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David, Jacques-Louis Oil Painting Reproductions
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David, Jacques-Louis Madame Charles-Louis Trudaine (mk05) oil


David, Jacques-Louis
Madame Charles-Louis Trudaine (mk05)
Painting ID::  20783
new6/David, Jacques-Louis-249693.jpg 		Madame Charles-Louis Trudaine (mk05)
Canvas 51 1/4 x 38 1/2''(130 x 98 cm)Bequeathed in 1890 R.F 670 (S/AR)
   
   
     
David, Jacques-Louis Helene Galitzine Study for 'Lady in blue' (mk35) oil


David, Jacques-Louis
Helene Galitzine Study for 'Lady in blue' (mk35)
Painting ID::  24928
new8/Henri Matisse-699832.jpg 		Helene Galitzine Study for 'Lady in blue' (mk35)
1937 Helene Galitzine Etude pour 'La dame en bleu Pen and Indian ink' 51.5 x 38 cm Private collection
   
   
     
David, Jacques-Louis The Oath of the Tennis Court oil


David, Jacques-Louis
The Oath of the Tennis Court
Painting ID::  43955
new16/David, Jacques-Louis-752895.jpg 		The Oath of the Tennis Court
1791 Pen and brown ink, brown wash with white highlights, 66 x 101 cm
   
   
     
David, Jacques-Louis The Three Horatii Brothers oil


David, Jacques-Louis
The Three Horatii Brothers
Painting ID::  62515
new21/David, Jacques-Louis-279476.jpg 		The Three Horatii Brothers
1785 Black chalk, wash and white highlights, 580 x 450 mm Mus?e Bonnat, Bayonne David worked in a very methodical manner on The Oath of the Horatii, drawing from life models and draped mannequins, and some very detailed studies survive for many of the main figures. Author: DAVID, Jacques-Louis Title: The Three Horatii Brothers Form: graphics , 1801-1850 , French , study
   
   
     
David, Jacques-Louis Deputies swearing oaths oil


David, Jacques-Louis
Deputies swearing oaths
Painting ID::  62517
new21/David, Jacques-Louis-298447.jpg 		Deputies swearing oaths
1791 Pen, ink and wash with black chalk, 490 x 600 mm Mus?e National du Ch?teau, Versailles Such an ambitious project as The Oath of the Tennis Court required an enormous amount of preliminary work and David filled two sketchbooks and many individual sheets with details and figure studies. He went to Versailles and drew the empty tennis court, and experimented with the poses of the deputies. As he had not witnessed the oath, he wrote little notes on his sketches to remind himself of how characters should appear, and which small but telling details to include: 'do not forget to show the deputies moved to tears and holding their hands to their eyes', 'remember to show the dust that was raised by the movement of the action' and 'remember the bell' (used not very successfully by Bailly to call the noisy and animated deputies to order). David saw the oath as a modern and greatly expanded version of the Horatii and the deputies became the equivalents of the heroes of antiquity. Author: DAVID, Jacques-Louis Title: Deputies swearing oaths Form: graphics , 1801-1850 , French , study
   
   
     
David, Jacques-Louis Louis XVI Showing the Constitution to his Son oil


David, Jacques-Louis
Louis XVI Showing the Constitution to his Son
Painting ID::  62518
new21/David, Jacques-Louis-477927.jpg 		Louis XVI Showing the Constitution to his Son
the Dauphin 1792 Graphite, 180 x 110 mm Mus?e du Louvre, Paris This drawing is from Album 7, folio 38 verso. In the spring of 1792 David received a most unexpected commission. This was to paint the king in the act of showing the constitution to his heir, the Dauphin. David was certainly no royalist and the fact that he actually started work on the picture meant that he thought that it could be a positive contribution to the course of the moderate Revolution. As well as studies for Louis XVI Showing the Constitution to his Son, the Dauphin, David also made drawings for an Allegory of the French People Offering the Crown and Sceptre to the King. These paintings were never realized. Author: DAVID, Jacques-Louis Title: Louis XVI Showing the Constitution to his Son, the Dauphin Form: graphics , 1801-1850 , French , study
   
   
     
David, Jacques-Louis Allegory of the French People Offering the Crown and Sceptre to the King oil


David, Jacques-Louis
Allegory of the French People Offering the Crown and Sceptre to the King
Painting ID::  62519
new21/David, Jacques-Louis-383983.jpg 		Allegory of the French People Offering the Crown and Sceptre to the King
180 x 110 mm Mus?e du Louvre, Paris This drawing is from Album 7, folio 41 recto. In the spring of 1792 David received a most unexpected commission. This was to paint the king in the act of showing the constitution to his heir, the Dauphin. David was certainly no royalist and the fact that he actually started work on the picture meant that he thought that it could be a positive contribution to the course of the moderate Revolution. As well as studies for Louis XVI Showing the Constitution to his Son, the Dauphin, David also made drawings for an Allegory of the French People Offering the Crown and Sceptre to the King. These paintings were never realized. Author: DAVID, Jacques-Louis Title: Allegory of the French People Offering the Crown and Sceptre to the King Form: graphics , 1801-1850 , French , study
   
   
     
