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Filippino Lippi Oil Painting Reproductions
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Filippino Lippi St Paul Visits St.Peter in Prison oil


Filippino Lippi
St Paul Visits St.Peter in Prison
Painting ID::  2455
Filippino Lippi1.jpg 		St Paul Visits St.Peter in Prison
Brancacci Chapel, Florence
   
   
     
Filippino Lippi Portrait of an Old Man oil


Filippino Lippi
Portrait of an Old Man
Painting ID::  2456
Filippino Lippi2.jpg 		Portrait of an Old Man
c1485 Galleria degli Uffizi, Florence
   
   
     
Filippino Lippi Portrait of an Old Man 111 oil


Filippino Lippi
Portrait of an Old Man 111
Painting ID::  2546
Filippino Lippi4.jpg 		Portrait of an Old Man 111
c1485 Galleria degli Uffizi, Florence
   
   
     
Filippino Lippi The Crucifixion of Peter oil


Filippino Lippi
The Crucifixion of Peter
Painting ID::  2547
Filippino Lippi5.jpg 		The Crucifixion of Peter
Brancacci Chapel, Florence
   
   
     
Filippino Lippi Disputation with Simon Magus oil


Filippino Lippi
Disputation with Simon Magus
Painting ID::  2548
Filippino Lippi6.jpg 		Disputation with Simon Magus
Brancacci Chapel, Florence
   
   
     
Filippino Lippi St Peter Freed from Prison oil


Filippino Lippi
St Peter Freed from Prison
Painting ID::  2549
Filippino Lippi7.jpg 		St Peter Freed from Prison
Brancacci Chapel, Florence
   
   
     
Filippino Lippi Saint Jerome oil


Filippino Lippi
Saint Jerome
Painting ID::  2550
Filippino Lippi8.jpg 		Saint Jerome
1485 Galleria degli Uffizi, Florence
   
   
     
Filippino Lippi The Adoration of the Magi oil


Filippino Lippi
The Adoration of the Magi
Painting ID::  2551
Filippino Lippi9.jpg 		The Adoration of the Magi
1496 Galleria degli Uffizi, Florence
   
   
     
Filippino Lippi The Adoration of the Child oil


Filippino Lippi
The Adoration of the Child
Painting ID::  2552
Filippino Lippi10.jpg 		The Adoration of the Child
1463 Galleria degli Uffizi, Florence
   
   
     
Filippino Lippi The Adoration of the Child oil


Filippino Lippi
The Adoration of the Child
Painting ID::  2553
Filippino Lippi11.jpg 		The Adoration of the Child
1480's Galleria degli Uffizi, Florence
   
   
     
Filippino Lippi Madonna and Child oil


Filippino Lippi
Madonna and Child
Painting ID::  2554
Filippino Lippi12.jpg 		Madonna and Child
1486
   
   
     
Filippino Lippi Tobias and the Angel oil


Filippino Lippi
Tobias and the Angel
Painting ID::  2555
Filippino Lippi13.jpg 		Tobias and the Angel
1480 National Gallery of Art, Washington DC
   
   
     
Filippino Lippi The Adoration of the Kings oil


Filippino Lippi
The Adoration of the Kings
Painting ID::  2556
Filippino Lippi14.jpg 		The Adoration of the Kings
National Gallery, London
   
   
     
Filippino Lippi The Vision of St.Bernard oil


Filippino Lippi
The Vision of St.Bernard
Painting ID::  2557
Filippino Lippi15.jpg 		The Vision of St.Bernard
1480's Badia, Fiesole
   
   
     
Filippino Lippi Thtee Scenes from the Story of Virginia (mk05) oil


Filippino Lippi
Thtee Scenes from the Story of Virginia (mk05)
Painting ID::  20037
new5/Filippino Lippi-823553.jpg 		Thtee Scenes from the Story of Virginia (mk05)
Wood cassone panel 17 1/2 x 50''(45 x 127 cm)Campana Collection Rome entered the Louvre in 1863
   
   
     
Filippino Lippi Three Scenes from the Story of Esther Mardochus (mk05) oil


Filippino Lippi
Three Scenes from the Story of Esther Mardochus (mk05)
Painting ID::  20038
new5/Filippino Lippi-624737.jpg 		Three Scenes from the Story of Esther Mardochus (mk05)
Wood cassone panel 19 x 52''(48 x 132 cm)Acquired by the Louvre in 1972
   
   
     
Filippino Lippi The Vision of St Bernard (mk080 oil


Filippino Lippi
The Vision of St Bernard (mk080
Painting ID::  21225
new6/Filippino Lippi-842437.jpg 		The Vision of St Bernard (mk080
c.1486 Tempera on wood, 210x195cm.Florence,Badia Fiorentina
   
