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DOLCI, Carlo Oil Painting Reproductions

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DOLCI, Carlo Portrait of Ainolfo de  Bardi oil


DOLCI, Carlo
Portrait of Ainolfo de Bardi
Painting ID::  6410
DOLCI, Carlo1.jpg
Portrait of Ainolfo de Bardi
1632 Oil on canvas, 149,5 x 119 cm Galleria Palatina (Palazzo Pitti), Florence
   
   
     

DOLCI, Carlo St Catherine Reading a Book sd oil


DOLCI, Carlo
St Catherine Reading a Book sd
Painting ID::  6411
DOLCI, Carlo2.jpg
St Catherine Reading a Book sd
Oil on canvas Residenzgalerie, Salzburg
   
   
     

DOLCI, Carlo St Cecilia at the Organ dfg oil


DOLCI, Carlo
St Cecilia at the Organ dfg
Painting ID::  6412
DOLCI, Carlo3.jpg
St Cecilia at the Organ dfg
1671 Oil on canvas, 96,5 x 81 cm Gemäldegalerie, Dresden
   
   
     

DOLCI, Carlo The Guardian Angel dfg oil


DOLCI, Carlo
The Guardian Angel dfg
Painting ID::  6413
DOLCI, Carlo4.jpg
The Guardian Angel dfg
1675 Oil on canvas Museum of the Cathedral, Prato
   
   
     

DOLCI, Carlo Magdalene df oil


DOLCI, Carlo
Magdalene df
Painting ID::  6414
DOLCI, Carlo5.jpg
Magdalene df
1660-70 Oil on canvas, 73 x 56 cm Galleria Palatina (Palazzo Pitti), Florence
   
   
     

DOLCI, Carlo Salome with the Head of St John the Baptist dfg oil


DOLCI, Carlo
Salome with the Head of St John the Baptist dfg
Painting ID::  6415
DOLCI, Carlo6.jpg
Salome with the Head of St John the Baptist dfg
1665-70 Oil on canvas, 122,6 x 96,5 cm Royal Collection, Windsor
   
   
     

DOLCI, Carlo Self-Portrait dgd oil


DOLCI, Carlo
Self-Portrait dgd
Painting ID::  6416
DOLCI, Carlo7.jpg
Self-Portrait dgd
1674 Oil on canvas Galleria degli Uffizi, Florence
   
   
     

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     DOLCI, Carlo
     Italian Baroque Era Painter, 1616-ca.1686 was an Italian painter of the Baroque period, active mainly in Florence, known for highly finished religious pictures, often repeated in many versions. He was born in Florence, on his mother's side the grandson of a painter. Although he was precocious and apprenticed at a young age to Jacopo Vignali, Dolci was not prolific. "He would take weeks over a single foot", according to his biographer Baldinucci.His painstaking technique made him unsuited for large-scale fresco painting. He painted chiefly sacred subjects, and his works are generally small in scale, although he made a few life-size pictures. He often repeated the same composition in several versions, and his daughter, Agnese Dolci, also made excellent copies of his works. Dolci was known for his piety. It is said that every year during Passion Week he painted a half-figure of the Saviour wearing the Crown of Thorns. In 1682, when he saw Giordano,

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