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GUARDI, Francesco Oil Painting Reproductions
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GUARDI, Francesco Il Ridotto (The Foyer) dgh oil


GUARDI, Francesco
Il Ridotto (The Foyer) dgh
Painting ID::  7138
GUARDI, Francesco1.jpg 		Il Ridotto (The Foyer) dgh
1755 Oil on canvas Museo del Settecento Veneziano, Ca' Rezzonico, Venice
   
   
     
GUARDI, Francesco San Cristoforo, San Michele and Murano, Seen from the Fondamenta Nuove sh oil


GUARDI, Francesco
San Cristoforo, San Michele and Murano, Seen from the Fondamenta Nuove sh
Painting ID::  7139
GUARDI, Francesco2.jpg 		San Cristoforo, San Michele and Murano, Seen from the Fondamenta Nuove sh
1755-60 Oil on canvas, 60,5 x 91 cm Kunsthaus, Zurich
   
   
     
GUARDI, Francesco Nighttime Procession in Piazza San Marco fdh oil


GUARDI, Francesco
Nighttime Procession in Piazza San Marco fdh
Painting ID::  7141
GUARDI, Francesco3.jpg 		Nighttime Procession in Piazza San Marco fdh
1758 Oil on canvas, 48 x 85 cm Ashmolean Museum, Oxford
   
   
     
GUARDI, Francesco The Piazzetta, Looking toward San Giorgio Maggiore dh oil


GUARDI, Francesco
The Piazzetta, Looking toward San Giorgio Maggiore dh
Painting ID::  7143
GUARDI, Francesco4.jpg 		The Piazzetta, Looking toward San Giorgio Maggiore dh
c. 1758 Oil on canvas, 49 x 83,5 cm Museo Civico, Treviso
   
   
     
GUARDI, Francesco The Lagoon with Boats, Gondolas, and Rafts kug oil


GUARDI, Francesco
The Lagoon with Boats, Gondolas, and Rafts kug
Painting ID::  7144
GUARDI, Francesco5.jpg 		The Lagoon with Boats, Gondolas, and Rafts kug
c. 1758 Oil on canvas, 33 x 54 cm Private collection
   
   
     
GUARDI, Francesco The Giudecca Canal with the Zattere dgh oil


GUARDI, Francesco
The Giudecca Canal with the Zattere dgh
Painting ID::  7149
GUARDI, Francesco6.jpg 		The Giudecca Canal with the Zattere dgh
c. 1759 Oil on canvas, 72 x 120 cm Private collection
   
   
     
GUARDI, Francesco The Lagoon from the Fondamenta Nuove serg oil


GUARDI, Francesco
The Lagoon from the Fondamenta Nuove serg
Painting ID::  7150
GUARDI, Francesco7.jpg 		The Lagoon from the Fondamenta Nuove serg
c. 1759 Oil on canvas, 72 x 120 cm Private collection
   
   
     
GUARDI, Francesco Campo Santi Giovanni e Paolo fh oil


GUARDI, Francesco
Campo Santi Giovanni e Paolo fh
Painting ID::  7152
GUARDI, Francesco8.jpg 		Campo Santi Giovanni e Paolo fh
1762-63 Oil on canvas, 72 x 120 cm Mus??e du Louvre, Paris
   
   
     
GUARDI, Francesco The Rialto Bridge with the Palazzo dei Camerlenghi dg oil


GUARDI, Francesco
The Rialto Bridge with the Palazzo dei Camerlenghi dg
Painting ID::  7154
GUARDI, Francesco9.jpg 		The Rialto Bridge with the Palazzo dei Camerlenghi dg
c. 1763 Oil on canvas, 60 x 91 cm Private collection
   
   
     
GUARDI, Francesco The Molo and the Riva degli Schiavoni from the Bacino di San Marco dfg oil


GUARDI, Francesco
The Molo and the Riva degli Schiavoni from the Bacino di San Marco dfg
Painting ID::  7156
GUARDI, Francesco10.jpg 		The Molo and the Riva degli Schiavoni from the Bacino di San Marco dfg
1760-65 Oil on canvas, 122 x 152,5 cm Metropolitan Museum of Art, New York
   
   
     
GUARDI, Francesco The Piazza San Marco towards the Basilica dfh oil


GUARDI, Francesco
The Piazza San Marco towards the Basilica dfh
Painting ID::  7157
GUARDI, Francesco11.jpg 		The Piazza San Marco towards the Basilica dfh
1760-65 Oil on canvas, 72,5 x 119 cm National Gallery, London
   
   
     
GUARDI, Francesco The Grand Canal, Looking toward the Rialto Bridge sg oil


GUARDI, Francesco
The Grand Canal, Looking toward the Rialto Bridge sg
Painting ID::  7159
GUARDI, Francesco12.jpg 		The Grand Canal, Looking toward the Rialto Bridge sg
c. 1765 Oil on canvas, 56 x 75 cm Pinacoteca di Brera, Milan
   
