000
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The river Seine at La Grande-Jatte
Date 1888(1888) Medium Oil on canvas cjr
   
   
     

Georges Seurat Knabe mit Pferd oil


Georges Seurat
Knabe mit Pferd
Painting ID::  87895
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Knabe mit Pferd
Date 1883(1883) Medium Oil on wood Dimensions Deutsch: 15,9 x 24,8 cm cjr
   
   
     

Georges Seurat Sitzender Mann oil


Georges Seurat
Sitzender Mann
Painting ID::  89017
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Sitzender Mann
c. 1883(1883) Medium Oil on wood Dimensions 17 x 26,5 cm cjr
   
   
     

Georges Seurat Grassy Riverbank oil


Georges Seurat
Grassy Riverbank
Painting ID::  89059
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Grassy Riverbank
1881-1882 Medium 32 x 41 cm Dimensions Oil on canvas cjr
   
   
     

Georges Seurat Der Kanal von Gravelines oil


Georges Seurat
Der Kanal von Gravelines
Painting ID::  90252
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Der Kanal von Gravelines
1890(1890) Medium oil on canvas Dimensions 73 x 93 cm cjr
   
   
     

Georges Seurat Die beiden Ufer oil


Georges Seurat
Die beiden Ufer
Painting ID::  90677
new25/Georges Seurat-668854.jpg
Die beiden Ufer
c. 1883(1883) Medium oil on panel Dimensions Deutsch: 15 x 24,8 cm cjr
   
   
     

Georges Seurat The Outer Harbor oil


Georges Seurat
The Outer Harbor
Painting ID::  90753
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The Outer Harbor
1888(1888) Medium oil on canvas Dimensions 21 3/8 x 26 1/4 in. (54.3 x 66.7 cm) cjr
   
   
     

Georges Seurat Die Rede von Grandcamp oil


Georges Seurat
Die Rede von Grandcamp
Painting ID::  90791
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Die Rede von Grandcamp
1885(1885) Medium oil on canvas Dimensions Deutsch: 65 x 81,2 cm cjr
   
   
     

Georges Seurat Frau mit Sonnenschirm oil


Georges Seurat
Frau mit Sonnenschirm
Painting ID::  91211
new25/Georges Seurat-584856.jpg
Frau mit Sonnenschirm
1884(1884) Medium oil on canvas cjr
   
   
     

Georges Seurat The river Seine at La Grande-Jatte oil


Georges Seurat
The river Seine at La Grande-Jatte
Painting ID::  91856
new25/Georges Seurat-396643.jpg
The river Seine at La Grande-Jatte
1888(1888) Medium oil on canvas cyf
   
   
     

Georges Seurat Morgenspaziergang oil


Georges Seurat
Morgenspaziergang
Painting ID::  93688
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Morgenspaziergang
1885(1885) Medium oil on panel Dimensions Deutsch: 24,9 x 15,7 cm cjr
   
   
     

Georges Seurat Die Seine bei Courbevoie oil


Georges Seurat
Die Seine bei Courbevoie
Painting ID::  94026
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Die Seine bei Courbevoie
1885(1885) Medium oil on canvas Dimensions 81 x 65 cm cjr
   
   
     

Georges Seurat Einfahrt zum Hafen Port-en-Bessin oil


Georges Seurat
Einfahrt zum Hafen Port-en-Bessin
Painting ID::  94077
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Einfahrt zum Hafen Port-en-Bessin
1888(1888) Medium oil on canvas Dimensions 54,9 x 65,1 cm cjr
   
   
     

Georges Seurat Ein Abend in Grandcamp oil


Georges Seurat
Ein Abend in Grandcamp
Painting ID::  94079
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Ein Abend in Grandcamp
1885(1885) Medium oil on canvas Dimensions 66,2 x 82,4 cm cjr
   
   
     

Georges Seurat Weibes und schwarzes Pferd im Flub oil


Georges Seurat
Weibes und schwarzes Pferd im Flub
Painting ID::  94099
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Weibes und schwarzes Pferd im Flub
c. 1883 Medium oil on panel Dimensions Deutsch: 15 x 24,8 cm cjr
   
   
     

Georges Seurat Port en Bessin oil


Georges Seurat
Port en Bessin
Painting ID::  95501
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Port en Bessin
1888(1888) Medium oil on canvas Dimensions 76 x 82 cm cyf
   
   
     

Georges Seurat Die Frau mit der Puderquaste oil


Georges Seurat
Die Frau mit der Puderquaste
Painting ID::  95699
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Die Frau mit der Puderquaste
1889-1890 Medium oil on canvas Dimensions 94,2 x 79,5 cm cyf
   
   
     

Georges Seurat The Maria at Honfleur oil


Georges Seurat
The Maria at Honfleur
Painting ID::  97495
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The Maria at Honfleur
1886(1886) Medium oil on canvas Dimensions 53 x 63.5 cm cyf
   
   
     

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     Georges Seurat
     French Pointillist Painter, 1859-1891 Georges-Pierre Seurat (2 December 1859 ?C 29 March 1891) was a French painter and draftsman. His large work Sunday Afternoon on the Island of La Grande Jatte, his most famous painting, altered the direction of modern art by initiating Neo-impressionism, and is one of the icons of 19th century painting Seurat took to heart the color theorists' notion of a scientific approach to painting. Seurat believed that a painter could use color to create harmony and emotion in art in the same way that a musician uses counterpoint and variation to create harmony in music. Seurat theorized that the scientific application of color was like any other natural law, and he was driven to prove this conjecture. He thought that the knowledge of perception and optical laws could be used to create a new language of art based on its own set of heuristics and he set out to show this language using lines, color intensity and color schema. Seurat called this language Chromoluminarism. His letter to Maurice Beaubourg in 1890 captures his feelings about the scientific approach to emotion and harmony. He says "Art is Harmony. Harmony is the analogy of the contrary and of similar elements of tone, of color and of line, considered according to their dominance and under the influence of light, in gay, calm or sad combinations". Seurat's theories can be summarized as follows: The emotion of gaiety can be achieved by the domination of luminous hues, by the predominance of warm colors, and by the use of lines directed upward. Calm is achieved through an equivalence/balance of the use of the light and the dark, by the balance of warm and cold colors, and by lines that are horizontal. Sadness is achieved by using dark and cold colors and by lines pointing downwards.

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