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GREUZE, Jean-Baptiste Oil Painting Reproductions

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GREUZE, Jean-Baptiste The Broken Jug oil


GREUZE, Jean-Baptiste
The Broken Jug
Painting ID::  7108
GREUZE, Jean-Baptiste1.jpg
The Broken Jug
1785 Oil on canvas, 110 x 85 cm Mus??e du Louvre, Paris
   
   
     

GREUZE, Jean-Baptiste The Broken Mirror sd oil


GREUZE, Jean-Baptiste
The Broken Mirror sd
Painting ID::  7109
GREUZE, Jean-Baptiste2.jpg
The Broken Mirror sd
1763 Oil on canvas, 56 x 46 cm Wallace Collection, London
   
   
     

GREUZE, Jean-Baptiste The Complain of the Watch dfh oil


GREUZE, Jean-Baptiste
The Complain of the Watch dfh
Painting ID::  7110
GREUZE, Jean-Baptiste3.jpg
The Complain of the Watch dfh
1770s Oil on canvas, 79,3 x 61 cm Alte Pinakothek, Munich
   
   
     

GREUZE, Jean-Baptiste Votive Offering to Cupid ghf oil


GREUZE, Jean-Baptiste
Votive Offering to Cupid ghf
Painting ID::  7111
GREUZE, Jean-Baptiste4.jpg
Votive Offering to Cupid ghf
1767 Oil on canvas, 146 x 113 cm Wallace Collection, London
   
   
     

GREUZE, Jean-Baptiste Portrait of George Gougenot de Croissy dfg oil


GREUZE, Jean-Baptiste
Portrait of George Gougenot de Croissy dfg
Painting ID::  7112
GREUZE, Jean-Baptiste5.jpg
Portrait of George Gougenot de Croissy dfg
c. 1758 Oil on canvas, 81 x 64 cm Mus??es Royaux des Beaux-Arts, Brussels
   
   
     

GREUZE, Jean-Baptiste Innocence dgh oil


GREUZE, Jean-Baptiste
Innocence dgh
Painting ID::  7113
GREUZE, Jean-Baptiste6.jpg
Innocence dgh
c. 1790 Oil on panel, 63 x 53 cm Wallace Collection, London
   
   
     

GREUZE, Jean-Baptiste Portrait of Georges Wille ge oil


GREUZE, Jean-Baptiste
Portrait of Georges Wille ge
Painting ID::  7114
GREUZE, Jean-Baptiste7.jpg
Portrait of Georges Wille ge
1763 Oil on canvas, 59 x 49 cm Mus??e Jacquemart Andr??, Paris
   
   
     

GREUZE, Jean-Baptiste The Punished Son dgs oil


GREUZE, Jean-Baptiste
The Punished Son dgs
Painting ID::  7115
GREUZE, Jean-Baptiste8.jpg
The Punished Son dgs
1778 Oil on canvas, 130 x 163 cm Mus??e du Louvre, Paris
   
   
     

GREUZE, Jean-Baptiste Self-Portrait shs oil


GREUZE, Jean-Baptiste
Self-Portrait shs
Painting ID::  7116
GREUZE, Jean-Baptiste9.jpg
Self-Portrait shs
c. 1785 Oil on canvas, 73 x 59 cm Mus??e du Louvre, Paris
   
   
     

GREUZE, Jean-Baptiste Portrait of Claude-Henri Watalet sg oil


GREUZE, Jean-Baptiste
Portrait of Claude-Henri Watalet sg
Painting ID::  7117
GREUZE, Jean-Baptiste10.jpg
Portrait of Claude-Henri Watalet sg
1763 Oil on canvas, 115 x 88 cm Mus??e du Louvre, Paris
   
   
     

GREUZE, Jean-Baptiste Septimius Severus and Caracalla oil


GREUZE, Jean-Baptiste
Septimius Severus and Caracalla
Painting ID::  44112
new16/GREUZE, Jean-Baptiste-852695.jpg
Septimius Severus and Caracalla
1769 Oil on canvas, 124 x 160 cm
   
   
     

GREUZE, Jean-Baptiste Portrat des Randon de Boisset, Oval oil


GREUZE, Jean-Baptiste
Portrat des Randon de Boisset, Oval
Painting ID::  77297
new24/GREUZE, Jean-Baptiste-958384.jpg
Portrat des Randon de Boisset, Oval
1770-1780 Oil on canvas 73 ?? 58 cm cjr
   
   
     

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     GREUZE, Jean-Baptiste
     French Rococo Era Painter, 1725-1805 French painter and draughtsman. He was named an associate member of the Academie Royale de Peinture et de Sculpture, Paris, in 1755 on the strength of a group of paintings that included genre scenes, portraits and studies of expressive heads . These remained the essential subjects of his art for the next 50 years, except for a brief, concentrated and unsuccessful experiment with history painting in the late 1760s, which was to affect his later genre painting deeply. Though his art has often been compared with that of Jean-Simeon Chardin in particular and interpreted within the context of NEO-CLASSICISM in general, it stands so strikingly apart from the currents of its time that Greuze's accomplishments are best described, as they often were by the artist's contemporaries, as unique. He was greatly admired by connoisseurs, critics and the general public throughout most of his life. His pictures were in the collections of such noted connoisseurs as Ange-Laurent de La Live de Jully, Claude-Henri Watelet and Etienne-Francois, Duc de Choiseul. For a long period he was in particular favour with the critic Denis Diderot, who wrote about him in the Salon reviews that he published in Melchior Grimm's privately circulated Correspondance litt?raire. His reputation declined towards the end of his life and through the early part of the 19th century, to be revived after 1850, when 18th-century painting returned to favour, by such critics as Theophile Thore, Ars?ne Houssaye and, most notably, Edmond and Jules de Goncourt in their book L'Art du dix-huitieme siecle. By the end of the century Greuze's work, especially his many variations on the Head of a Girl, fetched record prices, and his Broken Pitcher (Paris, Louvre) was one of the most popular paintings in the Louvre. The advent of modernism in the early decades of the 20th century totally obliterated Greuze's reputation.

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