   
     
GUARDI, Francesco The Grand Canal at the Fish Market (Pescheria) dg oil


GUARDI, Francesco
The Grand Canal at the Fish Market (Pescheria) dg
Painting ID::  7161
GUARDI, Francesco13.jpg 		The Grand Canal at the Fish Market (Pescheria) dg
c. 1765 Oil on canvas, 56 x 75 cm Pinacoteca di Brera, Milan
   
   
     
GUARDI, Francesco The Three-Arched Bridge at Cannaregio sdg oil


GUARDI, Francesco
The Three-Arched Bridge at Cannaregio sdg
Painting ID::  7162
GUARDI, Francesco14.jpg 		The Three-Arched Bridge at Cannaregio sdg
1765-70 Oil on canvas National Gallery of Art, Washington
   
   
     
GUARDI, Francesco The Lagoon Looking toward Murano from the Fondamenta Nuove sdg oil


GUARDI, Francesco
The Lagoon Looking toward Murano from the Fondamenta Nuove sdg
Painting ID::  7164
GUARDI, Francesco15.jpg 		The Lagoon Looking toward Murano from the Fondamenta Nuove sdg
1765-70 Oil on canvas, 31,7 x 52,7 cm Fitzwilliam Museum, Cambridge
   
   
     
GUARDI, Francesco The Torre del Orologio oil


GUARDI, Francesco
The Torre del Orologio
Painting ID::  7165
GUARDI, Francesco16.jpg 		The Torre del Orologio
1765-70 Oil on canvas, 62,5 x 89,4 cm Akademie der bildenden K??nste, Vienna
   
   
     
GUARDI, Francesco Audience Granted by the Doge dfh oil


GUARDI, Francesco
Audience Granted by the Doge dfh
Painting ID::  7167
GUARDI, Francesco17.jpg 		Audience Granted by the Doge dfh
1766-70 Oil on canvas, 66 x 100 cm Mus??e du Louvre, Paris
   
   
     
GUARDI, Francesco The Doge at the Basilica of La Salute gd oil


GUARDI, Francesco
The Doge at the Basilica of La Salute gd
Painting ID::  7168
GUARDI, Francesco18.jpg 		The Doge at the Basilica of La Salute gd
1766-70 Oil on canvas, 68 x 100 cm Mus??e du Louvre, Paris
   
   
     
GUARDI, Francesco The Doge on the Bucentaur at San Niccol del Lido dfh oil


GUARDI, Francesco
The Doge on the Bucentaur at San Niccol del Lido dfh
Painting ID::  7169
GUARDI, Francesco19.jpg 		The Doge on the Bucentaur at San Niccol del Lido dfh
1766-70 Oil on canvas, 67 x 100 cm Musee du Louvre, Paris
   
   
     
GUARDI, Francesco The Coronation of the Doge dfg oil


GUARDI, Francesco
The Coronation of the Doge dfg
Painting ID::  7170
GUARDI, Francesco20.jpg 		The Coronation of the Doge dfg
1766-70 Oil on canvas, 66 x 101 cm Mus??e du Louvre, Paris
   
   
     
GUARDI, Francesco Carnival Thursday on the Piazzetta dgs oil


GUARDI, Francesco
Carnival Thursday on the Piazzetta dgs
Painting ID::  7172
GUARDI, Francesco21.jpg 		Carnival Thursday on the Piazzetta dgs
1766-70 Oil on canvas, 67 x 100 cm Mus??e du Louvre, Paris
   
   
     
GUARDI, Francesco Capriccio with Venetian Motifs sg oil


GUARDI, Francesco
Capriccio with Venetian Motifs sg
Painting ID::  7181
GUARDI, Francesco22.jpg 		Capriccio with Venetian Motifs sg
1760s Oil on canvas, 33 x 51 cm Museo di Castelvecchio, Verona
   
   
     
GUARDI, Francesco Piazza San Marco sdgh oil


GUARDI, Francesco
Piazza San Marco sdgh
Painting ID::  7182
GUARDI, Francesco23.jpg 		Piazza San Marco sdgh
1760s Oil on canvas, 62 x 96 cm Accademia Carrara, Bergamo
   
   
     
GUARDI, Francesco The Doge on the Bucintoro near the Riva di Sant Elena oil


GUARDI, Francesco
The Doge on the Bucintoro near the Riva di Sant Elena
Painting ID::  7183
GUARDI, Francesco24.jpg 		The Doge on the Bucintoro near the Riva di Sant Elena
1766-70 Oil on canvas, 66 x 100 cm Mus??e du Louvre, Paris
   
   
     
GUARDI, Francesco The Doge on the Bucintoro near the Riva di San Elena (detail) oil