   
     
Filippino Lippi Portrait of an old Man (nn03) oil


Filippino Lippi
Portrait of an old Man (nn03)
Painting ID::  23348
new8/Filippino Lippi-649642.jpg 		Portrait of an old Man (nn03)
c 1485 Fresco 47 x 38 cm 18 1/2 x 15 in Galleria degli Uffizi Florence
   
   
     
Filippino Lippi Self-Portrait oil


Filippino Lippi
Self-Portrait
Painting ID::  26721
new2/Filippino Lippi-796528.jpg 		Self-Portrait
mk52 c.1485 Fresco on ceramic tile,dimensions of whole 50x31cm Uffizi,Florence
   
   
     
Filippino Lippi Annunciation oil


Filippino Lippi
Annunciation
Painting ID::  29133
new3/Filippino Lippi-932987.jpg 		Annunciation
mk65 Tempera on panel 14x20"
   
   
     
Filippino Lippi Adoration of the Christ Child oil


Filippino Lippi
Adoration of the Christ Child
Painting ID::  29150
new3/Filippino Lippi-532946.jpg 		Adoration of the Christ Child
mk65 Oil on copper transferred from panel 35"
   
   
     
Filippino Lippi The Vision of St.Augustine oil


Filippino Lippi
The Vision of St.Augustine
Painting ID::  29199
new3/Filippino Lippi-359384.jpg 		The Vision of St.Augustine
mk65 1460s Tempera and oil on panel 11 1/2x20"
   
   
     
Filippino Lippi St.john the Baptist oil


Filippino Lippi
St.john the Baptist
Painting ID::  29761
new3/Filippino Lippi-468252.jpg 		St.john the Baptist
mk67 Tempera on panel 51 15/16x21 5/8in
   
   
     
Filippino Lippi The Adoration of the Child oil


Filippino Lippi
The Adoration of the Child
Painting ID::  29762
new3/Filippino Lippi-834586.jpg 		The Adoration of the Child
mk67 Tempera on panel 37 13/16x27 15/16in
   
   
     
Filippino Lippi The Adoration of the Magi oil


Filippino Lippi
The Adoration of the Magi
Painting ID::  29763
new3/Filippino Lippi-524332.jpg 		The Adoration of the Magi
mk67 Tempera on panel 101 9/16x95 11/16in Uffizi,Gallery
   
   
     
Filippino Lippi Madonna and Child Enthroned with SS.John the Baptist,Victor,Ber-nard,and Zenbius oil


Filippino Lippi
Madonna and Child Enthroned with SS.John the Baptist,Victor,Ber-nard,and Zenbius
Painting ID::  29764
new3/Filippino Lippi-358752.jpg 		Madonna and Child Enthroned with SS.John the Baptist,Victor,Ber-nard,and Zenbius
mk67 Tempera on panel 139 3/4x100 3/8in
   
   
     
Filippino Lippi The Deposition from the Cross oil


Filippino Lippi
The Deposition from the Cross
Painting ID::  29765
new3/Filippino Lippi-575238.jpg 		The Deposition from the Cross
mk67 Filippino Lippi and Pietro Perugino Tempera on panel 131 1/8x85 13/16in
   
   
     
Filippino Lippi The adoration of the Konige oil


Filippino Lippi
The adoration of the Konige
Painting ID::  38461
new12/LEONARDO da Vinci-473285.jpg 		The adoration of the Konige
mk137 1496 oils on wood chalkboard 258x243cm Gallerial degli Uffizi, Florence
   
   
     
Filippino Lippi The Hl. Philippus and the dragon oil


Filippino Lippi
The Hl. Philippus and the dragon
Painting ID::  39438
new12/Filippino Lippi-453578.jpg 		The Hl. Philippus and the dragon
mk148 In this apokryphen legend, the apostle subdues the dragon in a Mars-temple and converts the followers of this heathen God
   
   
     
Filippino Lippi The Hl. Petrus in Rome oil


Filippino Lippi
The Hl. Petrus in Rome
Painting ID::  39443
new12/Filippino Lippi-552466.jpg 		The Hl. Petrus in Rome
mk148 in the church Santa Maria del Carmine, Rome. Petrus u. Paulus fight with Simon Magus before emperor Nero (to the right), after the Petrusakten in the frame of the collection" golden legend" out of the 13.Jahrhundert.Linke Szene:s.S.178-179
   
   
     
