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Filippino Lippi Oil Painting Reproductions
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Filippino Lippi Virgin with the Child and Scenes from the Life of St Anne oil


Filippino Lippi
Virgin with the Child and Scenes from the Life of St Anne
Painting ID::  40203
new12/Filippino Lippi-427848.jpg 		Virgin with the Child and Scenes from the Life of St Anne
mk156 c.1452 Tempera on wooden panel Tondo
   
   
     
Filippino Lippi Madonna with the Child and Two Angels oil


Filippino Lippi
Madonna with the Child and Two Angels
Painting ID::  40206
new12/Filippino Lippi-233834.jpg 		Madonna with the Child and Two Angels
mk156 1456 Tempera on wood 95x62cm
   
   
     
Filippino Lippi The Adoration of the Infant Christ oil


Filippino Lippi
The Adoration of the Infant Christ
Painting ID::  40972
new16/Filippino Lippi-348732.jpg 		The Adoration of the Infant Christ
mk159 1480s Tempera on copperplate,Transferred from panel
   
   
     
Filippino Lippi THe Virgin and Child with Saints Jerome and Dominic oil


Filippino Lippi
THe Virgin and Child with Saints Jerome and Dominic
Painting ID::  42872
new16/Filippino Lippi-646835.jpg 		THe Virgin and Child with Saints Jerome and Dominic
mk170 Circa 1485 oil on tempera on poplar 203.2x186.1cm
   
   
     
Filippino Lippi The Vison of Saint Bernard oil


Filippino Lippi
The Vison of Saint Bernard
Painting ID::  51771
new19/Filippino Lippi-545689.jpg 		The Vison of Saint Bernard
nn09 mid-1480s Tempera on wood 210x195cm
   
   
     
Filippino Lippi St Stephen is Born and Replaced by Another Child oil


Filippino Lippi
St Stephen is Born and Replaced by Another Child
Painting ID::  52269
new19/Filippino Lippi-672847.jpg 		St Stephen is Born and Replaced by Another Child
1452-65 Fresco Duomo
   
   
     
Filippino Lippi Assumption and Annunciation oil


Filippino Lippi
Assumption and Annunciation
Painting ID::  52316
new19/Filippino Lippi-598657.jpg 		Assumption and Annunciation
1489-91
   
   
     
Filippino Lippi Crucifixion of St Philip oil


Filippino Lippi
Crucifixion of St Philip
Painting ID::  52317
new19/Filippino Lippi-854635.jpg 		Crucifixion of St Philip
1502 Fresco Strozzi Chapel
   
   
     
Filippino Lippi St John the Evangelist Resuscitating Druisana oil


Filippino Lippi
St John the Evangelist Resuscitating Druisana
Painting ID::  52319
new19/Filippino Lippi-522884.jpg 		St John the Evangelist Resuscitating Druisana
1502 Fresco Strozzi Chapel
   
   
     
Filippino Lippi Scene from the Life of St Thomas Aquinas oil


Filippino Lippi
Scene from the Life of St Thomas Aquinas
Painting ID::  52321
new19/Filippino Lippi-873584.jpg 		Scene from the Life of St Thomas Aquinas
1489-91
   
   
     
Filippino Lippi Torture of St John the Evangelist oil


Filippino Lippi
Torture of St John the Evangelist
Painting ID::  52324
new19/Filippino Lippi-864274.jpg 		Torture of St John the Evangelist
1502 Fresco Strozzi Chapel, Santa Maria Novella
   
   
     
Filippino Lippi Tobias and angeln, probably oil


Filippino Lippi
Tobias and angeln, probably
Painting ID::  53691
new19/Filippino Lippi-696746.jpg 		Tobias and angeln, probably
mk234 about 1480 32.5x23.5cm
   
   
     
