กก

Eugene Delacroix Oil Painting Reproductions
       Prev  2  3  4  5  6  7  8  9  10   Next
  Next Artist     
   
    
Eugene Delacroix Arab Horses Fighting in a Stable oil


Eugene Delacroix
Arab Horses Fighting in a Stable
Painting ID::  58661
new20/Eugene Delacroix-962368.jpg 		Arab Horses Fighting in a Stable
Arab Horses Fighting in a Stable, 1860
   
   
     
Eugene Delacroix A Young Tiger Playing with its Mother oil


Eugene Delacroix
A Young Tiger Playing with its Mother
Painting ID::  58662
new20/Eugene Delacroix-856757.jpg 		A Young Tiger Playing with its Mother
A Young Tiger Playing with its Mother, 1830
   
   
     
Eugene Delacroix The Barque of Dante oil


Eugene Delacroix
The Barque of Dante
Painting ID::  58664
new20/Eugene Delacroix-858366.jpg 		The Barque of Dante
The Barque of Dante, 1822, the Louvre
   
   
     
Eugene Delacroix Delacroix oil


Eugene Delacroix
Delacroix
Painting ID::  58670
new20/Eugene Delacroix-673383.jpg 		Delacroix
Delacroix, Salon du Roi, Palais Bourbon, Paris
   
   
     
Eugene Delacroix The Justice of Trajan oil


Eugene Delacroix
The Justice of Trajan
Painting ID::  58671
new20/Eugene Delacroix-875658.jpg 		The Justice of Trajan
The Justice of Trajan, 1858, oil on canvas, Honolulu Academy of Arts
   
   
     
Eugene Delacroix Two Women at the Well oil


Eugene Delacroix
Two Women at the Well
Painting ID::  62512
new21/Eugene Delacroix-235859.jpg 		Two Women at the Well
268 x 189 mm Mus?e du Louvre, Paris This watercolour was made during a journey to Marocco and Algiers in 1832. Author: DELACROIX, Eug?ne Title: Two Women at the Well Form: graphics , 1801-1850 , French , other
   
   
     
Eugene Delacroix Moroccan Women oil


Eugene Delacroix
Moroccan Women
Painting ID::  62514
new21/Eugene Delacroix-355869.jpg 		Moroccan Women
1832 Watercolour Mus?e Cond? Chantilly The number of major paintings that derive from Delacroix's Moroccan notes and sketchbooks is clear proof of the impact of the experience. They include the Jewish Wedding in Morocco, The Fanatics of Tangier and The Sultan of Morocco and his Entourage. In the composition of these works, Delacroix scrupulously observed the notes and sketches that he had made in situ. Thus the decor of the Jewish Wedding in Morocco exactly matches that recorded in a watercolour in the notebook, while his notes give an exact description of the painting that was to come. Author: DELACROIX, Eug?ne Title: Moroccan Women Form: graphics , 1801-1850 , French , study
   
   
     
Eugene Delacroix Bouquet of Flowers oil


Eugene Delacroix
Bouquet of Flowers
Painting ID::  62516
new21/Eugene Delacroix-849565.jpg 		Bouquet of Flowers
1849-50 Watercolour, gouache and pastel on paper, 650 x 654 mm Mus?e du Louvre, Paris Delacroix painted flower paintings and landscapes in his later years. The symbolic import typical of Delacroix's subjects seems here to be lacking. They might be described as an early case of 'art for art's sake'. Delacroix took time off from his exhausting monumental labours to paint the flowers in the garden of his friend George Sand. Author: DELACROIX, Eug?ne Title: Bouquet of Flowers Form: graphics , 1801-1850 , French , still-life
   
   
     
Eugene Delacroix Illustration for Goethe's Faust oil


Eugene Delacroix
Illustration for Goethe's Faust
Painting ID::  62521
new21/Eugene Delacroix-574476.jpg 		Illustration for Goethe's Faust
1825-27 Pencil on beige paper, 225 x 295 mm Mus?e du Louvre, Paris The scene of Faust and Mephisto Gallop through the Night of the Witches' Sabbath is an illustration for Goethe's Faust, Verse 4399-4404. In this work everything is movement and expression. Author: DELACROIX, Eug?ne Title: Illustration for Goethe's Faust Form: graphics , 1801-1850 , French , other
   
   
     
