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GHIRLANDAIO, Domenico Oil Painting Reproductions

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GHIRLANDAIO, Domenico Study of Two Women oil


GHIRLANDAIO, Domenico
Study of Two Women
Painting ID::  43863
new16/GHIRLANDAIO, Domenico-742325.jpg
Study of Two Women
260 x 170 mm
   
   
     

GHIRLANDAIO, Domenico Obsequies of St Fina oil


GHIRLANDAIO, Domenico
Obsequies of St Fina
Painting ID::  43864
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Obsequies of St Fina
1473-75
   
   
     

GHIRLANDAIO, Domenico Study of garments oil


GHIRLANDAIO, Domenico
Study of garments
Painting ID::  43867
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Study of garments
c. 1491 Brush drawing on paper, 290 x 130 mm
   
   
     

GHIRLANDAIO, Domenico View of the Sassetti Chapel oil


GHIRLANDAIO, Domenico
View of the Sassetti Chapel
Painting ID::  44375
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View of the Sassetti Chapel
c. 1485
   
   
     

GHIRLANDAIO, Domenico Angel Appearing to Zacharias oil


GHIRLANDAIO, Domenico
Angel Appearing to Zacharias
Painting ID::  44377
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Angel Appearing to Zacharias
1486-90
   
   
     

GHIRLANDAIO, Domenico Portrait of the Donor Nera Corsi Sassetti oil


GHIRLANDAIO, Domenico
Portrait of the Donor Nera Corsi Sassetti
Painting ID::  44378
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Portrait of the Donor Nera Corsi Sassetti
c. 1485
   
   
     

GHIRLANDAIO, Domenico Expulsion of Joachim from the Temple oil


GHIRLANDAIO, Domenico
Expulsion of Joachim from the Temple
Painting ID::  44379
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Expulsion of Joachim from the Temple
1486-90
   
   
     

GHIRLANDAIO, Domenico Portrait of the Donor Francesco Sassetti oil


GHIRLANDAIO, Domenico
Portrait of the Donor Francesco Sassetti
Painting ID::  44380
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Portrait of the Donor Francesco Sassetti
c. 1485
   
   
     

GHIRLANDAIO, Domenico Portrait of the Donor Francesca Pitti-Tornabuoni oil


GHIRLANDAIO, Domenico
Portrait of the Donor Francesca Pitti-Tornabuoni
Painting ID::  44381
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Portrait of the Donor Francesca Pitti-Tornabuoni
1486-90
   
   
     

GHIRLANDAIO, Domenico Test of Fire before the Sultan . oil


GHIRLANDAIO, Domenico
Test of Fire before the Sultan .
Painting ID::  44383
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Test of Fire before the Sultan .
1482-85
   
   
     

GHIRLANDAIO, Domenico St John the Baptist in the Desert oil


GHIRLANDAIO, Domenico
St John the Baptist in the Desert
Painting ID::  44384
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St John the Baptist in the Desert
1486-90
   
   
     

GHIRLANDAIO, Domenico Marriage of Mary oil


GHIRLANDAIO, Domenico
Marriage of Mary
Painting ID::  44386
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Marriage of Mary
1486-90
   
   
     

GHIRLANDAIO, Domenico Meeting of Augustus and the Sibyl oil


GHIRLANDAIO, Domenico
Meeting of Augustus and the Sibyl
Painting ID::  44387
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Meeting of Augustus and the Sibyl
c. 1485
   
   
     

GHIRLANDAIO, Domenico Obsequies of St Francis oil


GHIRLANDAIO, Domenico
Obsequies of St Francis
Painting ID::  44388
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Obsequies of St Francis
1482-85
   
   
     

GHIRLANDAIO, Domenico Preaching of St John the Baptist oil


GHIRLANDAIO, Domenico
Preaching of St John the Baptist
Painting ID::  44390
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Preaching of St John the Baptist
1486-90
   
   
     