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     Filippino Lippi
     Italian 1457-1504 Filippino Lippi Galleries Born Filippo Lippi in Prato (Tuscany), the illegitimate son of the painter Fra Filippo Lippi and nun Lucrezia Buti, Filippino first trained under his father. They moved to Spoleto, where Filippino served as shop adjuvant in the construction of the Cathedral there. When his father died in 1469, he completed the frescos with Storie della Vergine (Histories of the Virgin) in the cathedral. Filippino Lippi completed his apprenticeship in the workshop of Botticelli, who had been a pupil of Filippino's father. In 1472, Botticelli also took him as his companion in the Compagnia di San Luca. His first works greatly resemble those of Botticelli's, but with less sensitivity and subtlety. The very first ones (dating from 1475 onwards) were initially attributed to an anonymous "Amico di Sandro" ("Friend of Botticelli"). Eventually Lippi's style evolved into a more personal and effective one in the years 1480-1485. Works of the early period include: the Madonnas of Berlin, London and Washington, the Journeys of Tobia of the Galleria Sabauda in Turin, Italy, the Madonna of the Sea of Galleria dell'Accademia and the Histories of Ester. Together with Perugino, Ghirlandaio and Botticelli, Lippi worked on the frescoed decoration of Lorenzo de Medici's villa at Spedaletto. On December 31, 1482 he was commissioned to work on a wall of Sala dell'Udienza of Palazzo Vecchio in Florence (a work never begun). Soon after (probably in 1483-1484) he was called to complete Masaccio's decoration of Brancacci Chapel in the church of the Carmine, left unfinished by the artist's death in 1428 . Here he realized the Stories of Saint Peter on the following frescoes: Quarrel with Simon Magus in face of Nero, Resurrection of Teophilus' Son, Saint Peter Jailed, Liberation and Saint Peter's Crucifixion. The work on the Sala degli Otto di Pratica, in the Palazzo Vecchio, started on February 20, 1486. It is now in the Uffizi Gallery. In the same years Piero di Francesco del Pugliese asked him to paint the altarpiece with Apparition of the Virgin to St. Bernard, now in the Badia Fiorentina, Florence. This is Lippi's most popular picture: a composition of unreal items, with its very particular elongated figures, backed by a phantasmagorical scenario of rocks and almost anthropomorphic trunks. The work can be dated to the 1480-1486 years. Eventually he worked for Tanai de' Nerli in the Saint Spirit's Church. On April 21, 1487, Filippo Strozzi asked him to decorate the family chapel in Santa Maria Novella with the Stories of St. John Evangelist and St. Philip. He worked on this piece intermittently, only completing it in 1503, after the customer's death. The windows with musical themes, also designed by Filippino, were completed between June and July 1503. These paintings can be seen as a mirror of the political and religious crisis in Florence at the time: the theme of the fresco, the clash between Christianity and Paganism, was hotly debated in the Florence of Girolamo Savonarola. Filippino showed his characters in a landscape which recreated the ancient world in its finest details, showing the influence of the Grottesco style he had seen in his journey to Rome. He created in this way an "animated", mysterious, fantastic but also disquieting style, showing the unreality of something as a nightmare. In this way, Filippino portrayed ruthless executioners deformed by grim faces, who raged against the Saints. In the scene with St. Philip expelling a monster from the temple, the statue of the pagan god is a living figure which seems to dare the Christian saint. In 1488, Lippi moved to Rome, where Lorenzo de' Medici had advised Cardinal Oliviero Carafa to entrust him the decoration of the family chapel in Santa Maria sopra Minerva. These frescoes show a new kind of inspiration, quite different from the earlier works, but confirm his continued research on the themes of the Ancient era. Lippi finished the cycle by 1493. Lippi's return to Florence is variously assigned to the years going from 1491 to 1494 . Works of this period include: Apparition of Christ to Madonna (1493, now in Munich), Adoration of the Magi (1496, for the church of San Donato in Scopeto, now in the Uffizi), Sacrifice of Lacoön (end of the century, for the villa of Lorenzo de' Medici at Poggio a Caiano), St. John Baptist and Maddalena (Valori Chapel in San Procolo, Florence, inspired in some way to Luca Signorelli's art). He also worked outside of his mother-country, namely on the Certosa of Pavia and in Prato, where in 1503 he completed the Tabernacle of the Christmas Song, now in the City Museum; in 1501 Lippi realized the Mystic Wedding of St. Catherine for the Basilica of San Domenico in Bologna. Lippi's last work is the Deposition for the Santissima Annunziata church in Florence, which at his death in April 1504 was unfinished. He was so renowned that all the workshops of the city closed on the day of his burial.

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