Eugene Delacroix The Death of Ophelia oil


Eugene Delacroix
The Death of Ophelia
Painting ID::  62527
new21/Eugene Delacroix-324949.jpg 		The Death of Ophelia
181 x 255 mm Mus?e Eug?ne Delacroix, Paris Touched by the story of Ophelia's madness and death, Delacroix contrived to express in her death-scene a Shakespearean tribute to the suffering of humanity. Author: DELACROIX, Eug?ne Title: The Death of Ophelia Form: graphics , 1801-1850 , French , other
   
   
     
Eugene Delacroix Hamlet and Horatio in the Graveyard oil


Eugene Delacroix
Hamlet and Horatio in the Graveyard
Painting ID::  62528
new21/Eugene Delacroix-896653.jpg 		Hamlet and Horatio in the Graveyard
283 x 214 mm Biblioth?que Nationale, Paris Delacroix discovered Shakespeare in 1825 on a trip to London, where the celebrated Edmund Kean was playing Richard III. In Paris, the equally famous Talma - whose town house was decorated by Delacroix - did much to popularise Shakespeare's work in French. Delacroix saw Hamlet in Paris, in the company of Hugo, de Vigny, Dumas, Nerval and Berlioz. The Shakespearean hero, imperfect, immoderate and immature, was perfectly adapted to Delacroix's temperament, and gave free rein to his imagination; in his hands, the hero could be completed and perfected. It was, of course, Hamlet who most fascinated Delacroix. "Alas, poor Yorick! - I knew him, Horatio: a fellow of most infinite jest..." (Act V, Scene 1). The scene of Hamlet and Horatio in the Graveyard inspired a painting and a series of lithographs which mirror the development of his art as a whole. Author: DELACROIX, Eug?ne Title: Hamlet and Horatio in the Graveyard Form: graphics , 1801-1850 , French , other
   
   
     
Eugene Delacroix The Entry of the Crusaders into Constantinople oil


Eugene Delacroix
The Entry of the Crusaders into Constantinople
Painting ID::  62855
new21/Eugene Delacroix-965869.jpg 		The Entry of the Crusaders into Constantinople
1840 Oil on canvas Musee du Louvre, Paris Artist: DELACROIX, Eugene Title: The Entry of the Crusaders into Constantinople (detail) , painting Date: 1801-1850 French : historical
   
   
     
Eugene Delacroix Attila and his Hordes Overrun Italy and the Arts oil


Eugene Delacroix
Attila and his Hordes Overrun Italy and the Arts
Painting ID::  62857
new21/Eugene Delacroix-872368.jpg 		Attila and his Hordes Overrun Italy and the Arts
1843-47 Oil and virgin wax on plaster Bibliotheque, Palais Bourbon, Paris Delacroix decorated the walls of the library of the Palais Bourbon: two great semidomes eleven metres by eight situated on either side of the room. Delacroix decided to decorate them with allegorical subjects, one representing barbarity, Attila and His Hordes Overrun Italy and the Arts, and the other civilisation: Orpheus Civilizes the Greeks. There were in addition five little domes or bays, which would present the divisions adopted in all libraries, while not following the classification too exactly: Sciences, Philosophy, Legislation, Theology and Poetry. By making such a striking contrast between his two allegorical subjects, Delacroix contrived to symbolise War and Peace, the two poles of human conduct. Artist: DELACROIX, Eugene Title: Attila and his Hordes Overrun Italy and the Arts (detail) , painting Date: 1801-1850 French : historical
   
   
     
