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Francesco Hayez Oil Painting Reproductions

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Francesco Hayez Portrait of Cristina di BelgiojosoTrivulzio oil


Francesco Hayez
Portrait of Cristina di BelgiojosoTrivulzio
Painting ID::  59280
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Portrait of Cristina di BelgiojosoTrivulzio
Portrait of Cristina di Belgiojoso-Trivulzio (1832) Private collection, Florence
   
   
     

Francesco Hayez Bathsheba Bathing oil


Francesco Hayez
Bathsheba Bathing
Painting ID::  59281
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Bathsheba Bathing
Bathsheba Bathing (1834) Private collection, Lugano
   
   
     

Francesco Hayez Ruth oil


Francesco Hayez
Ruth
Painting ID::  59283
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Ruth
Ruth (1835) Collezioni Comunali d'Arte, Bologna
   
   
     

Francesco Hayez The Seventh Crusade against Jerusalem oil


Francesco Hayez
The Seventh Crusade against Jerusalem
Painting ID::  59284
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The Seventh Crusade against Jerusalem
The Seventh Crusade against Jerusalem (1838-1850) Palazzo Reale, Turin
   
   
     

Francesco Hayez Odalisque Reclining oil


Francesco Hayez
Odalisque Reclining
Painting ID::  59285
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Odalisque Reclining
Odalisque Reclining (1839) Private collection, Milan
   
   
     

Francesco Hayez Release of Vittor Pisani from the dungeon oil


Francesco Hayez
Release of Vittor Pisani from the dungeon
Painting ID::  59286
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Release of Vittor Pisani from the dungeon
Release of Vittor Pisani from the dungeon (1840) Villa Carlotta, Tremezzo
   
   
     

Francesco Hayez Portrait of the princess of Sant Antimo oil


Francesco Hayez
Portrait of the princess of Sant Antimo
Painting ID::  59289
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Portrait of the princess of Sant Antimo
Portrait of the princess of Sant' Antimo (1840-1844) Museo di San Martino, Naples
   
   
     

Francesco Hayez Portrait of the Emperor Ferdinand I of Austria oil


Francesco Hayez
Portrait of the Emperor Ferdinand I of Austria
Painting ID::  59290
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Portrait of the Emperor Ferdinand I of Austria
Portrait of the Emperor Ferdinand I of Austria (1840) Museo del Risorgimento, Milan
   
   
     

Francesco Hayez Portrait of Alessandro Manzoni oil


Francesco Hayez
Portrait of Alessandro Manzoni
Painting ID::  59291
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Portrait of Alessandro Manzoni
Portrait of Alessandro Manzoni (1841) Pinacoteca di Brera, Milan
   
   
     

Francesco Hayez The Parting of the Two Foscari oil


Francesco Hayez
The Parting of the Two Foscari
Painting ID::  59292
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The Parting of the Two Foscari
The Parting of the Two Foscari (1842) Galleria d'Arte Moderna, Florence
   
   
     

Francesco Hayez Melancholy Thought oil


Francesco Hayez
Melancholy Thought
Painting ID::  59294
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Melancholy Thought
Melancholy Thought (1842) Private collection, Milan
   
   
     

Francesco Hayez Portrait of Felicina Caglio Perego di Cremnago oil


Francesco Hayez
Portrait of Felicina Caglio Perego di Cremnago
Painting ID::  59295
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Portrait of Felicina Caglio Perego di Cremnago
Portrait of Felicina Caglio Perego di Cremnago (1842) Private collection, Milan
   
   
     

Francesco Hayez Samson and the Lion oil


Francesco Hayez
Samson and the Lion
Painting ID::  59296
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Samson and the Lion
Samson and the Lion (1842) Galleria d'Arte Moderna, Florence
   
   
     

Francesco Hayez Meeting of Jacob and Esau oil


Francesco Hayez
Meeting of Jacob and Esau
Painting ID::  59297
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Meeting of Jacob and Esau
Meeting of Jacob and Esau (1844) Pinacoteca Tosio Martinengo, Brescia
   
   
     

Francesco Hayez Sicilian Vespers, Scene 3 oil


Francesco Hayez
Sicilian Vespers, Scene 3
Painting ID::  59300
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Sicilian Vespers, Scene 3
Sicilian Vespers, Scene 3 (1846) Galleria Nazionale d'Arte Moderna, Rome
   
   
     

Francesco Hayez Portrait of Felicina Caglio Perego di Cremnago oil


Francesco Hayez
Portrait of Felicina Caglio Perego di Cremnago
Painting ID::  59301
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Portrait of Felicina Caglio Perego di Cremnago
Portrait of Felicina Caglio Perego di Cremnago (1842) Private collection, Milan
   
   
     

Francesco Hayez Portrait of Antonietta Tarsis Basilico oil


Francesco Hayez
Portrait of Antonietta Tarsis Basilico
Painting ID::  59304
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Portrait of Antonietta Tarsis Basilico
Portrait of Antonietta Tarsis Basilico (1851) Private collection, Rome
   