GHIRLANDAIO, Domenico Slaughter of the Innocents oil


GHIRLANDAIO, Domenico
Slaughter of the Innocents
Painting ID::  44391
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Slaughter of the Innocents
1486-90
   
   
     

GHIRLANDAIO, Domenico Resurrection of the Boy oil


GHIRLANDAIO, Domenico
Resurrection of the Boy
Painting ID::  44392
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Resurrection of the Boy
1482-85
   
   
     

GHIRLANDAIO, Domenico Death and Assumption of the Virgin oil


GHIRLANDAIO, Domenico
Death and Assumption of the Virgin
Painting ID::  44393
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Death and Assumption of the Virgin
1486-90
   
   
     

GHIRLANDAIO, Domenico St Matthew the Evangelist oil


GHIRLANDAIO, Domenico
St Matthew the Evangelist
Painting ID::  51187
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St Matthew the Evangelist
1486-90 Fresco Cappella Tornabuoni
   
   
     

GHIRLANDAIO, Domenico Detail of the Adoration of the Magi oil


GHIRLANDAIO, Domenico
Detail of the Adoration of the Magi
Painting ID::  51705
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Detail of the Adoration of the Magi
nn09 1488 Tempera on wood 285x240cm
   
   
     

GHIRLANDAIO, Domenico Portrait of the Donor Giovanni Tornabuoni oil


GHIRLANDAIO, Domenico
Portrait of the Donor Giovanni Tornabuoni
Painting ID::  52358
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Portrait of the Donor Giovanni Tornabuoni
1486-90 Fresco Cappella Tornabuoni
   
   
     

GHIRLANDAIO, Domenico Calling of the First Apostles oil


GHIRLANDAIO, Domenico
Calling of the First Apostles
Painting ID::  52360
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Calling of the First Apostles
1481 Fresco Cappella Sistina
   
   
     

GHIRLANDAIO, Domenico Stigmata of St Francis oil


GHIRLANDAIO, Domenico
Stigmata of St Francis
Painting ID::  52361
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Stigmata of St Francis
1482-85 Fresco Santa Trinit
   
   
     

GHIRLANDAIO, Domenico Birth of Mary oil


GHIRLANDAIO, Domenico
Birth of Mary
Painting ID::  52595
new19/GHIRLANDAIO, Domenico-297725.jpg
Birth of Mary
1486-90 Fresco Cappella Tornabuoni
   
   
     

GHIRLANDAIO, Domenico Zacharias Writes Down the Name of his Son oil


GHIRLANDAIO, Domenico
Zacharias Writes Down the Name of his Son
Painting ID::  52596
new19/GHIRLANDAIO, Domenico-893422.jpg
Zacharias Writes Down the Name of his Son
1486-90 Fresco Cappella Tornabuoni
   
   
     

GHIRLANDAIO, Domenico Herod-s Banquet oil


GHIRLANDAIO, Domenico
Herod-s Banquet
Painting ID::  52597
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Herod-s Banquet
1486-90 Fresco Cappella Tornabuoni
   
   
     

GHIRLANDAIO, Domenico An old man with a boy's portrait oil


GHIRLANDAIO, Domenico
An old man with a boy's portrait
Painting ID::  57234
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An old man with a boy's portrait
mk255 for in 1490. Plastic paint dye, Yang wood 0.62 meters high, 0.46 meters wide. Paris, the Louvre
   
   
     

GHIRLANDAIO, Domenico Madonna and Child Enthroned with Saints oil


GHIRLANDAIO, Domenico
Madonna and Child Enthroned with Saints
Painting ID::  62995
new21/GHIRLANDAIO, Domenico-454895.jpg
Madonna and Child Enthroned with Saints
1483 Tempera on wood Galleria degli Uffizi, Florence This detail of a flower vase on a colourful carpet could be taken from a Flemish panel painting if it were painted using the oil technique developed there rather than tempera, which Ghirlandaio used. In this detail, the artist creates a positive frenzy of colours and forms to enliven the picture. Artist: GHIRLANDAIO, Domenico Painting Title: Madonna and Child Enthroned with Saints (detail) , 1451-1500 Painting Style: Italian , , still-life
   
