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Dante Gabriel Rossetti Oil Painting Reproductions

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Dante Gabriel Rossetti Dante's Vision of Rachel and Leah (mk28) oil


Dante Gabriel Rossetti
Dante's Vision of Rachel and Leah (mk28)
Painting ID::  24415
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Dante's Vision of Rachel and Leah (mk28)
1855 Watercolour on paper 35.5 x 31.5 cm Tate Gallery London
   
   
     

Dante Gabriel Rossetti The Blue Closet (mk28) oil


Dante Gabriel Rossetti
The Blue Closet (mk28)
Painting ID::  24416
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The Blue Closet (mk28)
1857 Watercolour on paper 34.3 x 24.8 cm Tate Gallery London
   
   
     

Dante Gabriel Rossetti The Weding of St George and the Princess Sabra (mk28) oil


Dante Gabriel Rossetti
The Weding of St George and the Princess Sabra (mk28)
Painting ID::  24417
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The Weding of St George and the Princess Sabra (mk28)
1857 Watercolour on paper 36.5 x 36.5 cm Tate Gallery London
   
   
     

Dante Gabriel Rossetti The Tune of Seven Towers (mk28) oil


Dante Gabriel Rossetti
The Tune of Seven Towers (mk28)
Painting ID::  24418
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The Tune of Seven Towers (mk28)
1857 Watercolour on paper 31.4 x 36.5 cm Tate Gallery London
   
   
     

Dante Gabriel Rossetti St Catherine (mk28) oil


Dante Gabriel Rossetti
St Catherine (mk28)
Painting ID::  24419
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St Catherine (mk28)
1857 Oil on canvas 34.3 x 24.1 cm Tate Gallery London
   
   
     

Dante Gabriel Rossetti A Christmas Carol (mk28) oil


Dante Gabriel Rossetti
A Christmas Carol (mk28)
Painting ID::  24420
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A Christmas Carol (mk28)
1857-8 Watercolour and Gouache on paper,Mounted on panel 34.3 x 29.7 cm Fogg Museum of Art,Harvard University,Cambridge, MA
   
   
     

Dante Gabriel Rossetti The Seed of David (mk28) oil


Dante Gabriel Rossetti
The Seed of David (mk28)
Painting ID::  24421
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The Seed of David (mk28)
1858-64 Oil on canvas centre panel of triptych 228.5 x 152 cm Wings 185 x 62 cm Llandaff Cathedral Cardiff
   
   
     

Dante Gabriel Rossetti Writing on the Sand (mk28) oil


Dante Gabriel Rossetti
Writing on the Sand (mk28)
Painting ID::  24422
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Writing on the Sand (mk28)
1859 Watercolour on paper 26.5 x 24 cm British Museum, London
   
   
     

Dante Gabriel Rossetti Sir Galahad at the Ruined Chapel (mk28) oil


Dante Gabriel Rossetti
Sir Galahad at the Ruined Chapel (mk28)
Painting ID::  24423
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Sir Galahad at the Ruined Chapel (mk28)
1859 Watercolour and bodycolour on paper 29.1 x 34.5 cm Birmingham Museum and Art Gallery
   
   
     

Dante Gabriel Rossetti Bocca Baciata (mk28) oil


Dante Gabriel Rossetti
Bocca Baciata (mk28)
Painting ID::  24424
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Bocca Baciata (mk28)
1859 Oil on panel 32.2 x 27.1 cm Museum of Fine Arts Boston MA
   
   
     

Dante Gabriel Rossetti Dantis Amor (mk28) oil


Dante Gabriel Rossetti
Dantis Amor (mk28)
Painting ID::  24425
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Dantis Amor (mk28)
1860 Oil on panel 74.9 x 81.3 cm Tate Gallery London
   
   
     

Dante Gabriel Rossetti Fair Rosamund (mk28) oil


Dante Gabriel Rossetti
Fair Rosamund (mk28)
Painting ID::  24426
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Fair Rosamund (mk28)
1861 Oil on canvas 52 x 42 cm National Museum of Wales,Cardiff
   
   
     