GUARDI, Francesco
The Doge on the Bucintoro near the Riva di San Elena (detail)
Painting ID::  7184
GUARDI, Francesco25.jpg 		The Doge on the Bucintoro near the Riva di San Elena (detail)
1766-70 Oil on canvas, 66 x 100 cm (whole painting) Mus??e du Louvre, Paris
   
   
     
GUARDI, Francesco Gondola in the Lagoon dfhg oil


GUARDI, Francesco
Gondola in the Lagoon dfhg
Painting ID::  7185
GUARDI, Francesco26.jpg 		Gondola in the Lagoon dfhg
1765-70 Oil on canvas, 25 x 38 cm Museo Poldi Pezzoli, Milan
   
   
     
GUARDI, Francesco Landscape with a Fisherman s Tent oil


GUARDI, Francesco
Landscape with a Fisherman s Tent
Painting ID::  7186
GUARDI, Francesco27.jpg 		Landscape with a Fisherman s Tent
1770-75 Oil on canvas, 49 x 77 cm Fondazione Cagnola, Villa Gazzada, Gazzada
   
   
     
GUARDI, Francesco The Feast of the Ascension fdh oil


GUARDI, Francesco
The Feast of the Ascension fdh
Painting ID::  7187
GUARDI, Francesco28.jpg 		The Feast of the Ascension fdh
c. 1775 Oil on canvas, 48 x 78 cm Gulbenkian Foundation, Lisbon
   
   
     
GUARDI, Francesco Doge Alvise IV Mocenigo Appears to the People in St Mark s Basilica in 1763 oil


GUARDI, Francesco
Doge Alvise IV Mocenigo Appears to the People in St Mark s Basilica in 1763
Painting ID::  7188
GUARDI, Francesco29.jpg 		Doge Alvise IV Mocenigo Appears to the People in St Mark s Basilica in 1763
1775-77 Oil on canvas, 67 x 100 cm Mus??es Royaux des Beaux-Arts, Brussels
   
   
     
GUARDI, Francesco An Architectural Caprice oil


GUARDI, Francesco
An Architectural Caprice
Painting ID::  7189
GUARDI, Francesco30.jpg 		An Architectural Caprice
before 1777 Oil on canvas, 54 x 36 cm National Gallery, London
   
   
     
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     GUARDI, Francesco
     Italian Rococo Era Painter, 1712-ca.1793 The records of his parish in Venice show that Francesco Guardi was baptized on Oct. 5, 1712. His father, Domenico, who died when Francesco was 4, had a workshop. Francesco and his elder brother, Gian Antonio, worked in a small studio, carrying out such orders as they could get for almost anything the client wanted:mythological pictures, genre, flower pieces, battle scenes, altarpieces, and even, on rare occasions, frescoes. They did not hesitate to copy compositions by other artists, but what they borrowed they always transformed into something more capricious, less stable, more fragmentary in the refraction of light. Francesco did not emerge as an independent personality until 1760, when his brother died. Then, 48 years old, he married, established his own studio, and devoted himself chiefly to painting views of Venice. For the most part he worked in obscurity, ignored by his contemporaries. He was not even admitted to the Venetian Academy until he was 72 years old. Guardi and Canaletto have always been compared to one another because the buildings they chose to paint were often the same. But the way each artist painted them is very different. Canaletto's world is constructed out of line. It provides solid, carefully drawn, three-dimensional objects that exist within logically constructed three-dimensional space. Guardi's world is constructed out of color and light. The objects in it become weightless in the light's shimmer and dissolve in a welter of brushstrokes; the space, like the forms in space, is suggested rather than described. Canaletto belonged essentially to the Renaissance tradition that began with Giotto and, as it grew progressively tighter and more controlled, pointed the way to neoclassicism. Guardi belonged to the new baroque tradition that grew out of the late style of Titian and, as it became progressively looser and freer, pointed the way toward impressionism. Such differences appear even in Guardi's early view paintings, where he was obviously trying to copy Canaletto, such as the Basin of San Marco. The famous buildings are there, but they are far in the background, insubstantial, seeming to float. In front is a fleet of fishing boats, their curving spars seeming to dance across the surface of the canvas. What is important for Guardi is not perspective but the changing clouds and the way the light falls on the lagoon. Guardi became increasingly fascinated by the water that surrounds Venice. In late works, such as the famous Lagoon with Gondola, buildings and people have been stripped away until there is nothing but the suggestion of a thin line of distant wharfs, a few strokes to indicate one man on a gondola, a long unbroken stretch of still water, and a cloudless sky. Guardi also painted the festivals that so delighted visitors to the city, such as the Marriage of Venice to the Sea. This was a symbolic ceremony in which the doge, in the great gilded galley of the head of state, surrounded by a thousand gondolas, appeared before all Venice, in Goethe's image, "raised up like the Host in a monstrance." Of all Guardi's paintings the most evocative are his caprices, the landscapes born out of his imagination though suggested by the ruined buildings on the lonely islands of the Venetian lagoon. A gentle melancholy clings to such scenes.

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