   
     

Francesco Hayez Portrait of Matilde Juva Branca oil


Francesco Hayez
Portrait of Matilde Juva Branca
Painting ID::  59305
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Portrait of Matilde Juva Branca
Portrait of Matilde Juva-Branca (1851) Civica Galleria d'Arte Moderna, Milan
   
   
     

Francesco Hayez Portrait of a Veneitan Woman oil


Francesco Hayez
Portrait of a Veneitan Woman
Painting ID::  59308
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Portrait of a Veneitan Woman
Portrait of a Veneitan Woman (c. 1852) Private collection, Milan
   
   
     

Francesco Hayez Venetian Women oil


Francesco Hayez
Venetian Women
Painting ID::  59309
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Venetian Women
Venetian Women (1853) Villa Carlotta, Tremezzo
   
   
     

Francesco Hayez Portrait of Countess Antonietta Negroni Prati Morosini as a child oil


Francesco Hayez
Portrait of Countess Antonietta Negroni Prati Morosini as a child
Painting ID::  59310
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Portrait of Countess Antonietta Negroni Prati Morosini as a child
Portrait of Countess Antonietta Negroni Prati Morosini as a child (1858) Civica Galleria d'Arte Moderna, Milan (See also the portrait of her done in 1872)
   
   
     

Francesco Hayez Bather viewed from behind oil


Francesco Hayez
Bather viewed from behind
Painting ID::  59311
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Bather viewed from behind
Bather viewed from behind (1859) Pinacoteca di Brera, Milan
   
   
     

Francesco Hayez Female Nude oil


Francesco Hayez
Female Nude
Painting ID::  59314
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Female Nude
Female Nude (c. 1859) Pinacoteca di Brera, Milan
   
   
     

Francesco Hayez Portrait of Count Baglioni oil


Francesco Hayez
Portrait of Count Baglioni
Painting ID::  59315
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Portrait of Count Baglioni
Portrait of Count Baglioni (c. 1860) Private collection, Treviso
   
   
     

Francesco Hayez Portrait of Massimo d Azeglio oil


Francesco Hayez
Portrait of Massimo d Azeglio
Painting ID::  59316
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Portrait of Massimo d Azeglio
Portrait of Massimo d' Azeglio (1860) Pinacoteca di Brera, Milan
   
   
     

Francesco Hayez Self portrait at age 69 oil


Francesco Hayez
Self portrait at age 69
Painting ID::  59317
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Self portrait at age 69
Self-portrait at age 69 (1860) Galleria degli Uffizi, Florence
   
   
     

Francesco Hayez Portrait of Camillo Benso di Cavour oil


Francesco Hayez
Portrait of Camillo Benso di Cavour
Painting ID::  59321
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Portrait of Camillo Benso di Cavour
Portrait of Camillo Benso di Cavour (1864) Pinacoteca di Brera, Milan
   
   
     

Francesco Hayez The New Favorite oil


Francesco Hayez
The New Favorite
Painting ID::  59324
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The New Favorite
The New Favorite (Harem Scene) (1866) Private collection, Milan
   
   
     

Francesco Hayez Odalisque with Book oil


Francesco Hayez
Odalisque with Book
Painting ID::  59326
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Odalisque with Book
Odalisque with Book (1866) Villa Carlotta, Tremezzo
   
   
     

Francesco Hayez The Death of the Doge Marin Faliero oil


Francesco Hayez
The Death of the Doge Marin Faliero
Painting ID::  59327
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The Death of the Doge Marin Faliero
The Death of the Doge Marin Faliero (1867) Pinacoteca di Brera, Milan
   
   
     

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     Francesco Hayez
     1791-1882 Italian Francesco Hayez Galleries Hayez came from a relatively poor family from Venice. His father was of French origin while his mother, Chiara Torcella, was from Murano. The child Francesco, youngest of five sons, was brought up by his mother sister, who had married Giovanni Binasco, a well-off shipowner and collector of art. From childhood he showed a predisposition for drawing, so his uncle apprenticed him to an art restorer. Later he became a student of the painter Francisco Magiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in 1806, where he studied under Teodoro Matteini. In 1809 he won a competition from the Academy of Venice for one year of study at the Accademia di San Luca in Rome. He remained in Rome until 1814, then moved to Naples where he was commissioned by Joachim Murat to paint a major work depicting Ulysses at the court of Alcinous. In the mid 1830s he attended the Salotto Maffei salon in Milan, hosted by Clara Maffei (whose portrait Hayez painted for her husband), and he was still in Milan in 1850 when he was appointed director of the Academy of Brera there. Assessment of the career of Hayez is complicated by the fact that he often did not sign or date his works. Often the date indicated from the evidence is that at which the work was acquired or sold, not of its creation. Moreover he often painted the same compositions several times with minimal variations, or even with no variation. His early works show the influence of Ingres and the Nazarene movement. His later work participates in the Classical revival.

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