Dante Gabriel Rossetti The Sermon on the Mount (mk28) oil


Dante Gabriel Rossetti
The Sermon on the Mount (mk28)
Painting ID::  24427
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The Sermon on the Mount (mk28)
1862 Stained glass South nave window All Saints Selsley Gloucestershire
   
   
     

Dante Gabriel Rossetti Portrait of Maria Leathart (mk28) oil


Dante Gabriel Rossetti
Portrait of Maria Leathart (mk28)
Painting ID::  24428
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Portrait of Maria Leathart (mk28)
1862 Oil on panel 33 x 30 cm Family collection
   
   
     

Dante Gabriel Rossetti Girl at a Lattice (mk28) oil


Dante Gabriel Rossetti
Girl at a Lattice (mk28)
Painting ID::  24429
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Girl at a Lattice (mk28)
1862 oil on canvas 30.5 x 27 cm Fitzwilliam Museum University of Cambridge
   
   
     

Dante Gabriel Rossetti Helen of Troy (mk28) oil


Dante Gabriel Rossetti
Helen of Troy (mk28)
Painting ID::  24430
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Helen of Troy (mk28)
1863 Oil on panel 31 x 27 cm Hamburger Kunsthalle
   
   
     

Dante Gabriel Rossetti How Sir Galahad,Sir Bors and Sir Percival were Fed with the Sanc Grael But Sir Percival's Sister Died by the Way (mk28) oil


Dante Gabriel Rossetti
How Sir Galahad,Sir Bors and Sir Percival were Fed with the Sanc Grael But Sir Percival's Sister Died by the Way (mk28)
Painting ID::  24431
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How Sir Galahad,Sir Bors and Sir Percival were Fed with the Sanc Grael But Sir Percival's Sister Died by the Way (mk28)
1864 Watercolour on paper 29.2 x 41.9 cm Tate Gallery London
   
   
     

Dante Gabriel Rossetti Beata Beatrix (mk28) oil


Dante Gabriel Rossetti
Beata Beatrix (mk28)
Painting ID::  24432
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Beata Beatrix (mk28)
1864-70 Oil on canvas 86 x 66 cm Tate Gallery London
   
   
     

Dante Gabriel Rossetti Venus Verticordia (mk28) oil


Dante Gabriel Rossetti
Venus Verticordia (mk28)
Painting ID::  24433
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Venus Verticordia (mk28)
1864-8 Oil on canvas 98 x 70 cm Russell Cotes Art Gallery and Museum Bournemouth
   
   
     

Dante Gabriel Rossetti Study for Venus Verticordia (mk28) oil


Dante Gabriel Rossetti
Study for Venus Verticordia (mk28)
Painting ID::  24434
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Study for Venus Verticordia (mk28)
c 1863 Chalk on paper 77.5 x 62 cm Faringdon Collection Trust,Buscot Park Oxfordshire
   
   
     

Dante Gabriel Rossetti The Blue Bower (mk28) oil


Dante Gabriel Rossetti
The Blue Bower (mk28)
Painting ID::  24435
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The Blue Bower (mk28)
1865 Oil on canvas 90 x 69 cm Barber Institute of Fine Arts University of Birmingham
   
   
     

Dante Gabriel Rossetti Regina Cordium (mk28) oil


Dante Gabriel Rossetti
Regina Cordium (mk28)
Painting ID::  24436
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Regina Cordium (mk28)
1866 Oil on canvas 59.7 x 49.5 cm Art Gallery and Museum,Kelvingrove,Glasgow
   
   
     

Dante Gabriel Rossetti Sibylla Palmifera (mk28) oil


Dante Gabriel Rossetti
Sibylla Palmifera (mk28)
Painting ID::  24437
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Sibylla Palmifera (mk28)
1866-70 Oil on canvas 94 x 82.5 cm Lady Lever Art Gallery,port Sunlight
   
   
     

Dante Gabriel Rossetti Reverie (mk28) oil


Dante Gabriel Rossetti
Reverie (mk28)
Painting ID::  24438
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Reverie (mk28)
1868 Chalk on paper 84 x 71 cm Ashmolean Museum Oxford
   