Eugene Delacroix Apollo Slays Python oil


Eugene Delacroix
Apollo Slays Python
Painting ID::  62858
new21/Eugene Delacroix-976299.jpg 		Apollo Slays Python
1850-51 Oil on mounted canvas, 800 x 750 cm Musee du Louvre, Paris This painting decorates the ceiling of the Galerie d'Apollon in the Louvre. Delacroix's greatest virtuosity was reserved for a project which came in 1850, between the decoration of the Senate and Palais Bourbon libraries and the monumental Salon de la Paix at the Hotel de Ville, and was the most important commission of Delacroix's life. It was nothing less than the decoration of the Galerie d'Apollon in the Louvre. Following a fire, Le Vau had reconstructed this historical gallery for Louis XIV, while the decoration was entrusted to Charles Le Brun. Then in 1678, Louis left Paris for Versailles, and work ceased. In 1793, in the wake of the French Revolution, the Louvre became a museum, and the Second Republic deemed the completion of the decoration a republican duty. Le Brun had intended a subject dear to the heart of the Sun King: Apollo on his chariot. For Delacroix, to make his mark at the very heart of the Louvre and to do so not by exhibiting paintings but by decorating the central part of a ceiling was a thrilling opportunity. Before he began, he felt the need to study the works of Rubens in Belgium. In his Apollo Slays Python, Delacroix retained Le Brun's ambition to portray the mythological figure of Apollo in the gallery of that name. But Delacroix enhanced Le Brun's allegory with a further allegory close to his own heart: intelligence wrestling with barbarity and light struggling with darkness. By emphasising the contrast between the two parts of his composition, the world of the sun above and that of darkness beneath, Delacroix transformed Le Brun's project and raised it to the plane of an eternal symbol. The subject, which Delacroix took from Ovid's Metamorphoses, is effectively the victory of Good over Evil. But it takes the form of beauty vanquishing the ugly and genius dispelling stupidity. Artist: DELACROIX, Eugene Title: Apollo Slays Python , painting Date: 1801-1850 French : mythological
   
   
     
Eugene Delacroix Apollo Vanquishing the Python oil


Eugene Delacroix
Apollo Vanquishing the Python
Painting ID::  62859
new21/Eugene Delacroix-989245.jpg 		Apollo Vanquishing the Python
1850-51 Mural painting, about 800 x 750 cm Musee du Louvre, Paris This is the central panel of the vaulted ceiling of the Galerie d'Apollon in the Louvre. One of Delacroix's lesser-known masterpieces, the subject-matter was dictated by its destination. Apollo Vanquishing the Python shows the painter working in a direct line from the great decorators of the seventeenth and eighteenth centuries, without losing any of his own ardor or lyricism. Artist: DELACROIX, Eugene Title: Apollo Vanquishing the Python , painting Date: 1801-1850 French : mythological
   
   
     
Eugene Delacroix Jacob Wrestling with the Angel oil


Eugene Delacroix
Jacob Wrestling with the Angel
Painting ID::  62860
new21/Eugene Delacroix-346232.jpg 		Jacob Wrestling with the Angel
1854-61 Oil and wax on plaster, 751 x 485 cm (whole painting) Saint-Sulpice, Paris Jacob Wrestling with the Angel has been read as a summary of Delacroix's life and work. Indeed the leitmotif of his career is the struggle - a spiritual combat - between his aspiration to classicism and his Romantic genius, between his admiration for Racine and his love of Shakespeare. Artist: DELACROIX, Eugene Title: Jacob Wrestling with the Angel (detail) , painting Date: 1801-1850 French : religious
   
   
     
Eugene Delacroix Woman with a Parrot oil


Eugene Delacroix
Woman with a Parrot
Painting ID::  62873
new21/Eugene Delacroix-886672.jpg 		Woman with a Parrot
1827 Oil on canvas, 24,5 x 32,5 cm Musee des Beaux-Arts, Lyons Delacroix painted the Recumbent Odalisque, also known as Woman with a Parrot, on his return from England. Representing one of Delacroix's favourite models, Laure, it forms one of a series of nudes, which includes the Female Nude Reclining on a Divan in the Louvre and the Odalisque of the Fitzwilliam Museum, Cambridge. In their tonal refinement they emphasise the connections between Delacroix and Bonington. Artist: DELACROIX, Eugene Title: Woman with a Parrot , painting Date: 1801-1850 French : genre
   
   
     
Eugene Delacroix The Death of Sardanapalus oil


Eugene Delacroix
The Death of Sardanapalus
Painting ID::  62875
new21/Eugene Delacroix-399459.jpg 		The Death of Sardanapalus
1827 Oil on canvas Musee du Louvre, Paris The woman writhing at the foot of the royal bed as a dagger is raised to her throat wears an expression of suffering too voluptuous for contemporary taste. Artist: DELACROIX, Eugene Title: The Death of Sardanapalus (detail) , painting Date: 1801-1850 French : historical
   
   
     
Eugene Delacroix The Death of Sardanapalus oil


Eugene Delacroix
The Death of Sardanapalus
Painting ID::  62876
new21/Eugene Delacroix-736252.jpg 		The Death of Sardanapalus
1827 Oil on canvas Musee du Louvre, Paris Artist: DELACROIX, Eugene Title: The Death of Sardanapalus (detail) , painting Date: 1801-1850 French : historical
   
