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EYCK, Jan van Oil Painting Reproductions
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EYCK, Jan van Annunciation oil


EYCK, Jan van
Annunciation
Painting ID::  63086
new21/EYCK, Jan van-577954.jpg 		Annunciation
1436 Oil on wood, 39 x 24 cm Thyssen-Bornemisza Collection, Madrid The panel depicting in grisaille the Virgin Annunciate is one of the wings of a small portable diptych. The other wing representing the Angel Annunciating is in the same museum. Artist: EYCK, Jan van Painting Title: Annunciation , 1401-1450 Painting Style: Flemish , , religious
   
   
     
EYCK, Jan van The Madonna with Canon van der Paele oil


EYCK, Jan van
The Madonna with Canon van der Paele
Painting ID::  63916
new21/EYCK, Jan van-949549.jpg 		The Madonna with Canon van der Paele
1436 Oil on wood, width of detail: 47 cm Groeninge Museum, Bruges The bald wrinkled head of the old canon is an impressive exercise in psychological analysis.Artist:EYCK, Jan van Title: The Madonna with Canon van der Paele (detail) Painted in 1401-1450 , Flemish - - painting : religious
   
   
     
EYCK, Jan van The Madonna with Canon van der Paele oil


EYCK, Jan van
The Madonna with Canon van der Paele
Painting ID::  63917
new21/EYCK, Jan van-768756.jpg 		The Madonna with Canon van der Paele
1436 Oil on wood, width of details: 7,5 cm (each) Groeninge Museum, Bruges The picture shows some architectural details of the painting. The reliefs and sculptures on the capitals in the background and on the Virgin's throne all allude to Christ's salvation of humanity. The depictions on the throne of Adam and Eve, Cain killing Abel, and Samson fighting the lion, together with the depiction on the capitals of Abraham sacrificing Isaac, create an Old Testament framework which allows the observer to reflect on the mercy of God, who sent his son, Christ the Redeemer, into the world. Redemption from sin (Cain killing his brother) is possible only through the power of faith (Samson overpowering the lion). The goodness and grace of God "at the moment of truth" (Abraham sacrificing Isaac) serves as proof of the redeeming power and presence of servants of God both celestial (St. George) and mortal (Canon van der Paele).Artist:EYCK, Jan van Title: The Madonna with Canon van der Paele (details) Painted in 1401-1450 , Flemish - - painting : religious
   
   
     
EYCK, Jan van The Ghent Altarpiece oil


EYCK, Jan van
The Ghent Altarpiece
Painting ID::  64768
new22/EYCK, Jan van-969534.jpg 		The Ghent Altarpiece
1432 Oil on wood Cathedral of St Bavo, Ghent The detail shows Isabelle Borluut, wife of Jodocus Vyd, the donor of the Ghent Altarpiece. , EYCK, Jan van , The Ghent Altarpiece: The Donor's Wife (detail) , 1401-1450 , Flemish , painting , portrait
   
   
     
EYCK, Jan van The Ghent Altarpiece: The Holy Hermits oil


EYCK, Jan van
The Ghent Altarpiece: The Holy Hermits
Painting ID::  64769
new22/EYCK, Jan van-533394.jpg 		The Ghent Altarpiece: The Holy Hermits
1427-30 Oil on wood, 148,6 x 53,9 cm Cathedral of St Bavo, Ghent Opposite to the Soldiers of Christ and the Just Judges are the Holy Hermits who have renounced the world. , EYCK, Jan van , The Ghent Altarpiece: The Holy Hermits , 1401-1450 , Flemish , painting , religious
   
   
     
EYCK, Jan van The Ghent Altarpiece: Adam (detail oil


EYCK, Jan van
The Ghent Altarpiece: Adam (detail
Painting ID::  64770
new22/EYCK, Jan van-522828.jpg 		The Ghent Altarpiece: Adam (detail
1425-29 Oil on wood Cathedral of St Bavo, Ghent There is a passionate interest in facial expression and in character, an instance of this is the difference in treatment between the supernatural figures (God the Father and the Virgin) and those of Adam and Eve who appear as figures from another world, physically as well as spiritually. , EYCK, Jan van , The Ghent Altarpiece: Adam (detail) , 1401-1450 , Flemish , painting , religious
   
   
     
EYCK, Jan van The Ghent Altarpiece oil


EYCK, Jan van
The Ghent Altarpiece
Painting ID::  64771
new22/EYCK, Jan van-879944.jpg 		The Ghent Altarpiece
1432 Oil on wood Cathedral of St Bavo, Ghent When closed, the altarpiece has on the outside of its wings a large Annunciation. , EYCK, Jan van , The Ghent Altarpiece: Angel of the Annunciation , 1401-1450 , Flemish , painting , religious
   
   
     
EYCK, Jan van The Ghent Altarpiece oil


EYCK, Jan van
The Ghent Altarpiece
Painting ID::  64772
new22/EYCK, Jan van-229437.jpg 		The Ghent Altarpiece
1432 Oil on wood Cathedral of St Bavo, Ghent Prophets Zacharias and Michas are related to the Annunciation through their prophecies given by the text on the floating ribbons. , EYCK, Jan van , The Ghent Altarpiece: Prophet Zacharias , 1401-1450 , Flemish , painting , religious
   
   
     
EYCK, Jan van The Ghent Altarpiece oil


EYCK, Jan van
The Ghent Altarpiece
Painting ID::  64773
new22/EYCK, Jan van-936894.jpg 		The Ghent Altarpiece
1425-29 Oil on wood, width 37 cm Cathedral of St Bavo, Ghent The scene at top of the niche containing the figure of Adam depicts in grisaille the Offering of Abel and Cain. The scene prefigures both the sacrifice of Christ and the Eucharist. , EYCK, Jan van , The Ghent Altarpiece: The Offering of Abel and Cain , 1401-1450 , Flemish , painting , religious
   
   
     
EYCK, Jan van The Ghent Altarpiece: Singing Angels oil


EYCK, Jan van
The Ghent Altarpiece: Singing Angels
Painting ID::  64774
new22/EYCK, Jan van-778249.jpg 		The Ghent Altarpiece: Singing Angels
1427-29 Oil on wood, 164,5 x 71,5 cm Cathedral of St Bavo, Ghent The two panels depicting the angels playing music and singing are the most famous details of the altar-piece. Although it has been proposed that they were originally designed to be parts of an organ housing, they clearly fit into the iconographic concept. Connected with the trio of God the Father, surrounded by the Virgin Mary and St John the Baptist, these wingless angels belong to the "heavenly domain", and they not only sing the praises of the Lord but also invoke the music of the spheres. At the same time, their presence is connected to the events depicted in the lower part of the panels: the use of identical sky background proves this. , EYCK, Jan van , The Ghent Altarpiece: Singing Angels , 1401-1450 , Flemish , painting , religious
   
   
     
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     EYCK, Jan van
     Flemish Northern Renaissance Painter, ca.1395-1441 Painter and illuminator, brother of Hubert van Eyck. According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d'Heere, Jan trained with his brother Hubert. Pietro Summonte's assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan's works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of 'Master', working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege.

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