   
     

Dante Gabriel Rossetti John Parsons Jane Morris (mk28) oil


Dante Gabriel Rossetti
John Parsons Jane Morris (mk28)
Painting ID::  24439
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John Parsons Jane Morris (mk28)
1865 Photograph Victoria and Albert Museum,London
   
   
     

Dante Gabriel Rossetti La Piia de'Tolomei (mk28) oil


Dante Gabriel Rossetti
La Piia de'Tolomei (mk28)
Painting ID::  24440
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La Piia de'Tolomei (mk28)
c 1868-80 Oil on canvas 105.8 x 120.6 cm Spencer Museum of Art,University of Kansas,Lawrence,KS
   
   
     

Dante Gabriel Rossetti Mariana (mk28) oil


Dante Gabriel Rossetti
Mariana (mk28)
Painting ID::  24441
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Mariana (mk28)
1870 Oil on canvas 109 x 89 cm Aberdeen Art Gallery
   
   
     

Dante Gabriel Rossetti La Donna della Fiamma (mk28) oil


Dante Gabriel Rossetti
La Donna della Fiamma (mk28)
Painting ID::  24442
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La Donna della Fiamma (mk28)
1870 Chalk on paper 100.5 x 75 cm City Art Galleries Manchester
   
   
     

Dante Gabriel Rossetti Water Willow (mk28) oil


Dante Gabriel Rossetti
Water Willow (mk28)
Painting ID::  24443
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Water Willow (mk28)
1871 Oil on canvas 33 x 26.7 cm Samuel and Mary R Bancroft Memorial,Delaware Art Museum,Wilmingron,DE
   
   
     

Dante Gabriel Rossetti Dante's Dream at the Time of the Death of Beatrice (mk28) oil


Dante Gabriel Rossetti
Dante's Dream at the Time of the Death of Beatrice (mk28)
Painting ID::  24444
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Dante's Dream at the Time of the Death of Beatrice (mk28)
1871 Oil on canvas 211 x 317.5 cm Walker Art Gallery,Liverpool
   
   
     

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     Dante Gabriel Rossetti
     English Pre-Raphaelite Painter, 1828-1882 Rossetti's first major paintings display some of the realist qualities of the early Pre-Raphaelite movement. His Girlhood of Mary, Virgin and Ecce Ancilla Domini both portray Mary as an emaciated and repressed teenage girl. His incomplete picture Found was his only major modern-life subject. It depicted a prostitute, lifted up from the street by a country-drover who recognises his old sweetheart. However, Rossetti increasingly preferred symbolic and mythological images to realistic ones. This was also true of his later poetry. Many of the ladies he portrayed have the image of idealized Botticelli's Venus, who was supposed to portray Simonetta Vespucci. Although he won support from the John Ruskin, criticism of his clubs caused him to withdraw from public exhibitions and turn to waterhum, which could be sold privately. In 1861, Rossetti published The Early Italian Poets, a set of English translations of Italian poetry including Dante Alighieri's La Vita Nuova. These, and Sir Thomas Malory's Morte d'Arthur, inspired his art in the 1850s. His visions of Arthurian romance and medieval design also inspired his new friends of this time, William Morris and Edward Burne-Jones. Rossetti also typically wrote sonnets for his pictures, such as "Astarte Syraica". As a designer, he worked with William Morris to produce images for stained glass and other decorative devices. Both these developments were precipitated by events in his private life, in particular by the death of his wife Elizabeth Siddal. She had taken an overdose of laudanum shortly after giving birth to a stillborn child. Rossetti became increasingly depressed, and buried the bulk of his unpublished poems in his wife's grave at Highgate Cemetery, though he would later have them exhumed. He idealised her image as Dante's Beatrice in a number of paintings, such as Beata Beatrix. These paintings were to be a major influence on the development of the European Symbolist movement. In these works, Rossetti's depiction of women became almost obsessively stylised. He tended to portray his new lover Fanny Cornforth as the epitome of physical eroticism, whilst another of his mistresses Jane Burden, the wife of his business partner William Morris, was glamorised as an ethereal goddess.

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