   
     
Eugene Delacroix outono oil


Eugene Delacroix
outono
Painting ID::  67613
new23/Eugene Delacroix-674954.jpg 		outono
Title English: The Autumn - Bacchus and Ariadne Portugu X s: O Outono - Baco e Ariadne Dimensions 196 X 165 cm (77.17 X 64.96 in)
   
   
     
Eugene Delacroix A Christian Martyr Drowned in the Tiber During the Reign of Diocletian oil


Eugene Delacroix
A Christian Martyr Drowned in the Tiber During the Reign of Diocletian
Painting ID::  68550
new23/Eugene Delacroix-768458.jpg 		A Christian Martyr Drowned in the Tiber During the Reign of Diocletian
1855 Oil on canvas 171 x 148 cm
   
   
     
Eugene Delacroix The Abduction of Rebecca oil


Eugene Delacroix
The Abduction of Rebecca
Painting ID::  68560
new23/Eugene Delacroix-737348.jpg 		The Abduction of Rebecca
1846 Oil on canvas 100.3 x 81.9 cm
   
   
     
Eugene Delacroix lejonjakt oil


Eugene Delacroix
lejonjakt
Painting ID::  69106
new23/Eugene Delacroix-685347.jpg 		lejonjakt
1855 olja pa duk 56.8x73.8 se
   
   
     
Eugene Delacroix Ovid among the Scythians oil


Eugene Delacroix
Ovid among the Scythians
Painting ID::  69403
new23/Eugene Delacroix-458546.jpg 		Ovid among the Scythians
Medium oil on paper laid down on wood Dimensions 12 5/8 x 19 3/4 in. (32.1 x 50.2 cm)
   
   
     
Eugene Delacroix Selim and Zuleika oil


Eugene Delacroix
Selim and Zuleika
Painting ID::  69443
new23/Eugene Delacroix-973667.jpg 		Selim and Zuleika
oil on canvas painting by
   
   
     
Eugene Delacroix la mise au tombeau oil


Eugene Delacroix
la mise au tombeau
Painting ID::  69467
new23/Eugene Delacroix-658377.jpg 		la mise au tombeau
se
   
   
     
Eugene Delacroix Ovid among the Scythians oil


Eugene Delacroix
Ovid among the Scythians
Painting ID::  70459
new23/Eugene Delacroix-584677.jpg 		Ovid among the Scythians
Medium oil on paper laid down on wood Dimensions 12 5/8 x 19 3/4 in
   
   
     
Eugene Delacroix Frauen von Algier oil


Eugene Delacroix
Frauen von Algier
Painting ID::  70461
new23/Eugene Delacroix-753546.jpg 		Frauen von Algier
Medium Oil on canvas Dimensions Deutsch: 180 ?? 229 cm
   
   
     
Eugene Delacroix Abduction of Rebecca oil


Eugene Delacroix
Abduction of Rebecca
Painting ID::  70850
new23/Eugene Delacroix-557344.jpg 		Abduction of Rebecca
Medium Oil on canvas Dimensions 100.3 x 81.9 cm
   
   
     
Eugene Delacroix apartment oil


Eugene Delacroix
apartment
Painting ID::  71191
new23/Eugene Delacroix-897689.jpg 		apartment
mk290 1834 oil on canvas 70x90in musee du louvre paris
   
   
     
       Prev  2  3  4  5  6  7  8  9  10   Next
Next Artist     
     Eugene Delacroix
     French Romantic Painter, 1798-1863 For 40 years Eugene Delacroix was one of the most prominent and controversial painters in France. Although the intense emotional expressiveness of his work placed the artist squarely in the midst of the general romantic outpouring of European art, he always remained an individual phenomenon and did not create a school. As a personality and as a painter, he was admired by the impressionists, postimpressionists, and symbolists who came after him. Born on April 28, 1798, at Charenton-Saint-Maurice, the son of an important public official, Delacroix grew up in comfortable upper-middle-class circumstances in spite of the troubled times. He received a good classical education at the Lycee Imperial. He entered the studio of Pierre Narcisse Guerin in 1815, where he met Theodore Gericaul

BBBOnLine Reliability Seal

http://www.xiamenoilpainting.com

China Oil Painting Studio Team