David, Jacques-Louis Head of the Dead Marat oil


David, Jacques-Louis
Head of the Dead Marat
Painting ID::  62520
new21/David, Jacques-Louis-375295.jpg 		Head of the Dead Marat
black and brown ink, 270 x 210 mm Mus?e National du Ch?teau, Versailles David probably drew Marat while the body was on display and this drawing, with its network of crosshatching in the manner of an engraving, isolates the head and produces a macabre yet powerful portrait of the deceased. As with the final painting (The Death of Marat) there is no suggestion of the violent act that had taken place, and in the four corners David wrote A MARAT /L'AMI/DU PEUPLE/DAVID (To Marat, The Friend of the People, David). Author: DAVID, Jacques-Louis Title: Head of the Dead Marat Form: graphics , 1801-1850 , French , study
   
   
     
David, Jacques-Louis The English Government oil


David, Jacques-Louis
The English Government
Painting ID::  62522
new21/David, Jacques-Louis-968663.jpg 		The English Government
1794 Hand coloured etching, 248 x 392 mm Biliotheque Nationale, Paris Painting occupied only a fraction of David's time during the Revolution. He also made designs for civic uniforms, for money and official seals and even produced two crudely drawn and vulgar caricatures that mocked the English. Since the Revolution his views on the English had clearly changed and he no longer felt them to be the epitome of a free nation. According to the print's caption the English government 'is personified by the figure of a Devil skinned alive, monopolizing commerce and covered with all the Royal decorations. The portrait of the king is located at the rear end of the government which vomits on its people a myriad of taxes which overwhelm them.' Author: DAVID, Jacques-Louis Title: The English Government Form: graphics , 1801-1850 , French , other
   
   
     
David, Jacques-Louis Woman in a Turban oil


David, Jacques-Louis
Woman in a Turban
Painting ID::  62523
new21/David, Jacques-Louis-268668.jpg 		Woman in a Turban
1794 Pen and brown ink, 370 x 260 mm Private collection David worked with great energy while in prison. He made the drawing of a Woman in a Turban in the style of an engraving. He very pointedly inscribed 'J L David did this in chains' (i.e. in prison). Author: DAVID, Jacques-Louis Title: Woman in a Turban Form: graphics , 1801-1850 , French , portrait
   
   
     
David, Jacques-Louis Homer Reciting his Verses to the Greeks oil


David, Jacques-Louis
Homer Reciting his Verses to the Greeks
Painting ID::  62524
new21/David, Jacques-Louis-368389.jpg 		Homer Reciting his Verses to the Greeks
1794 Black and red chalk, pen, ink and wash, 272 x 345 mm Mus?e du Louvre, Paris David also began work in prison on a history painting on the theme of Homer Reciting his Verses to the Greeks; he closely identified with the blind poet of antiquity because of a shared sense of solitude and victimization. Author: DAVID, Jacques-Louis Title: Homer Reciting his Verses to the Greeks Form: graphics , 1801-1850 , French , mythological
   
   
     
David, Jacques-Louis Portrait of Jeanbon Saint-Andr oil


David, Jacques-Louis
Portrait of Jeanbon Saint-Andr
Painting ID::  62525
new21/David, Jacques-Louis-338726.jpg 		Portrait of Jeanbon Saint-Andr
1795 Pen, black ink, wash and white highlights, diameter 182 mm Art Institute, Chicago When in prison, David drew an oval portrait of a fellow detainee, the former Protestant minister, Jeanbon Saint-Andr? Politically Saint-Andr?had much in common with David. David's portrait shows him as upright and determined, with no hint of a man subdued by imprisonment. David, however, revealed his personal sense of injustice in an inscription in Latin at the bottom of the drawing: 'A gift of friendship. Solace of affection. David made in chains Year III of the French Republic (1795) Messidor 20.' Author: DAVID, Jacques-Louis Title: Portrait of Jeanbon Saint-Andr? Form: graphics , 1801-1850 , French , portrait
   
   
     
David, Jacques-Louis The Arrival at the oil


David, Jacques-Louis
The Arrival at the
Painting ID::  62526
new21/David, Jacques-Louis-745628.jpg 		The Arrival at the
brown and black ink with white highlights, 262 x 408 mm Mus?e du Louvre, Paris The Arrival at the H?tel de Ville was one of the commemorative works planned by David. Author: DAVID, Jacques-Louis Title: The Arrival at the H?tel de Ville Form: graphics , 1801-1850 , French , historical
   
   
     
David, Jacques-Louis Madame Raymond de Verninac oil


David, Jacques-Louis
Madame Raymond de Verninac
Painting ID::  79629
new24/David, Jacques-Louis-856483.jpg 		Madame Raymond de Verninac
1798-1799 Medium Oil on canvas cyf
   
   
     
David, Jacques-Louis Verteilung der Adler oil


David, Jacques-Louis
Verteilung der Adler
Painting ID::  93718
new26/David, Jacques-Louis-697646.jpg 		Verteilung der Adler
1810(1810) Medium oil on canvas Dimensions Deutsch: 610 x 971 cm cjr
   
   
     
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     David, Jacques-Louis
     French Neoclassical Painter, 1748-1825 Jacques-Louis David is famous for his huge, dramatic canvasses of Napoleon and other historical figures, including Oath of the Horatii (1784), Death of Marat (1793) and The Sabine Women (1799). Early in his career he was a leader in the neoclassical movement; later his subjects became more modern and political. David was himself active in the French Revolution as a supporter of Robespierre and is sometimes called the chief propagandist for the Revolution; after the Reign of Terror ended he was briefly imprisoned for his actions. When Napoleon took power David became his court painter and created several grand canvasses of the Emperor, including the heroic Napoleon Bonaparte Crossing the Alps (1801) and the enormous Coronation of Napoleon and Josephine (1807). David also painted Napoleon in His Study (1812),

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