Filippino Lippi adoration of the child oil


Filippino Lippi
adoration of the child
Painting ID::  55970
new20/Filippino Lippi-773356.jpg 		adoration of the child
mk247 1483,tempera on wood ,37.75x28 in,96x71 cm,uffizi,florence,ltaly
   
   
     
Filippino Lippi St. John Batista oil


Filippino Lippi
St. John Batista
Painting ID::  58320
new20/Filippino Lippi-645529.jpg 		St. John Batista
mk261 Florence 1498-1500 egg tempera in wood 136 x 56 cm
   
   
     
Filippino Lippi Madonna and Child, tempera oil


Filippino Lippi
Madonna and Child, tempera
Painting ID::  77021
new24/Filippino Lippi-758444.jpg 		Madonna and Child, tempera
Madonna and Child, tempera, oil, and gold on wood painting by Filippino Lippi, ca. 1485, The Metropolitan Museum of Art. cjr
   
   
     
Filippino Lippi Madonna and Child oil


Filippino Lippi
Madonna and Child
Painting ID::  80450
new24/Filippino Lippi-857732.jpg 		Madonna and Child
oil, and gold on wood painting by Filippino Lippi, ca. 1485, The Metropolitan Museum of Art Date ca. 1485 cyf
   
   
     
Filippino Lippi The Intervention of Christ and Mary oil


Filippino Lippi
The Intervention of Christ and Mary
Painting ID::  86881
new25/Filippino Lippi-637898.jpg 		The Intervention of Christ and Mary
Date second half of 15th century Medium Oil on wood Dimensions Height: 156.1 cm (61.5 in). Width: 146.7 cm (57.8 in). cjr
   
   
     
Filippino Lippi The Intervention of Christ and Mary oil


Filippino Lippi
The Intervention of Christ and Mary
Painting ID::  91652
new25/Filippino Lippi-967536.jpg 		The Intervention of Christ and Mary
second half of 15th century Medium oil on panel Dimensions Height: 156.1 cm (61.5 in). Width: 146.7 cm (57.8 in). cyf
   
   
     
Filippino Lippi Apparition of the Virgin to St Bernard oil


Filippino Lippi
Apparition of the Virgin to St Bernard
Painting ID::  94656
new26/Filippino Lippi-564963.jpg 		Apparition of the Virgin to St Bernard
1480 Type Oil on panel Dimensions 210 cm x 195 cm (83 in x 77 in) cyf
   
   
     
Filippino Lippi Adoration of the Magi oil


Filippino Lippi
Adoration of the Magi
Painting ID::  94667
new26/Filippino Lippi-794883.jpg 		Adoration of the Magi
1496 Type Oil on panel Dimensions 258 cm x 243 cm (102 in x 96 in) cyf
   
   
     
Filippino Lippi Allegory oil


Filippino Lippi
Allegory
Painting ID::  97968
new26/Filippino Lippi-359759.jpg 		Allegory
circa 1498(1498) Medium oil on panel cyf
   
   
     
Filippino Lippi St Jerome oil


Filippino Lippi
St Jerome
Painting ID::  97970
new26/Filippino Lippi-754868.jpg 		St Jerome
1490s Medium oil on panel cyf
   
   
     