   
     

GHIRLANDAIO, Domenico Coronation of the Virgin oil


GHIRLANDAIO, Domenico
Coronation of the Virgin
Painting ID::  62997
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Coronation of the Virgin
1486 Tempera on wood Pinacoteca Comunale, Citta di Castello The Coronation in Citt?di Castello is untypical of Ghirlandaio because of its limited palette: its impact is derived primarily from the contrast of various shades of blue and red with a few yellow highlights. In contrast with the old-fashioned picture in Narni, only the female saints in the centre are kneeling; three holy men are standing on each side of them. This emphasizes the circular glory composed of airy shades of blue, giving the work a dynamic and animated character. The saints on this picture are mainly ones from the Franciscan order. On the far left stands the founder of the order, St Francis of Assisi. This altarpiece is not an autographed work, it was probably made by the workshop. Artist: GHIRLANDAIO, Domenico Painting Title: Coronation of the Virgin , 1451-1500 Painting Style: Italian , , religious
   
   
     

GHIRLANDAIO, Domenico Announcement of Death to St Fina oil


GHIRLANDAIO, Domenico
Announcement of Death to St Fina
Painting ID::  63000
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Announcement of Death to St Fina
1473-75 Fresco Colleggiata, San Gimignano Next to the shining bowl is an almost empty decanter, covered by an inverted glass to protect the valuable wine. As the artist repeated both vessels in his later frescoes of the Last Supper, it is possible that they a reference to the sacrament of Holy Communion. The character of the objects, so like a still life, is an approximation to Flemish paintings, though Ghirlandaio has not yet achieved a Flemish materiality in his work. On the far right, two pomegranates are lying on a box; they may be references to the Fall of Man in the Garden of Eden. Saint Fina did not attempt to gain the biblical forbidden fruits and will therefore be made a saint. Is it possible that the large split on one of the fruits is an allusion to the bodily decay of the saint, which the artist did not dare depict in all its gruesomeness? On a framed panel on the rear wall are the Latin words that St Gregory spoke to Fina: "Be prepared my daughter, for on my feast day you will be taken up into our community and live there forever with your bridegroom." A window in the rear wall allows air and light to enter the bare room. A picture within a picture, the window appears very much like a landscape painting. The few domestic objects on the bench at the back give the room a home-like quality. Artist: GHIRLANDAIO, Domenico Painting Title: Announcement of Death to St Fina (detail) , 1451-1500 Painting Style: Italian , , religious
   
   
     

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     GHIRLANDAIO, Domenico
     Italian Early Renaissance Painter, 1449-1494 Florentine painter, whose family name was Bigordi. He may have studied painting and mosaics under Alesso Baldovinetti. Ghirlandaio was an excellent technician. Keenly observant of the contemporary scene, he depicted many prominent Florentine personalities within his religious narrative paintings. Among his earliest frescoes are the Madonna with the Vespucci Family and the Last Supper (Church of the Ognissanti, Florence). He painted scenes from the life of Santa Fina (collegiate church in San Gimigniano) and frescoes in the Palazzo Vecchio, Florence. In 1481, Pope Sixtus IV called him to Rome, along with Botticelli, to decorate the Sistine Chapel. He painted the Calling of the First Apostles, a scene close in spirit to Masaccio. He returned to Florence to work on the frescoes in the Sassetti Chapel in Santa Trinita. He introduced Sassetti, Corsi, Poliziano, the Medici, and many other contemporaries as participants in the life of St. Francis. Ghirlandaio's most famous achievement is his fresco cycle of the life of Mary and St. John the Baptist for the choir of Santa Maria Novella. Michelangelo served an apprenticeship with him at this time and probably worked on these frescoes. Other examples of his art are the Adoration of the Magi (Uffizi); another Adoration (Hospital of the Innocents); a mosaic of the Annunciation for the Cathedral; a portrait of Francesco Sassetti and his son (Metropolitan Mus.);

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