GIOTTO di Bondone The Virgin Receiving the Message Painting ID:: 52379 new19/GIOTTO di Bondone-929838.jpg
The Virgin Receiving the Message 1306 Fresco, 150 x 195 cm
GIOTTO di Bondone Decorative band with figures Painting ID:: 52381 new19/GIOTTO di Bondone-769438.jpg
Decorative band with figures 1304-06 Fresco Cappella Scrovegni
GIOTTO di Bondone Decorative band with figures Painting ID:: 52382 new19/GIOTTO di Bondone-233464.jpg
Decorative band with figures 1304-06 Fresco Cappella Scrovegni
GIOTTO di Bondone Decorative band with figure Painting ID:: 52383 new19/GIOTTO di Bondone-545758.jpg
Decorative band with figure 1304-06 Fresco Cappella Scrovegni
GIOTTO di Bondone Wrath Painting ID:: 52384 new19/GIOTTO di Bondone-862375.jpg
Wrath 1306 Fresco, 120 x 55 cm
GIOTTO di Bondone Annunciation to Zacharias Painting ID:: 52385 new19/GIOTTO di Bondone-335786.jpg
Annunciation to Zacharias 1320 Fresco, 280 x 450 cm
GIOTTO di Bondone Entry into Jerusalem Painting ID:: 52386 new19/GIOTTO di Bondone-888679.jpg
Entry into Jerusalem 1304-06 Fresco, 200 x 185 cm
GIOTTO di Bondone Christ before Caiaphas Painting ID:: 52387 new19/GIOTTO di Bondone-832529.jpg
Christ before Caiaphas 1304-06 Fresco, 200 x 185 cm
GIOTTO di Bondone Road to Calvary Painting ID:: 52388 new19/GIOTTO di Bondone-274698.jpg
Road to Calvary 1304-06 Fresco, 200 x 185 cm
GIOTTO di Bondone Ascension of the Evangelist Painting ID:: 52389 new19/GIOTTO di Bondone-349832.jpg
Ascension of the Evangelist 1320 Fresco, 280 x 450 cm
GIOTTO di Bondone Stigmatisation of Saint Francis Painting ID:: 52390 new19/GIOTTO di Bondone-944673.jpg
Stigmatisation of Saint Francis 1325 Fresco, 390 x 370 cm
GIOTTO di Bondone Renunciation of Wordly Goods Painting ID:: 52391 new19/GIOTTO di Bondone-887434.jpg
Renunciation of Wordly Goods 1325 Fresco, 280 x 450 cm
GIOTTO di Bondone Apparition at Arles Painting ID:: 52392 new19/GIOTTO di Bondone-326937.jpg
Apparition at Arles 1325 Fresco, 280 x 450 cm
GIOTTO di Bondone Death and Ascension of St Francis Painting ID:: 52393 new19/GIOTTO di Bondone-864995.jpg
Death and Ascension of St Francis c. 1325 Fresco, 280 x 450 cm
GIOTTO di Bondone St Francis before the Sultan Painting ID:: 52394 new19/GIOTTO di Bondone-423786.jpg
St Francis before the Sultan 1325 Fresco, 280 x 450 cm
GIOTTO di Bondone Christ Enthroned Painting ID:: 52396 new19/GIOTTO di Bondone-694446.jpg
Christ Enthroned c. 1330 Tempera on panel
GIOTTO di Bondone St John the Evangelist Painting ID:: 52397 new19/GIOTTO di Bondone-588795.jpg
St John the Evangelist 1320-25 Tempera on wood, 81 x 55 cm
GIOTTO di Bondone Martyrdom of Peter Painting ID:: 52398 new19/GIOTTO di Bondone-523535.jpg
Martyrdom of Peter c. 1330 Tempera on panel
GIOTTO di Bondone The Stefaneschi Triptych Painting ID:: 52399 new19/GIOTTO di Bondone-727642.jpg
The Stefaneschi Triptych c. 1330 Tempera on panel, 220 x 245 cm
GIOTTO di Bondone St Peter Enthroned Painting ID:: 52400 new19/GIOTTO di Bondone-933454.jpg
St Peter Enthroned c. 1330 Tempera on panel
GIOTTO di Bondone Mary Magdalene and Cardinal Pontano Painting ID:: 52401 new19/GIOTTO di Bondone-444293.jpg
Mary Magdalene and Cardinal Pontano 1320s Fresco Magdalene Chapel
GIOTTO di Bondone Vision of the Ascension of St Francis Painting ID:: 52402 new19/GIOTTO di Bondone-246425.jpg
Vision of the Ascension of St Francis 1325 Fresco, 280 x 450 cm
GIOTTO di Bondone Birth of Christ Painting ID:: 48620 new18/GIOTTO di Bondone-936225.jpg
Birth of Christ mk191
1302-1305
Oil on canvas
GIOTTO di Bondone Detail of Birth of Christ Painting ID:: 48623 new18/GIOTTO di Bondone-273388.jpg
Detail of Birth of Christ mk191
Oil on canvas
GIOTTO di Bondone Detail of Birth of Christ Painting ID:: 48624 new18/GIOTTO di Bondone-386837.jpg
Detail of Birth of Christ mk191
the face of the Virgin Mary
GIOTTO di Bondone jesus infor oversteprasten kajafas Painting ID:: 56590 new20/GIOTTO di Bondone-553468.jpg
jesus infor oversteprasten kajafas mk248 sodra vaggen, arenakapellet, padua giotto foruandlar taket med bjalkarna i kajafas sal till ett kistlock, det finns ingen mojligbet att fly. det finns sa mycket rorelse i bilden att det tar ett tag innan man ser fesus sorgsna blick mot den balvt dolde petrus, som just fornekat att ban var en av bans larjungar.
GIOTTO di Bondone lasarus ateruppstar fran de doda Painting ID:: 56591 new20/GIOTTO di Bondone-659884.jpg
lasarus ateruppstar fran de doda mk248 norra vaggen, arenakapellet, padua lasarus,bror till marta ocb maria, bar varit dod i fyra dagar. hans systrar bar blokt nog tackt over ocb munnar nar graven oppnas ocb fesus mirakulost nog ateruppva cker bonom till livet. giotto bar placerat fesus ocb lasarus sa att de aterspeglar varandra ocb budskapet ar att fesus inom kort ocksa ska do ocb ateruppsta fran de doda.
GIOTTO di Bondone Assisi Saint - Francois accept the stigma Painting ID:: 57224 new20/GIOTTO di Bondone-583592.jpg
Assisi Saint - Francois accept the stigma mk255 about for years in 1295-1300 plastic painting dyes, gold background, Yang wooden 3.13 meters high 1.63 meters wide Louvre
GIOTTO di Bondone The Stefaneschi Triptych: St Peter Enthroned Painting ID:: 62954 new21/GIOTTO di Bondone-527849.jpg
The Stefaneschi Triptych: St Peter Enthroned 1330 Tempera on panel Pinacoteca, Vatican The picture shows the middle panel on the side showing St Peter. Peter sits, surrounded by angels and saints, on a simply constructed throne inlaid with Cosmati work. His right hand is raised in blessing, and in the other he holds the keys of his office. Before him, kneeling on the luxurious marble floor, laid out in perspective, are the hermit-saint Peter of Morrone to his right, and the donor Cardinal Stefaneschi, offering him the altar, to his left. Artist: GIOTTO di Bondone Painting Title: The Stefaneschi Triptych: St Peter Enthroned , 1301-1350 Painting Style: Italian , , religious
Italian Early Renaissance Painter, 1267-1337
Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.