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     Filippino Lippi
     Italian 1457-1504 Filippino Lippi Galleries Born Filippo Lippi in Prato (Tuscany), the illegitimate son of the painter Fra Filippo Lippi and nun Lucrezia Buti, Filippino first trained under his father. They moved to Spoleto, where Filippino served as shop adjuvant in the construction of the Cathedral there. When his father died in 1469, he completed the frescos with Storie della Vergine (Histories of the Virgin) in the cathedral. Filippino Lippi completed his apprenticeship in the workshop of Botticelli, who had been a pupil of Filippino's father. In 1472, Botticelli also took him as his companion in the Compagnia di San Luca. His first works greatly resemble those of Botticelli's, but with less sensitivity and subtlety. The very first ones (dating from 1475 onwards) were initially attributed to an anonymous "Amico di Sandro" ("Friend of Botticelli"). Eventually Lippi's style evolved into a more personal and effective one in the years 1480-1485. Works of the early period include: the Madonnas of Berlin, London and Washington, the Journeys of Tobia of the Galleria Sabauda in Turin, Italy, the Madonna of the Sea of Galleria dell'Accademia and the Histories of Ester. Together with Perugino, Ghirlandaio and Botticelli, Lippi worked on the frescoed decoration of Lorenzo de Medici's villa at Spedaletto. On December 31, 1482 he was commissioned to work on a wall of Sala dell'Udienza of Palazzo Vecchio in Florence (a work never begun). Soon after (probably in 1483-1484) he was called to complete Masaccio's decoration of Brancacci Chapel in the church of the Carmine, left unfinished by the artist's death in 1428 . Here he realized the Stories of Saint Peter on the following frescoes: Quarrel with Simon Magus in face of Nero, Resurrection of Teophilus' Son, Saint Peter Jailed, Liberation and Saint Peter's Crucifixion. The work on the Sala degli Otto di Pratica, in the Palazzo Vecchio, started on February 20, 1486. It is now in the Uffizi Gallery. In the same years Piero di Francesco del Pugliese asked him to paint the altarpiece with Apparition of the Virgin to St. Bernard, now in the Badia Fiorentina, Florence. This is Lippi's most popular picture: a composition of unreal items, with its very particular elongated figures, backed by a phantasmagorical scenario of rocks and almost anthropomorphic trunks. The work can be dated to the 1480-1486 years. Eventually he worked for Tanai de' Nerli in the Saint Spirit's Church. On April 21, 1487, Filippo Strozzi asked him to decorate the family chapel in Santa Maria Novella with the Stories of St. John Evangelist and St. Philip. He worked on this piece intermittently, only completing it in 1503, after the customer's death. The windows with musical themes, also designed by Filippino, were completed between June and July 1503. These paintings can be seen as a mirror of the political and religious crisis in Florence at the time: the theme of the fresco, the clash between Christianity and Paganism, was hotly debated in the Florence of Girolamo Savonarola. Filippino showed his characters in a landscape which recreated the ancient world in its finest details, showing the influence of the Grottesco style he had seen in his journey to Rome. He created in this way an "animated", mysterious, fantastic but also disquieting style, showing the unreality of something as a nightmare. In this way, Filippino portrayed ruthless executioners deformed by grim faces, who raged against the Saints. In the scene with St. Philip expelling a monster from the temple, the statue of the pagan god is a living figure which seems to dare the Christian saint. In 1488, Lippi moved to Rome, where Lorenzo de' Medici had advised Cardinal Oliviero Carafa to entrust him the decoration of the family chapel in Santa Maria sopra Minerva. These frescoes show a new kind of inspiration, quite different from the earlier works, but confirm his continued research on the themes of the Ancient era. Lippi finished the cycle by 1493. Lippi's return to Florence is variously assigned to the years going from 1491 to 1494 . Works of this period include: Apparition of Christ to Madonna (1493, now in Munich), Adoration of the Magi (1496, for the church of San Donato in Scopeto, now in the Uffizi), Sacrifice of Lacoön (end of the century, for the villa of Lorenzo de' Medici at Poggio a Caiano), St. John Baptist and Maddalena (Valori Chapel in San Procolo, Florence, inspired in some way to Luca Signorelli's art). He also worked outside of his mother-country, namely on the Certosa of Pavia and in Prato, where in 1503 he completed the Tabernacle of the Christmas Song, now in the City Museum; in 1501 Lippi realized the Mystic Wedding of St. Catherine for the Basilica of San Domenico in Bologna. Lippi's last work is the Deposition for the Santissima Annunziata church in Florence, which at his death in April 1504 was unfinished. He was so renowned that all the workshops of the city closed on the day of his burial.

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